The daughter of a thief, young Moll is placed in the care of a nunnery after the execution of her mother. However, the actions of an abusive priest lead Moll to rebel as a teenager, ...
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After a husband is accused of driving his third wife to suicide, his first wife Hedda, a troubled woman who can't hate or hurt others even if they had wronged her, is subpoenaed to testify on his abusive behavior during their marriage.
A young woman, Tara Maguire (Robin Wright) scandalizes her provincial Irish village in the 1950s by having a baby out of wedlock, and refusing to name the father. She has a rare beauty and ... See full summary »
Michael and Sara end their turbulent love affair to avoid destruction, with Michael calling Sara his 'sickness'. Sara, or Loon, as her friends call her, tries to start anew and move on from the troubled relationship.
The daughter of a thief, young Moll is placed in the care of a nunnery after the execution of her mother. However, the actions of an abusive priest lead Moll to rebel as a teenager, escaping to the dangerous streets of London. Further misfortunes drive her to accept a job as a prostitute from the conniving Mrs. Allworthy. It is there that Moll first meets Hibble, who is working as Allworthy's servant but takes a special interest in the young woman's well-being. With his help, she retains hope for the future, ultimately falling in love with an unconventional artist who promises the possibility of romantic happiness.Written by
The motion of the ship below deck is unrealistic. At 0:32:00 and 1:50:00 the scene inside the cabin shows rocking along one axis only - side to side - when the ship was in a storm. Anyone with practical experience with boats and ships in the rough weather depicted would expect pitching fore and aft as well, and violent crashes from bashing into waves, creating a corkscrewing roll that contributes so much to seasickness. Also at 1:50:00 an exterior shot of the ship in the storm is accompanied by a command "reef the mizzen mast" but the sails are hanging limply; the heavy roar of the wind suggests they could not be in the eye of the storm. See more »
Daniel Defoe would be mortified if he knew that his delightful novel, full of energy and wisdom, was the basis for this plodding, sentimental film. Stockard Channing is delightful to watch in her role... if you mute the sound, so that you aren't forced to endure the dialogue.
Other fine actors are wasted also, including Morgan Freeman looking like he's costarring in Battlefield Earth and knows it. Use this film only as a cure for insomnia. Watch the 1995 British made-for-tv adaptation instead; it does everything right that this film does wrong.
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