Star Trek: First Contact (1996) Poster

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Not just the best Star Trek film
ashley-12023 February 2005
Probably my favourite film of all time. The thing about First Contact is that it's not just about Star Trek. If you don't like Star Trek but can live through the first 20 minutes you'll find a gem of a movie which is as much about the future of humanity & an invention so wonderful as it is about Yet More Star Trek Plot.

Warp Speed - they've been saying that since Captain Kirk. But how did it happen? and why might it all not happen, our future could be in ruins and one flight of one makeshift spacecraft some time after world war III will make all the difference.

The on-screen relationship between Picard & Lily is totally magic, as is the relationship between the Enterprise crew members - you get a sense of team, of family.

First Contact is one film I enjoy watching again & again. The flight of the Phoenix is one scene I totally love, along with the end scenes.

The only sad thing about the movie is that you come away and deep down you know there is no Cochrain, no FTL engine around the corner. Well, not yet!

"I envy you, the world you're going to" "I envy you, taking these first steps"
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Perhaps the best Star Trek film to date
rainmaker_au29 January 2003
Star Trek: First Contact represents, at least to me, the pinnacle of the Star Trek movie franchise. This film was, in my opinion, -by far- the best of the "next generation" outings, and perhaps the finest from the entire collection of silver-screen Treks.

The Borg, a futuristic race of half-man, half-machine cyborgs from the other side of the galaxy, try once again to conquer the Federation, by attacking it at it's very core, our beloved Earth. This time, however, the Borg have a "plan B" up their sleeve. After the destruction of their main vessel, they send a small group of Borg back in time to 2063, a time when Earth is vulnerable after suffering massive casualties due to World War III. Once there they intend to prevent "first contact", an event that dramatically changes the course of human history, when friendly aliens discover humankind has learned how to travel faster-than-light, and make contact with the inventor of the warp drive, Dr Zefram Cochrane.

Of course the Enterprise crew must once again save humanity from certain destruction, by "following them back and repairing whatever damage they've done". When they reach the 21st century, however, the Borg find resistance is not so futile, and begin to take over the crippled Enterprise, deck by deck. Directing every move is the evil Borg Queen, played excellently by Alice Krige.

Patrick Stewart is, as always, fantastic as Captain Jean-Luc Picard. Stewart's background in the dramatic arts shines as he convincingly portrays a somewhat troubled and vengeful Picard, determined to destroy the insidious Borg once and for all.

The direction of Jonathan Frakes is flawless considering this film was his first attempt at directing on the big screen. In a few scenes I get the feeling that Frakes was committed to squeezing the absolute best out of Stewart, and this he did, apparently with ease (earning him the nickname "Two-Takes Frakes" from production members).

This film has it all. A well-conceived, intricate and dramatic plot, excellent acting, fantastic special effects, and real emotion on-screen. Picard's chilling "the line must be drawn here" monologue to Lily represents a scene with such dramatic quality that is rarely seen in science-fiction films. You can completely suspend disbelief and feel the anger, the pain, the sheer hunger for revenge in this broken man. You are there with him, the future of humanity is on the line, and not for a second will you think otherwise.

Whether you are a "Trekkie" or not, this is a film you will enjoy, and while there are references to previous Trek happenings in the film (such as when Picard was captured and assimilated by the Borg several years earlier), non-Trekkie's should definitely be able to follow what's going on.

All-in-all this is one of my favourite films of all time, and one that I can watch over and over and never get tired of. If you haven't seen it, why not grab a copy and check it out? I give it a well-deserved 9 out of 10.
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One of the best sci-fi movies ever!
rghawki15 November 1999
This is one of the two best Star Trek movies ever made (the other being "Wrath of Khan"). Everything about this film is superb.... acting, set design, special effects, plot, and action. The story progresses at a breathtaking pace, and from the first 10 minutes when the Enterprise is locked in a life-and-death struggle with one of the best villains in all of sci-fi history (the Borg), to a perfect ending; there isn't a wasted or redundant moment. This is a film that both trekkers and non-trekkers can enjoy because the film explains enough about the back-story to get non-fans up to speed, and does it in a way that will keep the fans interest (check out the excellent opening sequence that introduces Picard's first encounter with the Borg and explains much of his implacable and obsessive attitude towards them throughout the film).

In addition to fine performances from the crew (highlighted as always by Patrick Stewart as Captain Picard), the supporting cast is more than equal to the task. Its too bad that the crew didn't bring Alfre Woodward back home with them........ she's one of the very few actors/actresses in Star Trek history who have been able to match Patrick Stewart's personality, acting skills, and histrionics. Also, I thought I detected a touch of romance between the two that could have been further developed at another time.

James Cromwell makes a perfect Zefrem Cochrane. It was a humorous touch to portray him as somewhat of an anti-hero, in contrast to the god-like reverence with which the characters in the film viewed him from a distance of 300 years.

The protagonists in the film, the Borg, have never looked more dangerous. I'm glad that this film returned them to their "roots", unlike their last few appearances in the television series in which they were becoming a little too domesticated.

This is a film to savor for any science fiction fan. 9.5/10.0 !
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The Next Generation's Finest Moment...
cariart2 December 2003
Warning: Spoilers
Star Trek's successor to Gene Roddenberry, Rick Berman, never allowed the poor reviews for STAR TREK: GENERATIONS to upset him; he had been given an 'obligation' to provide a transition film between the original cast's series, and his own 'Next Generation' films, and 'killing' James Kirk freed him to focus on the film he REALLY wanted to make, STAR TREK: FIRST CONTACT. And he created a classic, a film that for many fans has become the 'definitive' STAR TREK movie.

From the opening scenes, which re-introduce the 'Next Generation's' greatest villains, the Borg, finally achieving their long-time goal of attacking Earth, and literally tearing Starfleet to shreds, as Picard and the Enterprise are ordered to stand down (Picard had been 'assimilated' once by the cyborgs, and the success of his 'deprogramming' was in question), there was an intensity that 'Trek' films hadn't shown since THE WRATH OF KHAN. When Picard decides to disobey orders and go 'in Harm's Way', you nearly want to cheer! Turning the battle around, the Enterprise sees victory at hand...until they discover that the 'core' of the Borg mother ship has plunged into Earth's atmosphere, and gone back in time. As the crew glimpses a 'changed' Earth, with humanity totally assimilated by the Borg, they plunge after the mother ship, to prevent history from being rewritten.

Quite an opening scene!

