| Cast overview, first billed only: | |||
| Kôji Yakusho | ... | Shohei Sugiyama (as Koji Yakusho) | |
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Tamiyo Kusakari | ... | Mai Kishikawa |
| Naoto Takenaka | ... | Tomio Aoki | |
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Eri Watanabe | ... | Toyoko Takahashi (as Eriko Watanabe) |
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Yu Tokui | ... | Tokichi Hattori |
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Hiromasa Taguchi | ... | Masahiro Tanaka |
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Reiko Kusamura | ... | Tamako Tamura (as Raiko Kusamura) |
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Hideko Hara | ... | Masako Sugiyama |
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Hiroshi Miyasaka | ... | Macho |
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Kunihiko Ida | ... | Teiji Kaneko |
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Amie Toujou | ... | Hisako Honda |
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Ayano Nakamura | ... | Chikage Sugiyama |
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Katsunari Mineno | ... | Keiri-kachô |
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Tomiko Ishii | ... | Haruko Haraguchi |
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Maki Kawamura | ... | Eiko Miyoshi |
Shohei Sugiyama has attained all that he has wanted in life. But he is still depressed and unhappy. One day, he gathers up the courage to sign up for dancing lessons. He hopes they will rid his depression and help him get his life back together. Written by Robert Krzanowski <stonedpsycho@hotmail.com>
I don't like "grade inflation" but I just had to give this a 10. I can't think of anything I didn't like about it. I saw it last night and woke up today thinking about it. I'm sure that the Hollywood remake that someone told me about, with J Lo and Richard Gear, will be excellent, but this original Japanese version from 1996 was so emotional and thought-provoking for me that I am hard-pressed to think of any way that it could be improved, or its setting changed to a different culture.
A story I found worth watching, and with o fist-fight scenes or guns going off or anything of the sort! Imagine that!
All the characters seemed well-developed, ... even non-primary characters had good character-development and enjoyable acting, and the casting seemed very appropriate.
It's always hard to find a good movie-musical in our day and age, and perhaps this doesn't quite qualify (there is plenty of learning how to dance, but no singing) but I really think that Gene Kelly and others who championed a place for dance in our lives would have thought so very highly of this film and the role of dance in helping to tell a story about a middle aged man, successful with a family in Japan, looking for something... he knows not precisely what.
To the team of people in Japan who contributed to this film, thank you for creating and doing it.