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Primal Fear (1996)

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An altar boy is accused of murdering a priest, and the truth is buried several layers deep.

Director:

Gregory Hoblit

Writers:

William Diehl (novel), Steve Shagan (screenplay) | 1 more credit »
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Popularity
1,544 ( 305)
Nominated for 1 Oscar. Another 10 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Richard Gere ... Martin Vail
Laura Linney ... Janet Venable
John Mahoney ... Shaughnessy
Alfre Woodard ... Shoat
Frances McDormand ... Molly
Edward Norton ... Aaron / Roy
Terry O'Quinn ... Yancy
Andre Braugher ... Goodman
Steven Bauer ... Pinero
Joe Spano ... Stenner
Tony Plana ... Martinez
Stanley Anderson ... Rushman
Maura Tierney ... Naomi
Jon Seda ... Alex
Reg Rogers ... Connerman
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Storyline

Courtroom thriller about a slick, hotshot lawyer who takes the seemingly unwinnable case of a young altar boy accused of murdering an eminent catholic priest. Written by Jonathan Broxton <j.w.broxton@sheffield.ac.uk>

Plot Summary | Plot Synopsis

Taglines:

Sooner or later a man who wears two faces forgets which one is real. See more »


Motion Picture Rating (MPAA)

Rated R for brief grisly violence, pervasive strong language and a sex scene | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

3 April 1996 (USA) See more »

Also Known As:

Iskonski strah See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$293,515, 26 July 1996

Gross USA:

$56,116,183

Cumulative Worldwide Gross:

$102,616,183
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The exterior police station where Martin Vail goes to see Aaron Stampler is the same exterior police station used for the TV series Hill Street Blues (1981) , for which director Gregory Hoblit was producer and director and Joe Spano (Stenner) starred as Henry Goldblume. See more »

Goofs

(at around 45 mins) At the original interview, Dr. Molly asks Aaron "How did you meet?" and then she asks "What was the relationship like?". When Marty is watching the interview tape (at around 1h 35 mins), Dr. Molly, after asking "How did you meet?" says "Doing what?". See more »

Quotes

[first lines]
[while getting dressed as Naomi helps him]
Martin Vail: On my first day of law school, my professor says two things. First was: from this day forward, when your mother tells you she loves you, get a second opinion.
Jack Connerman: [chuckles] And?
Martin Vail: If you want justice, go to a whorehouse. If you wanna get fucked, go to court.
See more »

Connections

Featured in The 69th Annual Academy Awards (1997) See more »

Soundtracks

Lacrimosa
from Requiem
Written by Wolfgang Amadeus Mozart (as W.A. Mozart)
Performed by Wiener Sängerknaben
Courtesy of Capriccio
by arrangement with Source/Q
See more »

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User Reviews

Full of holes but still enjoyable and inventive
1 February 2004 | by bob the mooSee all my reviews

When an altar boy, Aaron Stampler, is accused of murdering a priest, the media-friendly, arrogant lawyer Martin Vail takes the case (and the headlines). However he discovers that the boy is not all he seems and that there may have been a third person in the room when the priest was murdered. However his plea is fixed and he must work the case to turn things back to his advantage.

Years ago, the UK did a day where the Government subsidised cinemas to offer all tickets for £1. On that day I had nothing I wanted to see but I thought (like thousands other) that a saving of £3 (at the time) was too good to miss, so I went to see this film despite my caution when it comes to courtroom thrillers. The plot here is so very full of holes that it is a wonder that the whole film doesn't fall into itself, however it just about manages to succeed by being quite clever and significantly different from the usual courtroom stuff (although it does still have the same faults as the rest of the genre).

The film is a lot darker than many courtroom thrillers; first of all, Vail is not a sympathetic character - he is arrogant and conceited, and the film never really offers him redemption at any point. Likewise the climax of the film is not the usual genre twist - or rather, it is, but not in the usual way. The film's main weakness however is that it is at least 20 minutes too long. The revelations about Roy happen but then are forgotten for about 10 minutes and then raised again before being put aside again. I really can't even understand why the film feels so padded at points in the middle when really that was when the Roy thing kicks in and the film should have stepped up a gear in a flash. That it doesn't is a problem, but not an insurmountable one, as it does slowly get faster towards a downbeat conclusion that is enjoyably different from the usual Perry Mason style twist (although it is a twist).

I'm by no means a Richard Gere fan, but he does a very good job here. He never wants to be a good guy here and he plays it well. However the film is driven by a great performance from Norton, marking himself out as one to watch in coming years. His dual roles are great and the film would have failed if he hadn't been able to carry it off. The support cast is surprisingly deep with people who were either well-known at the time or became famous later. When a cast includes Mahoney, McDormand, Woodard, Linney, Seda, and Braugher then it is worth a look - although some of them have very small roles there are no weak links. However it is a credit to Norton that he stands shoulder to shoulder with all of them and is the one that sticks in the mind long after it finishes.

Overall this is an enjoyable courtroom thriller that only struggles in the middle with an inability to really just let rip. It's ironic, but I enjoyed it because it was less showy and so on when compared to others of the genre, but it could have benefited from knowing when to let go sooner. However the cast is top notch and the unlikely plot is held together by a low key Gere and a fantastic central performance(s) from Norton.


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