The film breaks into two stories, each entertaining. In an era two hundred years earlier, with Earth reeling from internal wars that have devastated much of the planet, Picard realizes that the Borg is attempting to prevent warp drive creator Dr. Zefram Cochrane from ever completing his prototype spaceship, thus denying the galaxy to the human race, and leaving them defenseless against the Borg. As First Officer Riker and most of the series' regulars protect the feisty engineer (first introduced in the original 'Trek' TV series by hunky Glenn Corbett; in FIRST CONTACT, the role is played by James Cromwell, hawk-nosed, antisocial, and hooked on ancient Rock n' Roll music), Data and Picard must deal with the growing Borg infiltration and assimilation of the Enterprise, and the imperious Borg Queen (lovely Alice Krige), who seduces Data with a chance to become 'human'.

Jonathan Frakes proves an excellent director, balancing the action, comic, and dramatic elements with sensitivity and skill. While most of the series' regulars have little to do (a problem that would never be resolved in the 'Next Generation' films), Frakes still manages to give each a bit of on-screen time to at least remind fans that they are present, and he even manages to provide a brief but funny cameo by semi-regular fan favorite Dwight Schultz, as the terminally shy Lt. Reggie Barclay.

FIRST CONTACT has so many memorable moments that it is nearly impossible to pick a single favorite one out. Cochrane's use of Steppenwolf's 'Magic Carpet Ride' as launch music for his guided missile/spaceship...Alfre Woodard's Lily Sloane, hiding in terror from the Borg, but still able to lecture Picard on doing the 'right thing'...'Star Trek: Voyager' regular Robert Picardo in a cameo as his medical hologram character, at a key moment...Data delivering the famous Borg 'tag line'...the Vulcan science party (led, although unmentioned, by Sarek, Spock's father), bemused at meeting the 'new kids on the block' for the first time...this movie has it all!

There is only one major continuity error; the Borg, as cyborgs, depend on their human 'host' bodies to survive (a key factor in the film's climax), yet in one whole sequence they operate in the vacuum of space WITHOUT spacesuits! I cringe each time I see the scene, but I STILL love the movie!

One other key element of the film cannot be praised enough; Jerry Goldsmith's score is one of his finest, combining the best elements of the STAR TREK: THE MOTION PICTURE theme with a sweeping inspirational hymn for Cochrane, and eerie, discordant music for the Borg. The score is so profoundly moving that it could stand alone, as a symphonic work.

Sadly, Berman and company never achieved the same heights with either of the subsequent 'Trek' films, but at least we have FIRST CONTACT, to show that a 'Next Generation' feature could be done 'right'.
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The Best Trek Film
Big Movie Fan18 November 2002
Star Trek:First Contact is the best Star Trek film in my opinion. Far better than the average Star Trek:Generations or any of the films featuring the original crew.

I won't go into the plot too much because I hate spoiling it for fans and it is easy sometimes to give away too much. Let's just say that the cast of The Next Generation take on the inhuman Borg, one of the best race of Star Trek villains ever.

There are no slow spots in this film. It is one big long action fest and every character is utilized. There are some terrific scenes and there is quite a bit of tension between the crew, particularly Worf and Picard. Picard has some harsh words for Worf at one point in the film and it really does look as though Worf will hit Picard. You could cut the tension in this film with a knife.

I'd also like to mention the great job done by the beautiful Alice Krige as the Borg Queen. Again, there is not a wasted moment in this film and Krige does a brilliant job as the Borg Queen.

I strongly recommend Star Trek:First Contact-it is the type of film which you finish watching and feel as though you have spent your money well.
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The "Action" Entry
bross-115 December 2002
Many of the Star Trek Films have relied heavily on character interaction, dialogue, and suggested events to tell the story. Star Trek: First Contact breaks from this tradition by producing a sharp, fast paced action film that never relents from beginning to end. There are moments of reflection for the characters, but the movie has an inertia that makes the other entries in the franchise seem as if they plod along at five miles an hour. The result is one of the most satisfying films in the series.

Part of the appeal of Star Trek: First Contact, is that the central enemy is the Borg Collective, which has surpassed all other villainous races in the Star Trek universe in popularity. The central villain in this chapter is the Borg Queen, played by the chilly yet seductive Alice Krige. Krige is confident, convincing, and absolutely threatening in her performance, and seems to almost border on a character from a horror film. She lends an edge that is unique from other villains in the series, and is perfectly suited to the nature of the Borg. The design for both the Queen and the rest of the Borg is unsettling, and the story line and history of this race serves to illicit an emotional continuity between the events in the television show and the films.

Star Trek: First Contact probably has the widest appeal of all of the episodes, in much the same way as Star Trek IV: The Voyage Home did in 1986. It is action packed, filled with decent visual effects, clearly plotted, and supplies a threatening villain. This is definitely the best Next Generation film to date, and one of the strongest movies in the entire series.
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russem313 December 2005
Star Trek VIII: First Contact - Stardate: 50893.5

Finally, after the dismal Generations outing, they got it right with this one! First Contact indeed is on par with the very best of the Star Trek films - The Wrath of Khan and The Undiscovered Country. Unfortunately, they won't get it right again to the present day (with the above average but still not as good Insurrection and awful Nemesis). The script is very solid, the acting above par (with kudos going to Alice Krige as the seductive Borg Queen and Alfre Woodard as the trusting Lily Sloane), and the score by Jerry Goldsmith again another hit. All of that combined with visual effects that service the story and not is the story makes this outing a spectacular success - a solid 9 out of 10!
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Enjoyable mix of light TV touches and sci-fi drama
bob the moo21 December 2003
When the Borg launch an attack on Earth, the Enterprise is sent to the neutral zone due to the Admiralty's mistrust of Picard's abilities as he had been assimilated in the past. The Enterprise however, disobeys and returns to help destroy the Borg ship. However a smaller ship escapes and travels back in time, causing the assimilation of Earth in the future. The Enterprise follow the ship back in time and have to undo the damage the ship did on the surface to an experimental warp drive unit that will led Earth to it's first contact with alien life. Meanwhile, on the Enterprise, survivors of the Borg ship begin to assimilate decks within the ship itself.

The trend of the `even good, odd bad' continues in Star Trek with this good entry in the series. Linking to previous story lines, the film starts immediately and continues at a good pace. Where the previous time travel excursion for the crew was more funny than anything else, this film goes down a more dramatic route with the main plot not turning out to be on the ground (as I first thought it would be) but on the ship where the crew struggle to contain the Borg's advances. This aspect works well - it is not edge of the seat stuff, but it is dramatic and involving.

