| Cast overview, first billed only: | |||
| Kevin Bacon | ... | Nokes | |
| Billy Crudup | ... | Tommy | |
| Robert De Niro | ... | Father Bobby | |
| Ron Eldard | ... | John | |
| Minnie Driver | ... | Carol | |
| Vittorio Gassman | ... | King Benny | |
| Dustin Hoffman | ... | Danny Snyder | |
| Terry Kinney | ... | Ferguson | |
| Bruno Kirby | ... | Shakes' Father | |
| Frank Medrano | ... | Fat Mancho | |
| Jason Patric | ... | Shakes | |
| Joe Perrino | ... | Young Shakes | |
| Brad Pitt | ... | Michael | |
| Brad Renfro | ... | Young Michael | |
| Geoffrey Wigdor | ... | Young John | |
As children, Lorenzo Carcaterra - Shakes to his friends - Michael Sullivan, Tommy Marcano, and John Reilly were inseparable. They grew up in Hell's Kitchen, a far from perfect neighborhood, one filled as Shakes says with scams and shake downs, but one where the rules were known and easily understood by its residents. The one adult who they admired was Father Bobby Carelli, who understood them as kids more than most adults and more than he himself would like to admit. In 1967, their lives would change forever when a typical teenage prank went wrong which led to the four of them being sentenced to various terms at Wilkinson Home for Boys, a reformatory. There, they were physically, emotionally and sexually abused primarily by Sean Nokes, the predatory lead guard of their cell block, and fellow guards Ralph Ferguson, Henry Addison, and Adam Styler, although there were other decent figures of authority at the home, including a few other guards. Their time at the home affected the four, ... Written by Huggo
The first half of the film is really strong and the scene that serves as the transition to the second half (the bar scene) is fantastic. I felt that the the latter half as a whole was a bit of a bubble though: there is a lot of The Count of Monte Cristo (the book that is referenced in the film a lot, check it out if you haven't) -esque revenge build-up but the payoff is a disappointment. For me, there were also slight pacing issues towards the end, along with some tonal choices I wasn't a fan of. Still, I'd say it's a fairly recommendable drama.
Rating: 6/10