A portrait of a fictional town in the midwest that is home to a group of idiosyncratic and slightly neurotic characters. Dwayne Hoover is a wealthy car dealership owner that's on the brink ... See full summary »
A surreal portrait of a Catholic Private School and its hierarchy. A new student must submit to the bizarre rituals of his peers and the expectations of the school's administration by ... See full summary »
This WW2 psychological drama plays out at Christmas. US GIs hold an isolated cabin in the Ardennes against a handful of Germans cut off from their main force. Combat-weary and short of rations, both sides are determined to survive.
Based on Kurt Vonnegut's novel, Bluebeard tells the tale of Rabo Karabekian, a retired abstract expressionist artist, who guards a mystical secret in his potato barn and believes his life ... See full summary »
Brian, painter Ellen and chef Sam timeshare an apartment on different days. A shift on Mon/Wednesdays causes mistaken identity as Ellen and Sam have never met but leave notes, food etc. behind for each other.
After a failed suicide attempt leaves him partially crippled, Roary begins spending a lot of time at a neighborhood bar full of interesting misfits. When Jerry the bartender suddenly finds ... See full summary »
Howard W. Campbell, Jr., an American expatriate playwright, Nazi radio propagandist, and Allied spy, writes his memoirs during his pre-trial confinement in 1961 Haifa and learns that people are what they pretend to be.Written by
Erik Gregersen <email@example.com>
While they are hiding out, Campbell (Nick Nolte) says to Resi and George, "In spite of everything, I still believe people are really good at heart," a direct quote from "The Diary of a Young Girl" by Anne Frank. See more »
Wartime Allied undercover operative suffers the consequences of his deception, in the process discovering something about himself and about justice.
It's so rare to find a literary work adequately translated to the screen that I may have rated this film higher than it deserves, but not by much. As a long-time student of Vonnegut's works, I have no hesitation in recommending the film to his readers, at least to those that love him as I do. The casting is inspired: Nolte is understated in triumph, bewildered in defeat, decisive in judgment. Sheryl Lee is luscious throughout, but her handling of the treacherous Resi and her tragic crescendo almost makes you forget her beauty. Alan Arkin delivers a totally lovable, but equally treacherous, Soviet spy.
Do not feel you have to read Mother Night to appreciate the film; though, if you haven't read Mother Night, you will probably want to after viewing the film.
Notice the shifts from color to black-and-white and back again, and don't miss the final symbolism of Campbell's noose. Watch, also, for Kurt Vonnegut's cameo near the end of the film.
Bing Crosby's "White Christmas" will never sound the same (I write in mid-December, when the song is getting heavy radio play, and it's driving me nuts).
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