In contrast the stuff on the surface is more a side issue that is used well to contrast with the pace on the Enterprise itself. There aren't many laughs but it does have a nice little bit of self mocking humour that raises it's head occasionally. The cast (crew?) all do good work, but it is Stewart's film and his Borg past help to enrich his character well. Frakes does an able enough job as director but as an actor he has little to do, as indeed do most of those on the Earth aside from a cameo from Cromwell who adds humour. Woodard is OK in her role but not as good as I've seen her be in other things.

Overall this is a solid Star Trek film, which although not excelling in any one area, has a strong backbone of drama and action aboard the ship that works well with the lighter stuff on the earth.
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The Next Generation's best film hands down
movieman_kev17 June 2005
The next generation crew of the Enterprise star in their best movie. Picard and his crew hitch a ride back in time to save the Galaxy from being infested with Borg, by saving the drunkard who invented Warp Drive from being killed by the Borg. This Star Trek movie is nuanced enough for the 'trekkies' to get into, while still being very accessible to the rest of the cinema going public. Johnathon Frakes, for all of his smarmy, cocky demeanor, still I have to admit that he hits a home-run in this initial outing (now his "Insurection" is a whole nother story, one for a different day) This film is action-packed, features good performances, and is just plain fun. All those aforementioned traits easily puts it among the top echelon of Trek films.

My Grade: B+

DVD Extras: Disc 1) Commentary with director/actor Jonathan Frakes; Second commentary with writers Brannon Braga and Ronald Moore; Text Commentary with Michael and Denise Okuda Disc 2) 12 featurettes (Making 'First Contact', The Art Of 'First Contact', "The Story, The Missile Silo, The Deflector Dish,From 'A' to 'E', Jerry Goldsmith: A Tribute, The Legacy Of Zefram Cochrane, 'First Contact': The Possibilities, Unimatrix One, The Queen, and Design Matrix); 3 Scene Deconstruction;Storyboards, Photo Gallery; Teaser & Theatrical Trailers; and Trailer for the Borg Invasion Hilton show in Vegas

3 Easter Eggs: In the Main Menu, click on the sun for a list of all the alternative titles considered; In the Star Trek Universe menu highlight a circle for an interview with Ethan Philips; In The Borg Collective menu highlight a circle for an interview with Alex Jaeger
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good action movie - not a good Next Gen movie
Captain Kite2 November 2002
Let's face it: Picard's generation aren't made for the action-smash movie set. They don't fit with it. Kirk and company were made for brash brawling and gunning down Khan and the Klingons, which made for great movies that were true to the original series; Picard's series dwelt on the more cerebral affairs of diplomacy, temporal paradoxes and altered realities. The higher-concept stuff of Star Trek: The Next Generation doesn't feel right squished into a movie setting, where flashy explosions and high energy levels are expected. "First Contact" is a good action/sci-fi flick - but it takes one of TNG's better sci-fi concepts and trashes it in the name of marketability.

Yes, "First Contact" has great action sequences - the zero-g fight, the weird radioactive gas thing in the end, even the delightfully kitchy holodek mobster fight. The plot on earth works wonders simply because of James Cromwell's portrayal of Zephram Cochrane - his character and his story are compelling. And Picard's "Ahab Syndrome" was pretty sweet too.

The problem in this movie is the Borg - and more specifically, with the introduction of a "Borg Queen." The reason why the Borg are so frightening in the Next Generation TV series was not merely because they were powerful, but because they were so incredibly alien: they were a race in which no individuals exist. The Borg are not a "hive of drones" who are ruled by a "queen"; they are a single mind spread throughout billions upon billions of bodies. A single Borg is not akin to a drone in a hive, which has an individual nature but which is oppressed in a rigid hierarchy; rather, it is akin to a cell in an organism - it has no free, meaningful, or distinct existence beyond the larger body. There is no head or "ruler" of the Borg, any more than there is a single cell in your body that governs what you do. What makes the Borg's outlook on the rest of the universe so disturbing is that they cannot comprehend individuality, and thus individual lives are utterly insignificant to them... they take life without compunction because to the Borg, they aren't really taking lives - killing a human is like scraping a cell off someone's skin, an inconsequential act. The Borg are a truly alien species with a completely alien mindset - a rare gem in mainstream sci-fi.

But "First Contact" gives them a Queen who struts around and acts for all the world like a nasty human in some expensive makeup. She exchanges quips with Picard. She drips sexual innuendo over Data. She acts more like a James Bond temptress than a member of an alien cybernetic overmind. It completely demystifies them, makes them more human, when what made them so compelling is that they are so completely inhuman.

Without the Borg Queen, this movie would have perhaps been less approachable to casual moviegoers - after all, most expect their villains to have a face they can react to, and the Borg are nothing if not faceless - but it would have kept the Borg at their chilling and pure best. Instead, "First Contact" waters down Next Generation's brilliance and replaces it with some smirking one-liners and a lot of stuff that gets blown up.

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Good entry in the long-running series has the familiar characters battling the Borgs and time-traveling back to Earth
ma-cortes5 May 2012
It is the 24th century ,it is the rebirth of a saga, the start of a new scenario when Captain Picard (Patrick Stewart) and his crew (Brent Spiner as Data , LeVar Burton as Geordi , Michael Dorn as Worf , Gates McFadden as Beverly , Marina Sirtis as Troy) pursue the Borg (into the Borg Sphere, the Cube's smaller counterpart, makes its first on-screen appearance) , a race of part humanoid, part machine , beings face the Federation in what would be the biggest battle of all time , with domination their goal . Enterprise chases a group of Borgs and enters a time distortion created by the Borg . They end up in the mid-21st century in order to save the Earth of the future and from Borg . Their only chance of stopping the Borg from assimilating Earth is to help cockeyed scientific named Zefram Cochrane (James Cromwell) make his famous first faster-than-light travel to the stars and fulfills his role in history , as part of crew (Jonathan Frakes's movie direction debut , best known as Riker) land and carry out the plans . As Picard and his crew go back in time to stop them from preventing Earth from initiating first contact with alien life . Meanwhile , Captain Picard is transformed into a character "Moby Dick's Captain Ahab¨ for his obsession with destroying the Borg, as Ahab was obsessed with killing the white whale ; but also Picard even has a dalliance with one of the women (Alfre Woodward) there and facing a villain who is an evil She-Borg queen (Alice Krige) .

