Yet another tradition in the tradition of "ragtag misfits" in Japanese comedy...Sumo Do, Sumo Don't tells the story of a university sumo club in Japan. In today's Japan, the younger ... See full summary »
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Suttida Kasemsan Na Ayutthaya,
Thana 'Oil' Suthikamorn
The film exposes the atrocities of war through the eyes of two children who are stranded in the DMZ after the end of the Korean War. The DMZ, strewn with abandoned tanks, dead bodies, land ... See full summary »
Shohei Sugiyama has attained all that he has wanted in life. But he is still depressed and unhappy. One day, he gathers up the courage to sign up for dancing lessons. He hopes they will rid his depression and help him get his life back together.Written by
Robert Krzanowski <firstname.lastname@example.org>
In the first scene, a man's shoe in close-up plunges into a black pool in the street. This symbolizes the world renowned Ballroom Dancing Competition in Blackpool, England, referenced later in the film. See more »
Different prologue: In the beginning of the Japanese version, a voice-over introduces the history and meaning of ballroom dancing in European culture and explains "enjoyed by people of all ages, it is a healthy diversion". The prologue of the US release explains the reserved mannerisms of Japanese culture and that ballroom dancing is considered something like a scandalous pasttime there. See more »
I don't like "grade inflation" but I just had to give this a 10. I can't think of anything I didn't like about it. I saw it last night and woke up today thinking about it. I'm sure that the Hollywood remake that someone told me about, with J Lo and Richard Gear, will be excellent, but this original Japanese version from 1996 was so emotional and thought-provoking for me that I am hard-pressed to think of any way that it could be improved, or its setting changed to a different culture.
A story I found worth watching, and with o fist-fight scenes or guns going off or anything of the sort! Imagine that!
All the characters seemed well-developed, ... even non-primary characters had good character-development and enjoyable acting, and the casting seemed very appropriate.
It's always hard to find a good movie-musical in our day and age, and perhaps this doesn't quite qualify (there is plenty of learning how to dance, but no singing) but I really think that Gene Kelly and others who championed a place for dance in our lives would have thought so very highly of this film and the role of dance in helping to tell a story about a middle aged man, successful with a family in Japan, looking for something... he knows not precisely what.
To the team of people in Japan who contributed to this film, thank you for creating and doing it.
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