The life of Fanny Brice, famed comedienne and entertainer of the early 1900s. We see her rise to fame as a Ziegfield girl, subsequent career, and her personal life, particularly her relationship with Nick Arnstein.
Rose and Gregory, both Columbia University professors meet when Rose's sister answers Gregory's "personals" ad. Several times burned, the handsome-but-boring Gregory believes that sex has ruined his life, and has deliberately set out to find and marry a woman with absolutely no sex appeal. Greg thinks he's found what he's looking for in Rose, a plain, plump English Lit professor who can't compete with her gorgeous mother and sister. More out of mutual admiration and respect than love, Greg and Rose marry. Greg assumes that Rose understands that he is not interested in a sexual relationship. He's mistaken, and their marriage is nearly destroyed when Rose tries to consummate their relationship. While Gregory is out of the country on a lecture tour, Rose diets and exercises to transform herself into a sexy siren in a last-ditch attempt to save her marriage.Written by
Anthony Bruce Gilpin <firstname.lastname@example.org>
Rose's name is said one hundred eighteen times throughout the film. See more »
Camera operator visible when Rose rejects Alex. See more »
I just can't eat a greasy cheesburger in the middle of the day anymore. Doesn't it bloat you?
Bloat me? No, it doesn't bloat me! Actually I thought it went real well with the spare ribs I had for breakfast.
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THE MIRROR HAS TWO FACES **** There are close to no gentlemen callers who are waiting to romance professor Rose Morgan (Barbra Streisand), so she's learning to settle for a life with no man by her side. To her surprise, she is eventually pursued by a Math teacher (Jeff Brydges) who seeks a platonic marital relationship. Needlessly appreciative of the fact that any man - much less an attractive man - wants her, she becomes frustrated with the lack of intimacy between them as they draw together and eventually wed. The role-playing between Streisand and her antagonistic mother (Lauren Becall) adds intensity to the story. A fine work by Streisand.
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