This epic story is concentrated on characters as well as thrill-packed action and special effects although there're numerous of those too . The movie has action , tension , comedy , emotion , suspense and sensational spacial scenarios like is customary development of the franchise whose series buffs will have no complains . Spectacular, exciting , fast-paced , thrilling this is the description of this new outing of Star Trek , following two concurrent threads . Film that reinvents the saga through a perfect pulse narrative that does not give a second of rest to the spectator who is trapped for two hours approx. in a genuine visual spectacle . Idealism , humor , humanity , several agreeable characters and trademark effects abound and will please the enthusiasts such as the neophyte . The top-notch acting convinces , especially the nasty but seductive Borg , Alice Krige , in a super-villain role , while other players also make a nice work as James Cromwell and Alfre Woodward . The stirring final amazing the spectator , in which the moving and spectacular scenes create a perfect union that terminates with an ending that leaves you stuck in the armchair facing the formidable spectacle as a privileged witness . Magnificent special effects by ILM (George Lucas' Indutrial Light Magic) whose animators created several new classes of Federation ships for the huge CGI animation sequence against the Borg . Exceptional soundtrack by Jerry Goldsmith , he composes an impressive musical accompaniment to the film and helped by his son , the recently deceased Joel Goldsmith . Furthermore a colorful and evocative cinematography by Matthew F Leonetti . Efficient direction by Jonathan Frakes, the notorious Star Trek's commandant Riker . At the end of filming, actor/director Jonathan Frakes got the nickname: "Two takes Frakes" because of the efficiency of his style .He's an expert filmmaker of Sci-Fi genre and TV episodes : ¨Star Trek¨, ¨Roswell¨ ,¨Masters of science fiction¨, ¨The Librarian¨ , ¨Twilight zone¨ , among them and occasionally for Cinema such as ¨Clockstoppers¨ , ¨ Thunderbirds¨ and ¨Star Trek Insurrection¨.

Suitable for family viewing , it's an entertaining adventure which young and old men will enjoy . Fans of the series will find very bemusing and fun . It is amusing to watch , reliably entertaining for fans and Trekkies are sure to love it , resulting to be one of the best science-fiction follow-up of all time . Rating : Better than average . Well worth watching , essential and indispensable seeing for Trekkies .
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The finest adventure of the TNG crew!
STAR TREK: FIRST CONTACT is the 8th movie in a series that has so far produced 11 movies.

This is my second favourite of the Star Trek movies, second only to STAR TREK: THE WRATH OF KHAN. Like STAR TREK: THE WRATH OF KHAN, this movie can also be enjoyed by both those familiar to the Star Trek franchise and those new to it. Reading through the comments, I have noted comments from people who enjoyed it as a sci-fi action movie in its own right.

I will sum up the plot with those unfamiliar with Star Trek in mind - an alien race known as the Borg apathetic to individuality go back more than 300 years in time to attack Earth, colonise it and absorb its inhabitants into its collective. Captain Picard of the USS Enterprise follows the Borg back to Earth to stop their plans.

This very simple plot line brings an energetic story filled with virtually non-stop shoot-em-up action. Unlike most action movies, however, the antagonist is far more menacing. The Borg have no concept of individuality. It cannot be reasoned with. Killing one Borg barely has the impact of, say, removing one blood cell from a human body. The Borg in this movie are far more menacing than they were in the TV series.

For those familiar with the Star Trek franchise, I can confirm that all the familiar faces from the crew in the THE NEXT GENERATION series all appear here - Picard, Riker, Data, Geordi, Worf, Dr Crusher and Troi.

The movie represents a massive transformation from its predecessor, STAR TREK: GENERATIONS. For the first time we witness many members of the TNG crew behave or tempted to behave out-of-character due to the scale of the situation they find themselves in. Without giving away spoilers, I can state that characters in this movie face the prospect of having to turn against one another.

The acting across the board is top-notch. The actors' performances are so captivating that they genuinely invite the audience to share the feelings of their characters.

Patrick Stewart deserves special mention because he faces the greatest acting challenge - reprising his role as a character he played for 7 years in the TV series and a prior movie - now having to play the said character, Captain Picard, in a very different manner. The Captain Picard of this movie is not the calm diplomat from the TV series, he is someone with anger-fuelled determination to get revenge on the Borg, who once altered his biology so that he became part of their collective for a short time. His performance has to be seen to be believed and is enough to silence critics who claim he is unable to play a hero.

Alice Krige gives what is perhaps the best performance of her career as the Borg Queen. Her performance provides a perfect distraction from the major plothole - the existence of a head of the Borg collective. The Borg collective communicates as one voice with each drone being the same. So it could not feasibly have a single leader. When you see Alice Krige in action, however, you will find it easy to suspend your disbelief.

James Cromwell has fun playing Zephram Cochrane, the inventor of the warp drive referenced all through the franchise. For those unfamiliar with Star Trek, the warp drive is a component able to make starship engines travel at hyper speeds. I found the Zephram Cochrane in this movie much more exciting to watch than the bland version played by Glenn Corbett in an episode of the original series.

The real drawback with regards to the acting is Alfre Woodard. She was not a convincing lover or protégé for Picard and I couldn't help but wonder if she was drafted in as a replacement for Whoopi Goldberg. For those unfamiliar with the franchise, Whoopi Goldberg played a character named Guinan in the TNG series. She acted as a protégé ready to give wise words of advice to many crew members on the ship, including Picard.

Jonathan Frakes shows that he is just as good behind the camera as he is in front of it. His direction brings a great science-fiction story to life that is genuinely thought-provoking, emotionally moving and highly entertaining. In my opinion, he should have been nominated for an Oscar for Best Direction for his work on this movie.

The new starship Enterprise-E seems very dark and claustrophobic compared to the seemingly vast, bright and colourful Enterprise-D from the TV series and the previous movie. However, the Enterprise-E provides a perfect backdrop for the action to take place since its feel fits the tone of the movie perfectly. A wise decision was made to keep the bulk of the action on the ship rather than on Earth. Having said that, the events depicted on Earth help to offset the tension and allowing the audience to take a quick breath before being thrust back in again. The mix of light and dark works like a charm.

