The passionate Merchant Ivory drama tells the story of Françoise Gilot (Natascha McElhone), the only lover of Pablo Picasso (Sir Anthony Hopkins) who was strong enough to withstand his ferocious cruelty, and move on with her life.
Twenty-eight-year-old Kansas University doctoral student Omar Razaghi (Omar Metwally) wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three ... See full summary »
This fictionalized story, based on the family life of writer James Jones, is an emotionless slice-of-life story. Jones here is portrayed as Bill Willis, a former war hero and now successful... See full summary »
Set in 1930s Shanghai, where a blind American diplomat develops a curious relationship with a young Russian refugee who works odd -- and sometimes illicit -- jobs to support members of her dead husband's aristocratic family.
Chekov's Uncle Vanya, transposed to turn-of-the-century North Wales, where the peace and tranquility of a country house is disturbed by the arrival of the estate's tyrannical owner and his ... See full summary »
One of the obsessive speculations in American history is whether Thomas Jefferson, in the years before he became president, had an affair with (and fathered a child with) his 15-year-old ... See full summary »
Eleanor lives with the artist Stash. Just like his artist friends, he is completely unknown but is waiting for the big break. Stash is mean to her and finally she leaves him. Ironically, ... See full summary »
Adam Coleman Howard,
In 1943, a young painter, Françoise Gilot (1921- ) (Natascha McElhone) meets Pablo Picasso (1881-1973) (Sir Anthony Hopkins), already the most celebrated artist in the world. For the next ten years, she is his mistress, bears him two children, is his muse, and paints within his element. She also learns slowly about the other women who have been or still are in his life: Dora Maar (Julianne Moore), Marie-Thérèse (Susannah Harker) (whose daughter is Picasso's), and Olga Koklowa (Jane Lapotaire), each of whom seems deeply scarred by their life with Picasso. Gilot's response is to bring each into her relationship with Picasso. How does one survive Picasso? She keeps painting, and she keeps her good humor and her independence. When the time comes, she has the strength to leave.Written by
The first time I watched this, I didn't really get what was going on. All the plots about Picasso's various wives seemed mixed up and uninvolving.
However, now that I am studying Picasso and his women for an AS art module, I can watch the film and feel very satisfied because it breathes a lot of life into the subject. For this reason it is worth having some fore-knowledge or a framework of Picasso's life prior to viewing it, which I guess restrains the target audience somewhat.
Hopkins was superb and became Picasso completely in behaviour and physique - even to the extent of shaving his head and wearing brown contact lenses. His accent took a while to take hold though, which I thought was odd, as the early scenes felt very cold and welsh simply because he hadn't quite shaken off his normal speech. This didn't matter after a while though, because his entire manner was actually very well done and really brought out the macho and possessive ego of this wild artist.
One major flaw however: Nazi stormtroopers would never march as sloppily as portrayed in this picture.
2 of 3 people found this review helpful.
Was this review helpful to you?
| Report this