London of the late 19th century is a haven for political exiles of all sorts - refugees, partisans, anarchists. Verloc has made his living spying for the Russian government, an agent ...
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A believable telling of the life of Mary, the chosen by God, mother of Christ. The story follows Mary before conception, at the revealing of the impending birth by the angel Gabrie, and ... See full summary »
A close-knit group of young kids in Nazi Germany listen to banned swing music from the U.S. Soon, dancing and fun lead to more difficult choices, as the Nazis begin tightening their grip on... See full summary »
Robert Sean Leonard,
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In 1984, British journalist Arthur Stuart investigates the career of 1970s glam superstar Brian Slade, who was heavily influenced in his early years by hard-living and rebellious American singer Curt Wild.
Jonathan Rhys Meyers,
London of the late 19th century is a haven for political exiles of all sorts - refugees, partisans, anarchists. Verloc has made his living spying for the Russian government, an agent provocateur of sorts, while simultaneously providing information to the London police, specifically Chief Inspector Heat. When the new Russian ambassador demands he prove his worth or lose his salary, Verloc sets off a tragic chain of events that involves his pretty young wife Winnie, her intellectually disabled brother Stevie, and a figure called the Professor, whose fascination with explosives and destruction makes him the person to call on when Verloc needs a bomb.Written by
Gary Dickerson <firstname.lastname@example.org>
I would have chosen "Never more timely" for a title had the woman in NYC not taken it first. Robin Williams' fanatic could be any number of "players in this morning's "eve of war" headlines: The "End Times" druids who currently have the ear of America's Chosen-By-God president comes to mind. Or Osama bin Laden's Shi'ite zealots.
Conrad's literary genius is his ability to portray horror with the narrator's understatement and ambivalence. Bob Hoskins' film accomplishes this horrific understatement. Phillip Glass' (ordinarily no personal musical favorite) score gives the entire creepiness a magnificent auditory bas-relief. I wish I had voted it a "10" instead of merely "9." Superb.
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