Mulholland Falls (1996)

In 1950's Los Angeles, a special crime squad of the LAPD investigates the murder of a young woman.

Director:

Lee Tamahori

Writers:

Peter Dexter (story) (as Pete Dexter), Floyd Mutrux (story)

Stars:

Nick Nolte, Melanie Griffith, Jennifer Connelly

1 win & 1 nomination.

Cast

Cast overview, first billed only:
Nick Nolte	...	Max Hoover
Melanie Griffith	...	Katherine Hoover
Chazz Palminteri	...	Elleroy Coolidge
Michael Madsen	...	Eddie Hall
Chris Penn	...	Arthur Relyea
Treat Williams	...	Colonel Nathan Fitzgerald
Jennifer Connelly	...	Allison Pond
Daniel Baldwin	...	McCafferty
Andrew McCarthy	...	Jimmy Fields
John Malkovich	...	General Thomas Timms
Kyle Chandler	...	Captain
Ed Lauter	...	Earl
Larry Garrison	...	Perino's Maitre d'
Chelsea Harrington	...	Lolita
Johnna Johnson	...	Bar Woman

Storyline

This film is about the adventures of a 1940's special anti-gangster police squad in Los Angeles, the infamous 'Hat Squad.' The four members of this squad are big, tough, no-nonsense cops who don't hesitate to break the law, if it suits their purposes. When a local woman is murdered, their investigation turns up the fact that she had been romantically linked to several prominent men and had secret films taken of her liaisons. Since one of those men is the powerful U.S. Army General at the head of the then-new Atomic Energy Commission and another is the (married) leader of the Hat Squad, complications ensue. The FBI even gets involved in an attempted cover-up.

---

Plot Keywords:

neo noir | murder | military | 1950s | breasts | 

---

Taglines:

This isn't America, this is Los Angeles

---

Genres:

Crime | Drama | Mystery | Thriller

---

Motion Picture Rating (MPAA)

Rated R for sexuality, violence and language

Details

Official Sites:

MGM's Official Site

Country:

USA

Language:

English

Release Date:

26 April 1996 (USA)

Also Known As:

Abuso de poder

Filming Locations:

Warner Brothers Studios - 5800 Sunset Blvd., Los Angeles, California, USA

Box Office

Budget:

$29,000,000 (estimated)

Opening Weekend USA:

$4,306,221, 28 April 1996, Wide Release

Gross USA:

$11,500,000

Company Credits

Production Co:

Largo Entertainment,Metro-Goldwyn-Mayer (MGM),Polygram Filmed Entertainment

Technical Specs

Runtime:

107 min

Sound Mix:

DTS DTS-Stereo

Color:

Black and White (home movie sequences) Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Body count: 6 (not counting the pilot whose fate is unknown).

---

Goofs

When Hoover and his men are caught trespassing by Colonel Fitzgerald and the MP's, there is an offstage ADR line heard as one of the men speak on the radio, "Sierra, Tango, Zero, One." "Sierra, Tango" is the phonetic alphabet representing the letters "S" and "T". However, this is the current phonetic alphabet which became effective in 1957. The ADR line should have read, "Sugar, Tare, Zero, One" to be authentic to the period.

---

Quotes

[first lines]
Perino's Maitre d': Good evening, gentlemen can I check your hats, please?

---

Connections

Featured in At the Movies: Mulholland Falls/Sunset Park/The Truth About Cats and Dogs/I Shot Andy Warhol/Wings of Courage (1996)

---

Soundtracks

Who Me?
Written by Frank Foster
Performed by Count Basie and His Orchestra (as Count Basie and his orchestra)

User Reviews

Derivative cops & corruption

It's not an awful movie but it comes rather late in a cycle of cops vs. corruption in high places during the fifteen years between Chinatown (set in 1937) and L. A. Confidential (1954) and encompassing True Confessions (ca. 1948) and Farewell my Lovely (1941). That is to say, we've seen much of this before. So have the writers, the director, and the composer. So instead of John Huston as a corrupt entrepreneur we have John Malkovich as an apparently homicidal head of the Atomic Energy Commission. The period is evoked by clothing and cars, especially a big black Buick convertible over which the camera lingers like a proud lover. But, forsooth, what ugly beasts they were, weighing as much as a Sherman tank, getting the same mileage as a prime mover, having the suspension of a giant trampoline, and decorated like a whore with chromium and fake louvres. The cops occupy the same gray area as the cops in L. A. Confidential or any of the other similar movies, dumping unwanted gangsters off "Mulholland Falls," their mocking name for a steep hill off Mulholland Drive.

Good cast, though. Nolte brings his brute-force persona to the role, gravel voiced, tough, inelegant. Chaz Palmintieri is a semi-comic sidekick (not his forte) who is, we can tell before too long, fated to undergo what so many other devoted partners without prominent roles undergo. Malkovitch is great as a wheezing, dying, ex-general who gets off a good riff on how, since atoms are mostly empty space, the very floor we stand on, our very own bodies, are little more than empty space giving off an illusion of solidity.

(I used to tell my classes the same thing and when I was finished and waiting for the applause, I'd notice that everyone was staring at me as if I'd turned into some kind of marmoset.) Jennifer Connolly has only a few lines, but what lines they are! There are few more gorgeous creatures than she now gracing the screen. Melanie Griffith is given a washed-out very blonde look. She delivers in her small part what is probably her most intense and believable performance. At no time was I ever embarrassed for her. Treat Williams is pretty good as an eminence verte. The other actors aren't faceless -- we recognize Baldwin and Ed Lauter -- but they might as well be.

The art direction lacks the temporal precision found in Chinatown or Farewell My Lovely, where even the tumblers and highball glasses were diachronically sound. Except for some subtle work in the general's house. The living room is, without ostentation, pretty gruesome in its decor -- stuffed pheasants, a table lamp that stands on (get this) stuffed deer feet!

No wonder the general babbles on about atoms. The score is as derivative as the rest of the movie. Dave Grusin has borrowed heavily from Chinatown's melancholy theme, arpeggios on plucked strings, and tremolo violins bespeaking uneasiness.

Underneath it all, though, it's another cops vs. villain movie. There are a couple of shootouts, a double plane-throwing, one or two mashed bodies. The characters are almost desperately differentiated but they are not captured. They don't do things like get a shave while they argue with other customers and banter with the barber. The film doesn't really seem to HAVE much of a setting, and it doesn't have much in the way of inhabitants. The scenes are strictly functional. Nothing is lingered over. There is no beauty here.

On the plus side, there are some great shots of a DC-3 (or C47), one of the most pilot-friendly aircraft ever put together. Some of them are still flying commercially after 50 years. How friendly are they? A crew was flying one through dense fog over Greenland during the war when the flight started getting very rough indeed, pieces of ice banging against the fuselage, vibrations, terrible shocking bumps. Then the engines stopped entirely and the plane slowed to a halt. The crew found that they had made a wheels-up landing atop a glacier without knowing it. On the negative side, a minor carp, in the scene when we first meet Treat Williams, a radio operator in the background says something like "Tango three, out." Wrong phonetic alphabet. In the early 50s it would still have been "Tare three, out."