After her mother commits suicide, nineteen year old Lucy Harmon travels to Italy to have her picture painted. However, she has other reasons for wanting to go. She wants to renew her ...
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A young American studying in Paris in 1968 strikes up a friendship with a French brother and sister. Set against the background of the '68 Paris student riots.
When an African dictator jails her husband, Shandurai goes into exile in Italy, studying medicine and keeping house for Mr. Kinsky, an eccentric English pianist and composer. She lives in ... See full summary »
Director:
Bernardo Bertolucci
Stars:
Thandie Newton,
David Thewlis,
Claudio Santamaria
The American artist couple Port and Kit Moresby travel aimlessly through Africa, searching for new experiences that could give sense to their relationship. But the flight to distant regions only leads both deeper into despair.
Director:
Bernardo Bertolucci
Stars:
Debra Winger,
John Malkovich,
Campbell Scott
While touring in Italy, a recently-widowed American opera singer has an incestuous relationship with her 15-year-old son to help him overcome his heroin addiction.
Director:
Bernardo Bertolucci
Stars:
Jill Clayburgh,
Matthew Barry,
Veronica Lazar
Lama Norbu comes to Seattle in search of the reincarnation of his dead teacher, Lama Dorje. His search leads him to young Jesse Conrad, Raju, a waif from Kathmandu, and an upper class ... See full summary »
After her mother commits suicide, nineteen year old Lucy Harmon travels to Italy to have her picture painted. However, she has other reasons for wanting to go. She wants to renew her acquaintance with Nicolo Donati, a young boy with whom she fell in love on her last visit four years ago. She also is trying to solve the riddle left in a diary written by her dead mother, Sara.Written by
Kale Whorton <nikko11@mind.net>
When Lucy meets Richard at the pool, she puts her hand on the pool's edge twice. See more »
Quotes
[first lines]
Lucy:
What are you doing?
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Crazy Credits
During the opening credits, there is a montage of Lucy (Liv Tyler) being recorded on a video camera during her travel to Italy by an unknown man. See more »
This is my favorite film. I first saw it in 1996 at the age of 16, and have been relentlessly teased ever since for enjoying it as much as I do. True film buffs, I am told, walked out on this one. I insist though that I don't have bad taste; the film simply struck a chord in me early on, and yes, it was probably because its was such a pretty film. Beauty can be quite a hook. Since then I have watched Stealing Beauty no less than a hundred times, studied Bertolucci's other films, and - of course - listened to the soundtrack, and the Mozart Concerti, so much that I have been known to hum them in my sleep. Now, I know why I love it so much. Every time I watch Stealing Beauty, there is more to discover. The premise - looking for her father/true love - and the apparent conclusion seem no more than a frame work for a hundred different leitmotifs that Bertolucci seems strangely familiar with, fascinated by, and adept at expressing in all of his films.
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This is my favorite film. I first saw it in 1996 at the age of 16, and have been relentlessly teased ever since for enjoying it as much as I do. True film buffs, I am told, walked out on this one. I insist though that I don't have bad taste; the film simply struck a chord in me early on, and yes, it was probably because its was such a pretty film. Beauty can be quite a hook. Since then I have watched Stealing Beauty no less than a hundred times, studied Bertolucci's other films, and - of course - listened to the soundtrack, and the Mozart Concerti, so much that I have been known to hum them in my sleep. Now, I know why I love it so much. Every time I watch Stealing Beauty, there is more to discover. The premise - looking for her father/true love - and the apparent conclusion seem no more than a frame work for a hundred different leitmotifs that Bertolucci seems strangely familiar with, fascinated by, and adept at expressing in all of his films.