Ein weiteres Highlight am deutschen Kinohimmel. Ein Förderprogramm bringt die beiden Knackis Gerd und Steinbock in die Obhut von Frauen. Dort sollen sie beweisen, dass sie in der Lage sind ...
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Otto, a young man from East-Frisia comes to the big city (Hamburg) to make his fortune. Most of all he is engaged with two problems: How can he impress Silvia, a rich young girl, and where ... See full summary »
Sky du Mont
Otto loses his flat, because he could not pay the rent. To work off his rent arrears he is doing dirty work for the caretaker. Just now Gaby moves into the house and Otto falls in love, but Gaby has eyes only for Amboss the bodybuilder.
Ludo Decker and Anna Gotzlowski have been living together for two years. Everyday routine has set in, with Ludo neglecting his household responsibilities much to Anna's dislike, while he is... See full summary »
Otto is the only one who is able to save his Frisian fatherland; but he needs the help of his brother, who is abroad. But his brother does not want to fulfill what he has sworn as a child. ... See full summary »
Marijan David Vajda,
Hans Peter Hallwachs
A young boy from a working class family in post-war Germany struggles with his estranged father returning from war captivity, while a friend of his plays for the German National Soccer Team at the 1954 FIFA World Cup in Switzerland.
At the beginning of the movie, a man drives a vintage Mercedes saloon to a gangster boss ("Der Gesundheitsinspektor" - The Health Inspector, played by Heiner Lauterbach). The "Health ... See full synopsis »
Ein weiteres Highlight am deutschen Kinohimmel. Ein Förderprogramm bringt die beiden Knackis Gerd und Steinbock in die Obhut von Frauen. Dort sollen sie beweisen, dass sie in der Lage sind sich in die Gesellschaft zu integrieren. Nun bringt Gerd dummerweise einen Barbesitzer um. Damit hat der Ausflug in die Freiheit vorläufig ein Ende.Written by
Axel Wittrowsky <firstname.lastname@example.org>
This male chauvinist comedy starts promising refreshing, but as the story develops the viewer is confronted with a very trivial love story.
But Detlev Buck knows his metier and this film is far better (made) than the average German 90's comedy. Buck is supported by the very good cinematography of Idziak whose use of colour is excellent. Almost as a rule in 90's German cinema the music is no more than muzak.
Heike Makatsch almost steals the film.
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