The life of Fanny Brice, famed comedienne and entertainer of the early 1900s. We see her rise to fame as a Ziegfeld girl, subsequent career, and her personal life, particularly her relationship with Nick Arnstein.
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
Rose and Gregory, both Columbia University professors meet when Rose's sister answers Gregory's "personals" ad. Several times burned, the handsome-but-boring Gregory believes that sex has ruined his life, and has deliberately set out to find and marry a woman with absolutely no sex appeal. Greg thinks he's found what he's looking for in Rose, a plain, plump English Lit professor who can't compete with her gorgeous mother and sister. More out of mutual admiration and respect than love, Greg and Rose marry. Greg assumes that Rose understands that he is not interested in a sexual relationship. He's mistaken, and their marriage is nearly destroyed when Rose tries to consummate their relationship. While Gregory is out of the country on a lecture tour, Rose diets and exercises to transform herself into a sexy siren in a last-ditch attempt to save her marriage.Written by
Anthony Bruce Gilpin <email@example.com>
Dudley Moore was originally cast in the role that went to George Segal. He was fired by Barbra Streisand for not remembering his lines. These were the first symptoms of Progressive Supranuclear Palsy, a brain disorder that would later kill Moore. Conversely, in the earlier 10 (1979), Segal was replaced by Moore. See more »
Camera operator visible when Rose rejects Alex. See more »
Now you spend an extra hour in front of the mirror every morning and every night. And now you'll be the one to walk into a room and scan it for who looks better than you and who doesn't. And as the years go by, the numbers change. One day you'll walk into a room and you're the last woman any man notices.
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The production values are great; the sentiments are false.
I just saw this film again the first time since 1996. The production values for this film were great, but the sentiments are false. First I have to say that the acting is superb, especially Streisand and Bacall. Their mother-daughter revelation scene is wonderful, a gem shared by 2 consummate actresses.
Here's the dishonesty: In the first half, we see that everyone who's attractive is also defective in some way. Husband is a jerk, sexless, a bore, mother jealous and vain, sister has no personality. In fact, why is Streisand so madly in love with a man who's such a jerk? Streisand shines as funny, intelligent, personable, well-liked by everyone. And our view of what's pretty has changed a lot since Streisand came along in the 60's. Meryl Streep's long nose or Jolie's oversize lips would never have been acceptable before Streisand. OK, she doesn't know how to dress, but is certainly printed as attractive. The camera, as usual, loves her. And in real life Streisand has always been attractive to attractive men.
After showing us that physical beauty is not that important, the film then goes on to prove that the same woman, made more physically beautiful, can now attract her cold jerk of a husband and her sister's shallow ex. Husband even tells her that he's always found her sexy, it's just that he hadn't been interested. Such inconsistency in the writing.
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