To summarise, STAR TREK: FIRST CONTACT is a first-rate entry into the Star Trek series of movies that can be enjoyed by Star Trek fans and newcomers to Star Trek alike. I highly recommend this for anyone who enjoys sci-fi action movies.
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Highly flawed and rather inane movie
connmoore15 July 2010
Warning: Spoilers
I honestly cannot get why supposed Star Trek fans like this movie. If ever there was a Star Trek movie that spit in the face of everything Star Trek was supposed to be about, its this one.

The major issue is the entire Zephram Cochran storyline. Cochran is known, to long time fans of the series, as the man who invents warp drive. The device that gives the "trek" to Star Trek. So the lame producers and writers of this movie have decided that we have to see how it happened. What they do is take the supposed heroism and creativity of Cochran and toss them in the toilet.

Cochran ends up inventing nothing. The Enterprise crew comes back in time and does all the work for him. Cochran creates nothing and does nothing. So there is the initial warp drive trip to take. Instead of the implied solo flight of Cochran, Geordi and Ryker go along with him. No reason for this is ever given.

So we have a supposed hero who knows for a fact that his flight is going to work, and people from the future have come back to take care of all the work. What exactly is heroic or interesting about that? Its lame...completely lame.

Never mind the sudden need to have the Vulcans already running around in space warping wherever they want. What that gives us is some interesting contradictions regarding why the hell would the United Federation of Planets be based on Earth after this? Why would the center of the Star Trek universe be on a backwards planet that is literally hundreds of years behind the advanced universe? It would be like turning New Guinea into the home of the United Nations.

This is all ignored, because the simple minded mouth breathers that created this crap movie just wanted it to "look cool". They don't care about logic or achievement. All they care about is making James Cromwell act like a drunken idiot for comedic effect. If you are a Star Trek fan that likes this movie, shame on you for being as unthinking as the people that made it.
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Simply the best Star Trek movie!
reedcom5 January 2017
There are so many good things about this movie, this is one of the best sci-fi movies ever.

There are no slow moments, the dialogue and scenes are just right. The Borg are the creepiest, best villain in the Star Trek universe. The Borg queen was excellent.

The anti-hero Cochrain was a nice different spin. Filling in the series plot gaps of where warp technology was discovered was an excellent device. Showing Captain Picard with weaknesses added depth. The acting was excellent. The ending makes you pump your fist.

I have nothing but good things to say about this film.
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A Trek film that can please fans and non-fans
freemantle_uk14 August 2016
Star Trek: First Contact is often considered to be one of the best Star Trek films and the best films featuring The Next Generation cast. This statement is justified because as someone who has never watched any Star Trek involving the TNG cast it does stand alone side the best 'Trek' films.

Star Trek: First Contact is set six years after Captain Jean-Luc Picard (Patrick Stewart) had been rescued from the Borg and he is stilled plagued with nightmares and flashbacks. Now the Borg have started to invade the Federation and the battle is only won by the Enterprise's late intervention. However the Borg have a trick up the sleeve and travel back in time to conquer Earth. The Enterprise crew is unaffected and it is up to them to travel back to stop the Borg conquest and help the legendary Zefram Cochrane (James Cromwell) who achieved the first wrap flight and made contact with an alien race.

Like 'Wrath of Khan' 'First Contact' was a continuation of a critically acclaimed episode, but even if you haven't seen it 'First Contact' works on its own terms and finds that sweet spot to appeal to fans and non-fans alike and matching the two tones the franchise has straddled, dark and brooding and light-hearted and funny. The film has with a dark image of Picard being assimilated into the Borg and his eye about to drilled before waking up and all the half of the film that features the Borg is the most atmospheric. The Borg are great villains, a near unstoppable hive a races that have been conquered, a collective that all linked together who work as one unit.

Picard's assimilation with the Borg is both an advantage and disadvantage. Picard knows how the Borg operates and their tactics, so knows how to fight them, but he desire for revenge make Picard irrational. It's like Khan who could have been free after capturing the Enterprise in 'Wrath of Khan' but his want for revenge against Kirk is his downfall. Stewart gave a passionate speech about not sacrificing the Enterprise to the Borg.

The Borg's assimilation of the Enterprise makes for a dark and dank atmosphere compared to the more brightly lit environments of the Enterprise. It is this sector of the film where we saw the Borg Queen (Alice Krige), the voice and personification of the Borg collective. Her introduction was impressive, her human body being lowered into a cybernetic body, CGI effects that still hold up today. Most of the Borg Queen's interactions are with Data (Brent Spiner), trying to convince him to join the collective, making him more human to attractive this.

The cliché perspective of Star Trek from non-fans is that it a slow, boring franchise that only appeals to a hardcore fanbase. "First Contact" blows that perspective out of the water - it starts with a huge space battle between the Federation and the Borg as the alien hive try to invade Earth and there are sprinklings of actions scenes throughout the film. One of the best is scene when three members of the Enterprise crew having to stop the Borg from creating a satellite dish - it was a tense scene that was similar to the assassination of the Klingon Chancellor in "The Undiscovered Country".

The action on Earth where Riker (Jonathan Frakes), Troi (Marina Sirtis) and Geordi La Forge (LeVar Burton) help Cochran with the first warp flight is more lighter in tone. The more comedic approach combined with the time travel story, cultural clash and essentially revealing the future to Cochrane made this half of film similar to "The Voyage Home". Cochrane is hailed a hero by everyone in the Federation, a man whose action united Earth, made a scientific breakthrough and made his planet a player in galactic politics but the reality was he was a drunk, he wanted to make money and is overwhelmed by finding out what his future holds. It made the character more human as he has to accept his destiny and James Cromwell, being the professional that he is was brilliant at humanising the character as he drunkenly dances and having the deal with the weight on his shoulders.

"First Contact" is a film that works for both fans and non-fans alike, having action, being able to balance a dark plot with lighter moments and working as a continuation and a standalone film, being a strong sci-fi film in its own right.
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Storyline Premise Makes Absolutely No Sense
nighteyesv10 May 2016
Warning: Spoilers
Okay, so the Borg supposedly travel back in time to stop the human race from developing warp technology so they will be helpless to prevent assimilation. Sorry, but to start with an entire federation fleet was wiped out by a single Borg cube they are already helpless if the Borg had been serious and used a handful of ships like they have when assimilating other species they would have been victorious. Secondly, the Borg have a motto "We will add your biological AND technological distinctiveness to our own". Traveling back in time and deliberately sabotaging human advances in technology would provide them with far less technological distinctiveness to add to their own and the Borg Queen made it clear in an episode from Voyager she was in no way impressed by human biology. In Voyager it was mentioned that even the Borg have standards and they won't even make the effort to assimilate a species if it is too technologically primitive so for the Borg to go back and prevent humans from reaching the point where they become worthy of assimilation doesn't make any sense whatsoever. Other than that it was a well made movie and quite entertaining.
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"Don't be a great man, just be a man, and let history sort it out"
Quinoa198422 August 2016
First Contact is not simply as a great Star Trek film. It's wonderfully smart and sophisticated science fiction period. Here's the hook that I like about it, which may or may not have been intentional (but given that Ronald Moore is the co-writer, the beautiful mind behind Battlestar Galactica, I'll say yes): we often think about being from other worlds coming to our own and how we see them and their technology, and that's the point of view, of US seeing the OTHER.

