An American girl inherits a fortune and falls into a misguided relationship with a gentleman confidence artist whose true nature, including a barbed and covetous disposition, turns her life into a nightmare.
Ruth's been brainwashed by a guru in Delhi, India. Her parents in Sydney hire a specialist in reversing this. Ruth is tricked to return to Australia and is isolated in an outback cabin with the specialist. It gets messy.
In 1920s and 1930s New Zealand, Janet Frame grows up in a poor family with lots of brothers and sisters. Already at an early age she is different from the other kids. She gets an education ... See full summary »
A couple move to Sydney from a small town, and soon become lured by the bright lights of the big city. Colin, the scriptwriter husband, is corrupted by his editor and then falls for his ... See full summary »
Bobby Platt (Christian Bale) is a mentally slow young man who escapes an abusive, hateful stepfather who has killed his pets one by one. To save himself, Bobby runs away and meets a strange... See full summary »
Isabel Archer, an American heiress and free thinker travels to Europe to find herself. She tactfully rebuffs the advances of Caspar Goodwood, another American who has followed her to England. Her cousin, Ralph Touchett, wise but sickly becomes a soulmate of sorts for her. She makes an unfortunate alliance with the creepy Madame Merle who leads her to make an even more unfortunate alliance with Gilbert Osmond, a smooth but cold collector of Objets' de art who seduces her with an intense but unattainable sexuality. Isabel marries Osmond only to realize she's just another piece of art for his collection and that Madame Merle and Osmond are lovers who had hatched a diabolical scheme to take Isabel's fortune. Isabel's only comfort is the innocent daughter of Osmond, Pansy, but even that friendship is spoiled when Countess Gemini, Osmond's sister, reveals the child's true parentage. Isabel finally breaks free of Osmond and returns to Ralph's bedside, where, while breathing his last, they ...Written by
Teresa B. <O'Donnell@worldnet.att.net>
When Isabel is attempting to retrieve her parasol from Mr. Osmond, all camera shots of her show the bow around her neck to her right. However, there is one camera shot that shows the bow to her left. See more »
A woman is torn between independence and love in this feminist adaptation of Henry James' novel.
Many people could not warm up to this remarkable adaptation of Henry James' novel, A Portrait of a Lady. The dark, abusive themes and open ending are not part of typical costume drama fare, but both are true to Henry James' novel and to Jane Campion's vision.
Henry James originally wrote the novel in the 1880s. Intended as an exploration of what a woman might do if she were given independent means, James' book indicts women as being trapped by a weaker nature. Exploring the same material Campion's movie comes to a different conclusion.
The adaptation and direction are superb. The movie maintains the steady rhythm of doom that makes James' novel an enduring classic. There is no place where this is more evident in the film than in its lingering images. The camera holds on to the subject a moment longer than expected, making the viewer a little uncomfortable, and anticipating sudden disaster that never quite arrives. Ms. Campion directs this film like a horror film, which is exactly what it is.
The acting in this film is also convincing, from Nicole Kidman's paralyzed Isabel, to John Malkovich as a hypnotically terrifying pursuer. They are backed by a solid cast of major actors in minor roles, all adding to Isabel's complex societal tragedy.
Portrait of a Lady, particularly this film adaptation, is a remarkable example of how stories may stay the same, but their meanings change over time.
Related films include: Washington Square (1997), The House of Mirth (2000), The Buccaneers (1995)(mini).
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