A retired FBI agent with psychological gifts is assigned to help track down "The Tooth Fairy", a mysterious serial killer. Aiding him is imprisoned forensic psychiatrist Dr. Hannibal "The Cannibal" Lecter.
Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or get help from the surrounding bystanders, Stuart negotiates with the caller that leads to a jaw-dropping climax.
In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
(at around 24 mins) On film sets, it is common practice to mark a bottle of water with your initials so that it doesn't get lost amidst the sea of other half empty bottles of water on set, especially if you're the PA or AD tasked with babysitting an actor's water. When Martin walks into his living room to watch the news report about Aaron's arrest, he's carrying a bottle of water that is clearly marked with the initial R. See more »
[while getting dressed as Naomi helps him]
On my first day of law school, my professor says two things. First was: from this day forward, when your mother tells you she loves you, get a second opinion.
If you want justice, go to a whorehouse. If you wanna get fucked, go to court.
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Edward Norton delivers the chills...(POSSIBLE SPOILERS AHEAD)
PRIMAL FEAR is a good old-fashioned thriller with a modern twist. The plot concerns an altar boy accused of killing a clergyman who molested him and a sleazy lawyer who sees a chance to make tabloid news by taking the case. What he doesn't know is that his client can be just as cunning as he is.
RICHARD GERE seemed to specialize in playing these kind of low-down heels (typecasting does have its perils), and LAURA LINNEY as the prosecuting lawyer has her hands full trying to play a game of one-upmanship against him during an intense courtroom trial.
The story ends on a chilling note, thanks largely to the clever, intense and totally convincing performance ED NORTON gives in his film debut. As the guy who seems to have a devious split personality driving him to do bad things, he's the kind of actor who makes the audience sit up and take notice of his abrupt mood changes. It's no wonder he pulls the wool over so many eyes.
Having said that, it's the climax of the film that is most stunning and brings the story to a totally unexpected conclusion. It's the kind of chilling twist that only the most clever scriptwriters can devise and make seem probable--but it succeeds here.
Summing up: The kind of film you'll want to revisit once you know the whole score. Gere, Linney and Norton deserve high praise.
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