The power with this movie is that because it's Trek, we have a vehicle for characters who are from another time and place, though who are us (in some ways more than others, usually more), and in this story as the Enterprise has to go back in time to the year 2063 with on one side The Borg to grapple with again and to make sure that a one-day-important man Zephram Cochrane (James Cromwell), who is basically a drunk who loves to dance to old time rock and roll and has somehow created what will be the warp drive everyone uses in the future, the roles are reversed. In short, we get to have a pure science fiction story that is loaded with ideas that, because it's the Borg (again, not unlike the original series the movies do a good course correct with their sophomore outing), we get to see what attaining "perfection" really means on contrast with a character like Zephram on the other side. It's a terrific balancing act.

I'm sure that for Trek fans, and the ones for TNG I think are a *little* more fanatical than even the ones for the original series, could be wrong on that, there are great callbacks and just by making it the Borg, which was one of the highlights of that show and how intense and psychologically profound it got (what would happen if you were stripped of your personality and "assimilated" by an entire collective consciousness - an analogy for political persuasion I suppose but could be anything). But for general audiences, i.e. those who may not watch Trek or only do occasionally, it works on its own terms.

The writers and director Jonathan Frakes make this fast moving but loaded with character motivations and arcs and plot - even for Alfre Woodard, who at first appears to be a supporting player, is probably closest to an audience surrogate and all the better for it (she gets to play a lot of emotions here, the full spectrum for bad-ass to terrified to indignation and wonder and awe and so on). And I think the themes it's wrestling with are easy enough to grapple with, about how what it means when you're thrust with the reputation of being a MAJOR leader and figurehead in the future, or if there's a being that can turn on and off an 'emotion chip' ("Sometimes, I really envy you," Picard comments, rightfully so), but also has the goal to become more human and is given that chance... by the villain. I can go on and on.

It's also extremely funny - the great comedic lines are sharp and witty, or they play on character stuff like when Zephram gets Marian Sirtis' character drunk on "this thing called Tequila" - and has beats that combine humor and satire and suspense with seemingly great ease: when Picard has to buy a moment or two from the Borg, he "brings to life", literally, a chapter from a book that's set in a 1930's style nightclub (he in a fedora and suit, Woodard in period clothes, surrounded by extras and so on) until he realizes he's in the wrong chapter, pushes it ahead and is in a white tuxedo, gets a Tommy gun and blows away the Borg (much as he can do).

This is one of those moments that would be brilliant in any movie, that could pull it off well, and this does. And at the heard of it all is the villain of the "Leader" of the Borg, played with aplomb and delivish villainy by Alice Krige, who wants to turn Data as with all beings into this "perfect" consciousness that she's had for so long. But does she truly know what she is? Or care? Certainly to Data it matters for much of the run time.

Such rich conflict in this movie! And characters talking out their problems, like Picard's issue about whether he should or shouldn't destroy the Enterprise in order to save his crew from the Borg. And throughout the writers weave in clever ideas and concepts and give full SCI-FI moments like, I couldn't even believe it, Picard and Warf and that other guy going out with Zero-G space suits on to the ship to stop some thing-a-ma-bob from going off that the Borg's setting up, and that transported me to a direct place in science fiction cinema too - that slow-speed and all the more intense for it act of doing something in space where if you lose your grip on the ground you'll float away to death.

This may be the best Trek film of the modern day, on par if not superior(!) to 'Khan' as a blend of adventure, story, action, and deeper philosophical notions about how we see ourselves, our roles in shaping the future, the past, and being ourselves throughout it all.
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Okay movie, but disappointing
WiseQuac24 April 1999
I am a Star Trek fan, and watched every episode of the original series, and many of the episodes of Star Trek: The Next Generation. I did not like the movie much, but if you can't think of anything but Star Trek, you should check out this movie, although you probably already have =).

Now, onto the mini-review. This movie takes place six years after the two-part Next Generation episode "The Best of Both Worlds", which actually is similar in length to the movie. Make sure you see "The Best of Both Worlds" first, to get a primer on the Borg and to understand most of the things this movie refers to (including the certain assimilation).

I think this movie really took away from some of the best parts of Star Trek: The Next Generation. Two examples:

Data having an emotion chip. Data was interesting because he did not have emotions, and even though he turned it off part-way through, it still makes his role in the movie less special.

The Borg Queen = bad idea. The Borg are Borg because they are not individual, but rather a collective conciousness. Having one Borg that controls them just doesn't work. If you've seen both First Contact and Best of Both Worlds you know what I mean, because in Best of Both Worlds the Borg are just plain neat, and in First Contact they come across differently.

Overall, this movie made the Borg less special, Data less special, and even though it reveals a lot about Star Trek history I just don't recommend it. If you don't know much about Star Trek but just want to find out what all this Borg stuff is about, watch Best of Both Worlds instead. Don't bother with First Contact.
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Formulaic sci-fi
son_of_cheese_messiah27 June 2011
For some reason that I cannot understand this substandard pot-boiler has a high reputation among fans. Although it is lacking in every depart, its real crime is the badness of its characterisation. Virtually everyone here acts out of character. Deanna Troy appears drunk in a leaden and embarrassing 'comedy' scene; the usually calm, assured Picard becomes an Ahab-like obsessive willing to sacrifice his own crew for revenge; Worf utters the absurd "assimilate this" line worthy of a cheap 80s cop film. Possibly worst of all, even worse than seeing Picard gun down his own men, is the borg, a complex entity whose mythology has been established over the years, being reduced to a hive run by a Cruella Deville-like queen. Nor are the action scenes much to write home about. Very average.
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I found First Contact to be the most overrated Trek film ever!
TrekkerForever31 May 2009
Warning: Spoilers
As much as I like The Next Generation television show, I found their movies to be nothing more than extended episodes of the television show. Generations was nothing more but a real series finale for the show. First Contact was nothing more but a continuation of the cliffhanger, Best of Both Worlds, Insurrection was just another bad episode of the show with a bigger budget, and Nemesis was another attempt at ripping off earlier better movies.

