A partially handicapped man named Karl is released from a mental hospital, about 20 years after murdering his mother and another person. Karl is often questioned if he will ever kill again, and he shrugs in response saying there is no reason to. Now out of the mental institution, Karl settles in his old, small hometown, occupying himself by fixing motors. After meeting a young boy named Frank, who befriends him, Karl is invited to stay at Frank's house with his mother Linda, who views Karl as a strange but kind and generous man. However, Linda's abusive boyfriend, Doyle, sees things differently in the way rules ought to be run- normally insulting Linda's homosexual friend Vaughan as well as Karl's disabilities, and having wild parties with his friends. As Karl's relationship with Frank grows, he is watchful of Doyle's cruel actions.Written by
The morning after Karl slept at the warden's house the scene opens with an exterior view of a one-story house. The next shot is in the interior and shows a set of stairs that are obviously going up to a second floor. See more »
Frank's a weak little kid. His daddy taught him how to be a pussy.
Stop it, Doyle! Don't talk about my daddy.
"Don't talk about my daddy". Go on and get up outta here. Go out to the garage and let me be. Go on now, get!
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Sling Blade is a very well acted, well displayed, and interesting masterpiece. I just loved it from beginning to end.
First I would like to comment on the excellent acting across the board, especially the late John Ritter and Billy Bob Thornton's ensemble portrayal of Karl. I could not help but feel very attached to Karl from the opening scene, his release from the mental institution, his struggles with the outside world, and how he related to the town people. Sling Blade is one of those movies that I would love to sit down and talk about for hours with a friend. I would also love to hear others' perspectives about what made this movie great.
It seems that every scene was worked to perfection. From the lighting and camera's viewpoint to the acting and music. I enjoyed every scene, but thought that three really stood out. Without giving too much away, they are as follows. No spoilers here:
1. Inside the house after band practice where Karl does not move from the couch.
2. When Karl is visited at work and we see him make eye contact for the first time.
3. The scene where Karl is in the garage late at night. The chilling music really captures the mood. My heart was pounding during this one!
I hold Mr. Thornton to a very high respect. He created a masterpiece that is emotional, thrilling, dramatic, humorous, and entertaining.
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