The son of the owner of a large Italian cheese factory is kidnapped, but as the factory is on the verge of bankruptcy the owner hatches a plan to use the ransom money as reinvestment in the... See full summary »
Lucy, an American teenager arriving in the lush Tuscan countryside to visit her mother's friends, Diana and her husband, Irish artist Ian residing there. She visited there four years earlier and exchanged a kiss with a handsome boy, Niccoló with whom she hopes to become reacquainted. Her mother, poet Sara has committed suicide since then, and she also hopes to discover the identity of her father, whom her mother hinted was a resident of the villa. Once she arrives, she meets a variety of eccentric visitors, including a dying gay playwright Alex, M. Guillaume, an old deranged New York art gallery owner, Diana's daughter from a previous marriage, jewelry designer Miranda, her boyfriend, an entertainment lawyer Richard, Noemi, a column writer and several others. Lucy has decided to lose her virginity and becomes an object of intense interest to the men of the household, but the suitor she finally selects is not the initial object of her affection. Stealing Beauty boasted an intriguing ...Written by
In a scene, Lucy is seen singing and dancing along to a song on her Sony Walkman. In real life, Liv Tyler (Lucy) is the daughter of Aerosmith frontman Steven Tyler. See more »
When Richard and Lucy fall over together on the lawn, a close-up shot shows Miranda watching them on her left. But in the wide shot when she smashes a plate, she is watching them on her right. See more »
This is my favorite film. I first saw it in 1996 at the age of 16, and have been relentlessly teased ever since for enjoying it as much as I do. True film buffs, I am told, walked out on this one. I insist though that I don't have bad taste; the film simply struck a chord in me early on, and yes, it was probably because its was such a pretty film. Beauty can be quite a hook. Since then I have watched Stealing Beauty no less than a hundred times, studied Bertolucci's other films, and - of course - listened to the soundtrack, and the Mozart Concerti, so much that I have been known to hum them in my sleep. Now, I know why I love it so much. Every time I watch Stealing Beauty, there is more to discover. The premise - looking for her father/true love - and the apparent conclusion seem no more than a frame work for a hundred different leitmotifs that Bertolucci seems strangely familiar with, fascinated by, and adept at expressing in all of his films.
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