After her mother commits suicide, nineteen year old Lucy Harmon travels to Italy to have her picture painted. However, she has other reasons for wanting to go. She wants to renew her ...
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When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in ... See full summary »
The American artist couple Port and Kit Moresby travel aimlessly through Africa, searching for new experiences that could give sense to their relationship. But the flight to distant regions only leads both deeper into despair.
After her mother commits suicide, nineteen year old Lucy Harmon travels to Italy to have her picture painted. However, she has other reasons for wanting to go. She wants to renew her acquaintance with Nicolo Donati, a young boy with whom she fell in love on her last visit four years ago. She also is trying to solve the riddle left in a diary written by her dead mother, Sara. Written by
Kale Whorton <email@example.com>
Liv Tyler's future co-stars Matt Dillon, whom she would star opposite with in "One Night McCool's" and Ian McKellan whom she would star opposite with in the Lord of the Rings trilogy attended the film's premiere. See more »
When Lucy meets Richard at the pool, she puts her hand on the pool's edge twice. See more »
This is my favorite film. I first saw it in 1996 at the age of 16, and have been relentlessly teased ever since for enjoying it as much as I do. True film buffs, I am told, walked out on this one. I insist though that I don't have bad taste; the film simply struck a chord in me early on, and yes, it was probably because its was such a pretty film. Beauty can be quite a hook. Since then I have watched Stealing Beauty no less than a hundred times, studied Bertolucci's other films, and - of course - listened to the soundtrack, and the Mozart Concerti, so much that I have been known to hum them in my sleep. Now, I know why I love it so much. Every time I watch Stealing Beauty, there is more to discover. The premise - looking for her father/true love - and the apparent conclusion seem no more than a frame work for a hundred different leitmotifs that Bertolucci seems strangely familiar with, fascinated by, and adept at expressing in all of his films.
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