A portrait of a fictional town in the midwest that is home to a group of idiosyncratic and slightly neurotic characters. Dwayne Hoover is a wealthy car dealership owner that's on the brink ... See full summary »
This WW2 psychological drama plays out at Christmas. US GIs hold an isolated cabin in the Ardennes against a handful of Germans cut off from their main force. Combat-weary and short of rations, both sides are determined to survive.
A surreal portrait of a Catholic Private School and its hierarchy. A new student must submit to the bizarre rituals of his peers and the expectations of the school's administration by ... See full summary »
Brian, painter Ellen and chef Sam timeshare an apartment on different days. A shift on Mon/Wednesdays causes mistaken identity as Ellen and Sam have never met but leave notes, food etc. behind for each other.
This biography of Dorothy Dandridge follows her career through early days on the club circuit with her sister to her turn in movies, including becoming the first black actress to win a Best... See full summary »
Klaus Maria Brandauer
Based on the novel by Kurt Vonnegut, Bluebeard is the tale of Rabo Karabekian, an octogenarian one-eyed retired artist who guards a mystical secret in his potato barn and believes his life ... See full summary »
Howard W. Campbell, Jr., an American expatriate playwright, Nazi radio propagandist, and Allied spy, writes his memoirs during his pre-trial confinement in 1961 Haifa and learns that people are what they pretend to be.Written by
Erik Gregersen <firstname.lastname@example.org>
The character Howard W. Campbell Jr. is used by Kurt Vonnegut Jr. in the novel Slaughterhouse Five, and makes an appearance in the movie of the same name, although in reference to a part of Campbell's life not included in the film version of Mother Night. See more »
Composed by Arvo Pärt
Performed by Tasmin Little and Martin Roscoe
Courtesy of EMI Classics
Under license from EMI-Capitol Music Special Markets
Used by arrangement with European America Music Dist. Corp., Agent for Universal Edition Vienna,
publisher and copyright holder See more »
I've always loved Vonnegut because his books probe issues most people don't much like to think about. This film begins with an American who is beautifully and passionately in love. It ends with him broken by an ill-considered agreement that many would call noble, even heroic. What part does anticipation have in avoiding blame? Is simply being too distracted by love or duty to see the full impact of something an excuse? Is there ever an end to personal responsibility?
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