Larry Flynt is the hedonistically obnoxious, but indomitable, publisher of Hustler magazine. The film recounts his struggle to make an honest living publishing his porn magazine and how it changes into a battle to protect the freedom of speech for all people.Written by
Kenneth Chisholm <firstname.lastname@example.org>
Larry Flynt's comment at the rally that "if you believe anything you can do with your body is wrong, it's the fault of the manufacturer" was originally a famous gag line used by the late comedian Lenny Bruce, who also went through numerous court cases charging him with obscenity. See more »
When Larry finds Althea in the bathtub, he pulls her out of the water by the throat. For the rest of the scene you can see her swallow and sometimes wince in pain, even though she's dead. See more »
[In a magazine store in front of news reporters]
Good hardworking news dealers are being threatened and intimidated: if that's not censorship I don't know what is. What we're going to do is I'm going to pay this news dealer one thousand dollars. I am renting this store for the next twenty fours. I am in charge now and if anybody wants to purchase a copy of Hustler Magazine
[In disguise and hands Larry money]
Mr. Flynt, may I please buy a copy of Hustler Magazine?
[...] See more »
Idealized biography of Hustler magazine mogul Larry Flynt (played superbly by Oscar nominee Woody Harrelson) which finally ends up focusing on his legal battles to publish his pornography via the free speech laws of this land. Along the way he marries a bisexual wild woman (Courtney Love) who shares his unconventional views on free love, priced pornography and drug abuse. The character also survives an assassin's bullet, paralysis, imprisonment, endless court battles against the Reverend Jerry Falwell and even his own destructive nature. Edward Norton (a relative newcomer when this was released) shines as Harrelson's young attorney who tries to overlook and overcome his client's tirades. Director Milos Forman (Oscar-nominated) does a good job creating a cinematic story about a man who is hard for most in mainstream society to understand or relate to. Flynt is humanized and so are those who cross his path throughout the picture. The movie is not as wild and crazed as one would think. Instead Forman uses well-timed comedy with drama to get the major points across effectively. Overall one of the better films of 1996. 4 stars out of 5.
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