A year after the murder of her mother, a teenage girl is terrorized by a new killer, who targets the girl and her friends by using horror films as part of a deadly game.
While Sidney and her friends visit the Hollywood set of Stab 3, the third film based on the Woodsboro murders, a new Ghostface begins to terrorize them once again.
Director:
Wes Craven
Stars:
David Arquette,
Neve Campbell,
Courteney Cox
Four young friends bound by a tragic accident are reunited when they find themselves being stalked by a hook-wielding maniac in their small seaside town.
Director:
Jim Gillespie
Stars:
Jennifer Love Hewitt,
Sarah Michelle Gellar,
Anne Heche
Fifteen years after murdering his sister on Halloween night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield to kill again.
Director:
John Carpenter
Stars:
Donald Pleasence,
Jamie Lee Curtis,
Tony Moran
After a teenager has a terrifying vision of him and his friends dying in a plane crash, he prevents the accident only to have Death hunt them down, one by one.
Carrie White, a shy, friendless teenage girl who is sheltered by her domineering, religious mother, unleashes her telekinetic powers after being humiliated by her classmates at her senior prom.
Two strangers, who awaken in a room with no recollection of how they got there, soon discover they're pawns in a deadly game perpetrated by a notorious serial killer.
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
A year after her mother's death, Sydney Prescott (Neve Campbell), and her friends started experiencing some strange phone calls. They later learned the calls were coming from a crazed serial killer, in a white faced mask and a large black robe, looking for revenge. His phone calls usually consist of many questions, the main one being: Whats your favorite scary movie? Along with many scary movie trivia, ending with bloody pieces of innocent lives scattered around the small town of Woodsboro.Written by
Joss Oran
(at around 51 mins) When the principal goes to open the door the first time. The door opens left to right (the hinges are on the right side.) When he closes it he closes it left to right (the hinges are on the left side). However, it is revealed that in this shot we are looking at a mirror when the principal turns around and is startled by his reflection, then proceeds to fix his hair. See more »
Right before the credits roll, there is a quick flash of the killer's face (Ghostface), so quick, it causes the viewer to doubt they actually saw it. See more »
Making a brilliant, original horror film is pretty hard these days, since practically everything has already been told, and more than once. Using that premise, director Wes Craven and screenwriter Kevin Williamson came up with Scream, whose cleverness derives from the fact that it knows every single stereotype of the genre and satirizes them.
Take the opening sequence, for example: a young girl (Drew Barrymore) is making popcorn and waiting for her boyfriend when she suddenly receives a phone call. Normally, this would be a huge clichè, only this time the killer decides to play a little game (horror film quiz, naturally) with his victim. In fact, the only reason why he kills her is that she gave the wrong answer to one of his questions (those who haven't seen Friday 13th might want to skip that bit, as it spoils said movie's ending). That scene is both very scary (the murder is quite graphic and disturbing) and at the same time funny (it tests the characters', and the audience's, knowledge of the horror genre), and the rest of the film continues in the same vein: after the first killing, the masked psychopath starts disposing of other teenagers in the town of Woodsboro using the same technique. One of the targets is Sidney Prescott (Neve Campbell), whose mother was raped and killed the year before. This implies the killer might be the same, but who could it be? Sidney's distant father? Her mother's lover (Liev Schreiber)? Or some random guy, with no motive at all?
Fortunately, it is not the last category: this murderer has a motive and a plausible identity as well. But it isn't the payoff that makes Scream interesting; it's how Craven and Williamson get to it, by outlining the genre's conventions (some of which were actually invented by the director himself) and using them in a clever, if self-referential, way. The point of the movie is, the more you know of this kind of films (pay attention to the rules, stated by geeky film buff Randy), the more chances you have to survive (although you must take into account that the killer has seen the same movies). The in-jokes that would ruin other films are the very cause of Scream's success, with memorable scenes such as the villain mimicking the movie his victims are watching or Craven's unmissable cameo as a janitor wearing Freddy Krueger's outfit (not to mention priceless lines like "Movies don't create psychos, movies make psychos more creative!").
In other words, Scream is a smart, effective horror film, which manages to amuse and scare in equal measures. Definitely worth watching, even if the two sequels (especially Scream 3) don't really match the original's intelligence and, forgive the expression, originality.
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Making a brilliant, original horror film is pretty hard these days, since practically everything has already been told, and more than once. Using that premise, director Wes Craven and screenwriter Kevin Williamson came up with Scream, whose cleverness derives from the fact that it knows every single stereotype of the genre and satirizes them.
Take the opening sequence, for example: a young girl (Drew Barrymore) is making popcorn and waiting for her boyfriend when she suddenly receives a phone call. Normally, this would be a huge clichè, only this time the killer decides to play a little game (horror film quiz, naturally) with his victim. In fact, the only reason why he kills her is that she gave the wrong answer to one of his questions (those who haven't seen Friday 13th might want to skip that bit, as it spoils said movie's ending). That scene is both very scary (the murder is quite graphic and disturbing) and at the same time funny (it tests the characters', and the audience's, knowledge of the horror genre), and the rest of the film continues in the same vein: after the first killing, the masked psychopath starts disposing of other teenagers in the town of Woodsboro using the same technique. One of the targets is Sidney Prescott (Neve Campbell), whose mother was raped and killed the year before. This implies the killer might be the same, but who could it be? Sidney's distant father? Her mother's lover (Liev Schreiber)? Or some random guy, with no motive at all?
Fortunately, it is not the last category: this murderer has a motive and a plausible identity as well. But it isn't the payoff that makes Scream interesting; it's how Craven and Williamson get to it, by outlining the genre's conventions (some of which were actually invented by the director himself) and using them in a clever, if self-referential, way. The point of the movie is, the more you know of this kind of films (pay attention to the rules, stated by geeky film buff Randy), the more chances you have to survive (although you must take into account that the killer has seen the same movies). The in-jokes that would ruin other films are the very cause of Scream's success, with memorable scenes such as the villain mimicking the movie his victims are watching or Craven's unmissable cameo as a janitor wearing Freddy Krueger's outfit (not to mention priceless lines like "Movies don't create psychos, movies make psychos more creative!").
In other words, Scream is a smart, effective horror film, which manages to amuse and scare in equal measures. Definitely worth watching, even if the two sequels (especially Scream 3) don't really match the original's intelligence and, forgive the expression, originality.