Escaping gangsters trying to kill her because of being witness to a crime, Gloria (Victoria Abril), a young woman of lower class, comes back to Madrid, Spain and to her family. There she ... See full summary »
Agustín Díaz Yanes
El Bola, a 12 year old boy a.k.a. "Pellet" is a 12 year old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The ... See full summary »
Juan José Ballesta,
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
A member of the ETA terrorist organization belongs to a commando which is preparing an outrage in Madrid. But he sets other priorities when he meets a girl who is addicted to drugs and for ... See full summary »
The movie tells the story of a family of comedians that work in the towns of Spain during the 40's and 50's. Life gets very tough for them since they cannot compete any longer with cinema. ... See full summary »
Why is death and violence so fascinating? Is it morally correct to show violence in movies? If so, is there a limit to what we should show? That's the subject of Ángela's examination paper. She is a young student at a film school in Madrid. Together with the student Chema (who is totally obsessed with violent movies) they find a snuff movie in which a young girl is tortured and killed. Soon they discover that the girl was a former student at their school...Written by
Mattias Pettersson <email@example.com>
In one scene Chema is watching the Spanish movie "Leyenda Del Viento Norte". See more »
At 54 min the door Chema is trying to break into has the handle on the left hand side. However, when he opens the door and we see him from the inside, the handle has switched to the opposite side. See more »
A brilliant, gritty thriller more in the style of an American film noir than anything else. This film, more a statement on the appeal of violence in the media than anything else, deserves credit for the way it handles the characterisation of Angela, Chema and Bosco. Without giving away too much of the plot, this is a film that is not a mystery, but an indictment of our own human fascination with snuff films and death. The message communicated by the last scene should be as subtle as a full moon, but feels natural.
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