I enjoyed the special effects in First Contact, and I liked the acting, but I found the storyline, especially weak. The ending, involving destroying plasma coolants in the engineering department was one of the weakest science fiction endings ever. The crew could have shot them at the beginning to avoid all the headaches. Instead we get two hours of jumbled action, and over the top performances. I'm sorry, but I didn't enjoy this film as much as some other people did.

I found First Contact to be nothing more than a remake of The Best Of Both Worlds with a very weak side plot regarding a drunken Zephram Cochrane, and one of the weakest endings in Trek history, which is Data destroying the plasma coolants and killing all of the borg, despite the borg having taken over half of the ship. It was equally implausible and ridiculous at the same time. Thank goodness, Paramount finally moved away from those awful TNG films and went back to the TOS film series with JJ Abrams new Star Trek TOS film being the biggest Trek film of all time that is the first Oscar winner.

Also, this had the WEAKEST ending of the entire Trek series! (The borg are convenitely killed in engineering after they have taken over half of the ship, WEAK!)
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First Contact; a quirky, odd, and sometimes weak best installment
Elswet25 October 2003
Warning: Spoilers
While this is not as solid as its predecessors, this is the first of the series in which the Next Generation attempts to stand on its own. After the shaky start that was "Generations," this looks great in comparison.

Based on several episodes of the "Next Generation" television series in which Piccard was assimilated by the Borg, and fought his way free. You are not given the benefit of this knowledge or experience in this installment. They elude to it, and even mention it, but they fail to discuss it which in my opinion is a necessity for you to get a good bead on the events and Piccard's passions concerning the Borg.

In the opening scene, they have DATA stealing Spock's lines and that really just did not sit well with me. It was a cheap, slip-shod attempt to endear him to the fans of the old series in Spock's place; a place, which I may add, that he will never in a million years be able to fill. I can appreciate his character for what it is, but not as a replacement for any of the original crew members, let alone Spock.

And...Enterprise E? What happened to C and D? It was B which was destroyed in 7 (Generations). So...what happened? Did someone just forget the alphabet? Or did they not care enough about continuity to bother with it?

Above that, the Borg have found a way to create a rip in time, in order to go back to 20th century Earth, assimilate the planet, and prevent the human race from achieving warp speed; an event which effectuates mankind's first contact with the Vulcan race, sent to welcome humans into the group of beings who heretofore have not enjoyed the capacity for interstellar travel.

Meanwhile, the Borg have infested the Enterprise and are in the process of assimilating Star Fleet's top crew; Jordi La Forge has a new set of eyes which are beautifully and creatively designed; we learn a lot about the functionality of the holodeck, the Borg, and the way some features work aboard the Enterprise E; DATA is given human skin by the Borg (and then given something else which is much more effective in controlling even the mind of a machine); the inventor of the warp drive takes off running for the hills after being overwhelmed by the Enterprise crew's hero worship and has to be captured and returned to the project; the Borg devise a way to send for reinforcements after their ship is destroyed; and Dr. Crusher kidnaps the warp drive project head in an attempt to save her life.

All in all, the story itself is well written, and the acting on behalf of the thespians is good, solid and even rousing. There are some holes, as I have pointed out, but for the most part, the story works and is a deserving addition (and perhaps the best NG installment) to this franchise.

It rates an 8/10 from...

the Fiend :.
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unoriginal concept salvaged by good execution -- fantasy not sci-fi
funkyfry13 November 2007
Warning: Spoilers
As a long-time Star Trek fan who nevertheless didn't warm up to either series until "The Next Generation" moved into its 2nd and 3rd seasons, I give this movie a recommendation, but with some personal reservations.

It's a decent action film and probably appeals to the casual audience more than any other film in the series outside of "The Voyage Home." The Borg Queen is a popular villainess, and for good reasons – the FX were outstanding and Alice Krige's performance is sexy and appropriately intimidating. The time travel theme is a sci-fi theme that audiences are familiar with and that presents opportunities for anachronistic humor that are irresistible. James Crowmell is a magnificent actor with charisma to spare, and even those unfamiliar with Captain Picard will find Patrick Stewart's performance convincing and intriguing. He's been given an excellent foil from the past, Lily Sloane (Alfre Woodard), who brings out a lot of dimension in Picard and goes a long way towards helping anyone who hasn't seen previous Trek outings to see what distinguishes Picard and his crew from your generic space soldiers (they are "Roddenberry People"). In fact the introduction of a "normal" character into the fantasy environment is a key component of successful fantasy storytelling; this device is discussed in J.R.R. Tolkien's essay "On Faerie Stories" and was used by Tolkien and C.S. Lewis as well as many who followed after them. It should be noted however that it's a fantasy theme or device, not science fiction.

The film isn't as impressive for those who are already familiar with the Trek world and who expected (or at least hoped) the Next-Generation movies would take the universe and its characters into uncharted frontiers. The original series didn't really develop its characters, only focused on 3 primary characters and kept those characters and their relationships constant through the 3 season run. In the Original Series (TOS) films, however, Kirk Spock and McCoy go through a series of character developments that alter their personal stories while keeping their relationship mostly intact. Strangely, the situation is reversed for Next Generation (TNG) – the series paid attention to a larger group of crew members and spent a lot of time developing those characters and their relationships (Worff dated Troi, Data turned out to have a twin brother and met his creator, etc.). However when TNG went to film virtually all character development was abandoned. Part of the problem is unavoidable to a certain extent – after all, there are simply too many characters involved to give each of them screen time and still advance an interesting plot. But I wish that they had tried a little harder to incorporate actual sci-fi ideas instead of just turning the series into another action franchise cloaked in sci-fi costumes and set pieces. Many steps backward have been taken – the Borg no longer have a truly alien collective mind but are instead drones led by a Queen Bee type. As much fun as the Borg Queen is, she doesn't represent any new interesting ideas about the Borg and wouldn't be out of place in any action film out there. Also there is a lot of repetition here – the time travel story feels familiar from "The Voyage Home" and of course the Borg have already been seen many times in episodes of the show. I've never understood why the producers at Paramount kept thinking that they needed to recycle stories from the shows, especially after the negative fan reaction to "VGER" in the first film. It's boring for the fans. So it's impossible for me to really give an "objective" reaction to this film, seeing as I've already been exposed to so much of the material in its original form when it was actually better done.

