Picnic

Iwai's Swallowtail and Love Letter are two of my favourite films. Asano and Chara are high calibre actors, and there are the stunning visual set pieces we've come to expect from Iwai, including the most arresting, startling suicide death ever committed to celluloid, a thing of sheer beauty. Unfortunately, the story is just too flimsy. The characters are not developed beyond their prognosis; Asano's demon makes disturbing hallucinatory appearances, but apart from that back story the rest is just three mentally disturbed people walking (and walking, and walking...) on a wall. There seems to be a short version and an extended version kicking about - I had the extended version, and it felt long. This seems to work better as a short film. The pseudo-Christian references are lame, a bum note in an otherwise passable effort. Thankfully, Iwai paid more attention to script in his later outings. This early one is strictly for fans looking to chart the director's development.

Director: Iwai Shunji Duration: 72 minutes

Iwai Shunji is a fascinating director. He is able to hold the viewer's interest during films that last for over two hours, and can also engross the viewer in an emotionally intense film that lasts only 47 minutes. I have thoroughly enjoyed _All About Lily Chou Chou_, _Love Letter_, _April Story_, and _Undo_, so I was looking quite forward to viewing _Picnic_. Also, being a huge fan of Asano Tadanobu, I was looking forward to watching one of his earlier films. I was definitely not disappointed.

_Picnic_ focuses on the lives of three mental patients: Coco, played by Chara, Tsumuji, played by Asano Tadanobu, and Satoru, played by Koichi Hashizume. Each individual has their own personal demons and suffer not only mental torment, but also are mistreated by the nurses. Their only solace is to walk along the wall of the asylum and view the world they are hidden from. The only person on the outside who is moderately kind to them is a Catholic Priest who gives Tsumuji a bible. Tsumuji reads the bible and is comforted by the fact that the world is soon going to come to an end on July 10th of that year. He was actually looking at the date the book was first published. The three friends decided to pass the walls of the asylum on that day and welcome in the destruction of the earth with a picnic.

This is a great little film. Not being a fan of Japanese pop music my only knowledge concerning the singer Chara are the facts that she is married to Asano Tadanobu and that she has acted in two of Iwai Shunji's films, the one I am writing on here and _Swallowtail_. However, I think that she did a fine job of acting, and the times in which she is racked by mental torment are quite moving. Asano Tadanobu's acting is extraordinary. I felt my heart tightening when he reveals his darkest secrets to Coco. Great film. Check it out!

How do one feels the rules, the World, the Bible, and love when s-he's mentally disturbed? Reaaly cool! Chara and Asano Tadanobu are awesome and it has incredible cinematography as i think it can be expected from Shunji Iwai. The cinematography enhances the whole stuff, with a crescendo till the very end of the movie. It tells a lot while keeping it low on the words, as it let one feels from the inside point of view thanks to the humor and the great sensibility that are put into it. Overall a charming movie, on a barely easy field :)

This is the second Shunji Iwai movie for me. His films aren't officially available in France, which is a real pain in the *ss.

Since the composition is so delicate, the harsh texture of the editing should be made deliberately. The gloomy and horrific interior space and imaginative outdoor wanderings seem to tear the movie into two parts, but when the fences, rainstorms, feathers and other details are fully expressed, the metaphorical irony is gradually replaced by a purely romantic atmosphere. Although some part of the film it's going too far, the integral effect is quite remarkable.

I live in Japan and watch a lot of Japanese films. Like anywhere there are the gems and the dregs. Unfortunately, this falls into the latter. It is shallow, pretentious and shot through with amateurism, from the none existent cinematography, to the flat dull performances. Chara should stick to singing, and this is probably Asano's worst performance on screen I've ever seen. This is more evident if you don't need to rely on the subtitles, as the original dialog comes across as hollow and flat in the native tongue. The concept is interesting and original, but that doesn't mean anything if the execution is lacking. Another point worth mentioning is that this is NOT a short film, it clocks in a just over an hour, a little longer in the original Japanese version (72 minutes) and I think this is it's biggest problem, it stretches an already thin concept beyond breaking point. Disappointing from Shunji Iwai, who is on of the more talented directors from Japan. Though to be fair, this is a relatively early piece, and his later works are much more confident in style and content. One for the fans only I think.