Larry Flynt is the hedonistically obnoxious, but indomitable, publisher of Hustler magazine. The film recounts his struggle to make an honest living publishing his porn magazine and how it changes into a battle to protect the freedom of speech for all people.Written by
Kenneth Chisholm <firstname.lastname@example.org>
For the scene where the reporter for CBS arrives at Larry Flynt's house, the reporter was originally intended to drive there himself. When Norm Macdonald was given the role he informed Milos Foreman he couldn't drive, so they had him exit a taxi instead. See more »
When Larry finds Althea in the bathtub, he pulls her out of the water by the throat. For the rest of the scene you can see her swallow and sometimes wince in pain, even though she's dead. See more »
[to his staffers, as they remained silent]
The distributer called and unfortunately we had only a twenty five percent sell through
Someone want to translate that for me?
What that means their sending back a hundred fifty thousand copies
[slams the champagne bottle into the cake]
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Career milestone for Woody Harrelson & Courtney Love
THE PEOPLE VS. LARRY FLYNT (1996) **** Woody Harrelson, Courtney Love, Edward Norton, James Carville, James Cromwell, Richard Paul, Crispin Glover, Vincent Schiavelli, Miles Chapin, Brett Harrelson, Donna Hanover, Norm MacDonald. Superb biographical account of smut publisher Larry Flynt (portrayed by Best Actor nominee Harrelson in arguably the role of his career) whose bouts with the courts regarding libel, pornography and ultimately first amendment rights to the freedom of speech are captured like a tempest in a teacup that depicts the rise and near fall of Flynt (who was paralyzed in an assassination attempt) and the uncomparable love affair with his doomed yet dedicated wife, bisexual, drug-addicted and tragically AIDS afflicted wife Althea Leasure (Love in a toweringly brilliant turn at acting that deserves all the recognition she mustered) who stood by her man as she withered away. Funny, insightful, important and some masterful filmmaking overall thanks largely to the cleverly constructed screenplay by Scott Alexander and Larry Karaszewski ("Ed Wood"), costumes by Theodore Pistek and Arianne Phillips, and all too believeable production design by Patricia von Brandenstein. And yes that is real-life Flynt as one of the judges passing sentence and yes it is real-life brother Brett of Woody playing siblings. Kudos to Best Director nominee Milos Forman (who was sorely passed over in the Best Picture nomination as well as practically getting shut out come to mention it) for pulling off a difficult hat trick: making scum respectable.
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