I also think that the sequence outside the ship with the deflector dish didn't work out very well, much too slow and improbable. Why did the Borg die when Picard let all that green stuff out of the big tube but they were fine walking along in space without suits? Stuff like that is probably stuff that the writers intentionally don't worry about and think that fans are too petty – but basically what they've done is to turn sci-fi into fantasy. And it's somewhat insulting to our intelligence. On the commentary, the writers say that fans don't want to hear about how time travel works and so they just make it really easy for the Enterprise to travel in time after the Borg. As far as I'm concerned, that underestimates the audience greatly and it's indicative of the reasons why this film feels so unintelligent and uninspired.

But not to be totally negative – even from a fan perspective the James Cromwell is a fun character and does provide a subtle kind of tribute in that certain aspects of his character remind us of Gene Roddenberry himself. What made Roddenberry's series so different from previous sci-fi was that he presented us a utopic world that we'd all love to explore, but he peopled it with believably flawed human beings. Woodard's character is also very well done and the scene in the Captain's quarters ("this far and no further!") was a stunner to be sure. I loved how she said "Jean-Luc, blow up the damn ship!" The Borg Queen herself was very well done if you ignore the fact that it damages the concept of the Borg collective itself. The space battle at the beginning is very nice to look at, as is the sequence with the camera's eye drawing back from Picard's Borg eye to reveal the whole ship. But for this fan, I couldn't escape the feeling of "been there, seen that." However, from another perspective, looking at how poorly the subsequent films and TV series turned out, this film represents basically the last quality Star Trek product ever produced. So it deserves at least some affection simply on that basis.
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Being the best TNG film...
JoeB13117 March 2009 really like being the Leper with the most fingers.

Yes, First Contact lacks the awfulness that were Generations, Insurrection and Nemesis. And there are some good performances here.

TNG was never the strongest Trek series. The original and Deep Space Nine were better. It did have the most likable cast, however, and it was always a joy to see them. The problem here, like all the TNG films, is that most of the drama focuses on Picard and Data, without the other characters getting a chance to shine.

My other huge complaint with the film is that it assumes gross incompetence on the part of the Enterprise crew to get the story moving. Well, we have to lose half our ship (and crew) to the Borg before we actually start taking action against them. It was the kind of ineptitude we saw on Voyager and Enterprise week after week that drove the fans nuts. Thanks, Braga, you've done so much to cripple the franchise.

Another sign that Braga is an idiot. In the first treatment, he wanted to make Zephram Cochran a woman because a)He was too stupid to realize Zephram was a guy's name, and 2) He hadn't realized that ZC had already been seen in the Original Series, which he never watched because it actually relied on things like character development and story. His original idea got distilled into the Alfre Woodard character.

There's a lot of fun stuff in here to enjoy, but enough bad stuff to make it hard to love.
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Alice Krige Looks Like This In Real Life!
The_Other_Snowman27 June 2006
Many people believe this is the best of the ten Trek films, probably because the special effects are the most advanced, and it has the most violence. It's definitely the best of the Next Gen movies, and not a bad action flick, but it doesn't really feel like Star Trek to me.

There are two parallel stories that play out in "First Contact," and sometimes it feels like two separate movies. In Movie A, Picard and the crew of the Enterprise, having traveled to the 21st century in pursuit of a Borg ship, must defend the Enterprise as it is assimilated from within by the evil Borg Queen. It's a lot like "Aliens," but without the cussing and acid blood. The corridors of the ship are dark and foreboding, the Borg are unemotional and quite scary, and fighting them seems hopeless. The Borg Queen, however, never really comes across clearly because it's obvious the writers just had no idea what she was supposed to be.

Movie A is dark and exciting. Movie B, on the other hand, is light and fluffy, and a little slack. The more comically-oriented members of the crew beam down to 21st century Earth to help Zefram Cochrane repair his groundbreaking warp ship in time for a historic rendezvous with the Vulcans, and have to convince him to become the heroic character he is in the history books. Cochrane is understandably skeptical, not to mention drunk on tequila.

The characters on the ground are oblivious to what's going on in space, so the two parallel plots are entirely separated by tone and content. One is dark and serious, the other light and funny. The writers tried too hard to make their movie appeal to everyone, and they end up with a bit of a mish-mash. The comic relief is forced and not very funny, and the action sequences on board ship lose some of their power once you realize how clean they are. After all, there's no blood in the future, and only extras get killed.

Picard and Data get the most attention, with a few scenes reserved for Worf and a cameo from "Voyager's" holographic doctor. The other characters don't contribute much more than background exposition. The show was based solidly on its ensemble cast, so it's a little jarring to have that ensemble reduced to a hero and his sidekick.
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If you can turn your brain off completely, it's watchable
FuzzyWzhe31 December 2002
I was recently subjected to this movie and although I'm typically fairly open to any sort of movie one thing of which I'm not very tolerant is plot holes.

There has been many positive reviews of this film here at the IMDB, and I assume it's from "Trekkies". This review is not directed to that audience. The plot is essentially that the Borg attack Earth, and in typical Star Trek fashion the USS Enterprise just happens to be there to save the world ala Captain Kirk. While the USS Enterprise is blasting the hell out of the Borg cube, a smaller ship escapes, and travels back in time to take over the Earth in the past. Of course the USS Enterprise gets sucked into the time vortex in hot pursuit.

While you are watching this you may wonder, like I did, why the Borg, having the ability to travel backward in time, would ever bother to attack any civilization when it's in a technologically advanced state. It is apparently because you can make any claptrap plot and as long as there are some sound bites and mindless action and has Star Trek characters in it, that a sufficient number of people will watch it to justify the cost of the production.

If you can turn your brain off for the duration of the film, and you like Star Trek you might be able to enjoy it. It's mindless action at times and when it's not, it's dull and boring. Paradoxically, this appears to be the BEST film out of the Next Generation series - yes, that high pitched whir you hear at the cemetery where Gene Roddenberry is buried is him spinning in his grave.

If you've never seen any of the older films, watch #2 if you want something that has a reasonably strong plot or #1 if you want something that is about the majesty of space. What Star Trek has become and what it started out being are nearly unconnected at this point.
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