Directed by
| Jerry London | ||
Writing Credits (WGA)
| Scott Swanton | ... | (written by) |
Cast (in credits order)
Produced by
| Michael O. Gallant | ... | producer |
| Paul A. Kaufman | ... | executive producer |
| Scott Swanton | ... | co-executive producer |
| Sophia Xixis | ... | associate producer |
Music by
| Laura Karpman | ||
Cinematography by
| Billy Dickson | ||
Editing by
| Benjamin A. Weissman | ||
Production Design by
| Derek R. Hill | ||
Costume Design by
| Stephen M. Chudej | ||
Second Unit Director or Assistant Director
| Paul A. Kaufman | ... | second unit director |
Art Department
| Bryan Felty | ... | set dresser |
| Jason Hammond | ... | set dresser |
| Jason Knee | ... | set dresser |
Sound Department
| Karma Barber | ... | foley artist |
| Skip Frazee | ... | location sound mixer |
| Alan Freedman | ... | adr mixer |
| George R. Groves Jr. | ... | sound editor |
| Jeremy Hoenack | ... | re-recording mixer |
| Phillip W. Palmer | ... | boom operator |
| Michael Payne | ... | sound supervisor |
Special Effects by
| Randy E. Moore | ... | special effects coordinator |
Camera and Electrical Department
| Cheryl Clarson | ... | electrician |
| Scott Fawley | ... | best boy grip |
| Rocky Ford | ... | grip (as Rocky W. Ford) |
| Stephen Ritchey | ... | grip |
| Andy Stefanek | ... | electrician |
Costume and Wardrobe Department
| Leslie Daum | ... | costumer |
Editorial Department
| Scott Klein | ... | master colorist |
Location Management
| Kim Davis | ... | location manager |
Music Department
| Kim Strand | ... | music editor |
Transportation Department
| Duke Foster | ... | transportation coordinator |
Additional Crew
| Clay Bakker | ... | key production assistant |
| Brett Z. Hill | ... | production assistant |
| Todd Sharp | ... | production coordinator |
