Two stories for the price of one: Lenny works in a video shop and tries to get aquainted with the waitress Lea. Leo beats his pregnant wife, Louise, which is a VERY bad idea, as her brother, Louis, is a violent racist.
Nicolas Winding Refn
Rikke Louise Andersson
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
Frank is a drug pusher on the roll until he makes a huge deal with dope that he hasn't paid for and he gets busted by the police. He manages to dump the dope in a nearby lake but he owes his supplier a lot of money (not a nice guy to owe money to). Now we follow Frank in his quest to raise money in the underworld of Copenhagen.Written by
S. Lasborg <Lasborg@dk-online.dk>
When Frank and Tony are in Frank's car, they pass a crossing just before Frank's phone rings. 20 seconds later, when Frank finishes his phone call, they turn right, at the same crossing they just passed. See more »
For instance, there was this Turkish guy once. He fucked up and owed Milo some money. So I went over to his place. I'd been there many times before, asking for the money in a polite way, without any luck. Finally, I took a knife, stabbed it in his kneecap and teared the shit up. Sometimes, I'd like to have another job. Believe me.
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Pusher is a visceral low-budget movie set on the streets of Copenhagen. Though its director Nicholas Winding Refn is not a part of Dogme 95 the film uses many of the Dogme maxims to better effect. The plot is deceptively simple. Frank (Kim Bodnia)is double-crossed on a deal and has a couple of days to make good the covering loan to a sadistic Balkan gangster. The film's speed rhythms convey the nightmare of time running out, luck running out, and life, shot with hand-held camera in natural light going around in circles until suddenly damnation beckons. Tougher than Tarantino or Trainspotting, it pulls no punches and its running gags fail to draw the sting. One of the great city films of the 1990s.
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