Bent on committing as many sins as possible to avert the birth of the beast, a Catholic priest teams up with a Black Metal aficionado and an Italian connoisseur of the occult. Now, he must become an unrelenting sinner. Is there still hope?
Álex de la Iglesia
Armando De Razza,
A historical drama set in Roman Egypt, concerning a slave who turns to the rising tide of Christianity in the hope of pursuing freedom while falling in love with his mistress, the philosophy and mathematics professor Hypatia of Alexandria.
The accidental discovery of a big fortune hidden in the apartment of a deceased man will fill the heart of a real estate agent with greed and dreams of a luxurious life, but the neighbours think otherwise.
Álex de la Iglesia
The story of two men on different sides of a prison riot -- the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.
Why is death and violence so fascinating? Is it morally correct to show violence in movies? If so, is there a limit to what we should show? That's the subject of Ángela's examination paper. She is a young student at a film school in Madrid. Together with the student Chema (who is totally obsessed with violent movies) they find a snuff movie in which a young girl is tortured and killed. Soon they discover that the girl was a former student at their school...Written by
Mattias Pettersson <email@example.com>
The film had a relatively small budget of P116 million - equal to about 696,000 EUROS. See more »
When Professor Figueroa finds the door to the secret library, before he enters, he wears glasses. In he next shot, as he enters the door, the glasses are gone, but they come back some shots after. See more »
WARNING: The following scenes may hurt the viewer's sensibility.
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Máquinas en Celo
Written by Ingresó Cadáver
Performed by Ingresó Cadáver See more »
Very good first feature
A promising director: it's what I thought after the screening of Amenabar's first feature. There is a compelling story told with bright creative ideas.
Eventually I felt the first part of the movie was really great and the following went a little under. Sure, it is more difficult to bring all sorts of things together after you built up an exciting suspense. Still you don't feel bored once you are getting to know what it is really all about, but you got more free 'RAM space' to think it over. Perhaps accelerating the rhythm would have kept Tesis on the same high level of suspense. Perhaps it would have been a mistake to change the pace.
Among things you can take away with you is the background theme about our attraction for the morbid. It opens and closes the movie and really gives it one further dimension - one could say it's a bit didactical but it's a least flaw for a first major effort.
Next step Senor Amenabar: a little less personal work (as compared with the experimental Abre los ojos) but still something personal (The Others is the least interesting work so far).
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