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The Mirror Has Two Faces (1996)

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A shy, middle-aged professor enters into a romantic but non-physical relationship with an unlucky-in-love colleague.

Director:

Barbra Streisand

Writers:

André Cayatte (screenplay "Le Miroir a Deux Faces"), Gérard Oury (screenplay "Le Miroir a Deux Faces") | 2 more credits »
Reviews
Nominated for 2 Oscars. Another 4 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
Barbra Streisand ... Rose Morgan
Jeff Bridges ... Gregory Larkin
Lauren Bacall ... Hannah Morgan
George Segal ... Henry Fine
Mimi Rogers ... Claire
Pierce Brosnan ... Alex
Brenda Vaccaro ... Doris
Austin Pendleton ... Barry
Elle Macpherson ... Candy
Ali Marsh ... First Girl Student
Leslie Stefanson ... Sara Myers
Taina Elg ... Female Professor
Lucy Avery Brooke Lucy Avery Brooke ... Felicia (as Lucy Avery Brooks)
Amber Smith ... Felicia - Video
David Kinzie David Kinzie ... Claire's Masseur
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Storyline

Rose and Gregory, both Columbia University professors meet when Rose's sister answers Gregory's "personals" ad. Several times burned, the handsome-but-boring Gregory believes that sex has ruined his life, and has deliberately set out to find and marry a woman with absolutely no sex appeal. Greg thinks he's found what he's looking for in Rose, a plain, plump English Lit professor who can't compete with her gorgeous mother and sister. More out of mutual admiration and respect than love, Greg and Rose marry. Greg assumes that Rose understands that he is not interested in a sexual relationship. He's mistaken, and their marriage is nearly destroyed when Rose tries to consummate their relationship. While Gregory is out of the country on a lecture tour, Rose diets and exercises to transform herself into a sexy siren in a last-ditch attempt to save her marriage. Written by Anthony Bruce Gilpin <agilpin@pacbell.net>

Plot Summary | Add Synopsis

Taglines:

A story about just how wrong two people can be before they can be right. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for language, sensuality and some mature thematic material | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

15 November 1996 (USA) See more »

Also Known As:

El espejo tiene dos caras See more »

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Box Office

Budget:

$42,000,000 (estimated)

Opening Weekend USA:

$12,210,868, 17 November 1996

Gross USA:

$41,083,864

Cumulative Worldwide Gross:

$41,083,864
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

SDDS | Dolby SR | Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

On-location filming at Columbia University caused a campus-wide blackout one day. See more »

Goofs

When Greg arrives at "new" Rose's house. See more »

Quotes

Rose Morgan: I don't feel anything, isn't that great! I never thought about how *I* would feel, I only ever thought about you. I only wanted to make you happy, I never thought I was good enough for you.
Alex: Oh but you are good enough for me, Rose, you are!
Rose Morgan: I know, I know, but Alex, you're not good enough for me!
See more »


Soundtracks

Ruby
Written by Mitchell Parish & Heinz Roemheld
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Frequently Asked Questions

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User Reviews

 
The production values are great; the sentiments are false.
18 March 2007 | by foxycat-1See all my reviews

I just saw this film again the first time since 1996. The production values for this film were great, but the sentiments are false. First I have to say that the acting is superb, especially Streisand and Bacall. Their mother-daughter revelation scene is wonderful, a gem shared by 2 consummate actresses.

Here's the dishonesty: In the first half, we see that everyone who's attractive is also defective in some way. Husband is a jerk, sexless, a bore, mother jealous and vain, sister has no personality. In fact, why is Streisand so madly in love with a man who's such a jerk? Streisand shines as funny, intelligent, personable, well-liked by everyone. And our view of what's pretty has changed a lot since Streisand came along in the 60's. Meryl Streep's long nose or Jolie's oversize lips would never have been acceptable before Streisand. OK, she doesn't know how to dress, but is certainly printed as attractive. The camera, as usual, loves her. And in real life Streisand has always been attractive to attractive men.

After showing us that physical beauty is not that important, the film then goes on to prove that the same woman, made more physically beautiful, can now attract her cold jerk of a husband and her sister's shallow ex. Husband even tells her that he's always found her sexy, it's just that he hadn't been interested. Such inconsistency in the writing.


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