| Cast overview, first billed only: | |||
| John Travolta | ... | Michael | |
| Andie MacDowell | ... | Dorothy Winters | |
| William Hurt | ... | Frank Quinlan | |
| Bob Hoskins | ... | Vartan Malt | |
| Robert Pastorelli | ... | Huey Driscoll | |
| Jean Stapleton | ... | Pansy Milbank | |
| Teri Garr | ... | Judge Esther Newberg | |
| Wallace Langham | ... | Bruce Craddock | |
| Joey Lauren Adams | ... | Anita | |
| Carla Gugino | ... | Bride | |
| Tom Hodges | ... | Groom | |
| Catherine Lloyd Burns | ... | Evie | |
| Richard Schiff | ... | Italian Waiter | |
| Calvin Trillin | ... | Sheriff | |
|
|
Donald J. Lee Jr. | ... | Court Bailiff |
Frank Quinlan and Huey Driscoll, two reporters from a Chicago-based tabloid, along with Dorothy Winters, an 'angel expert', are asked to travel to rural Iowa to investigate a claim from an old woman that she shares her house with a real, live archangel named Michael. Upon arrival, they see that her claims are true - but Michael is not what they expected: he smokes, drinks beer, has a very active libido and has a rather colourful vocabulary. In fact, they would never believe it were it not for the two feathery wings protruding from his back. Michael agrees to travel to Chicago with the threesome, but what they don't realise is that the journey they are about to undertake will change their lives forever. Written by Jonathan Broxton <j.w.broxton@sheffield.ac.uk>
Possibly the best John Travolta role ever. Saturday Night Fever was a great movie & role, but a LONG time ago. I can't think of many of his movies or roles I've even liked, and it's easy to think of rotten ones. He can do meanies like in Pulp Fiction, but he makes the perfect funky angel, and it's hard to imagine anyone doing a better (equally slobby) job with it. Plot summaries are available everywhere, but the plot isn't the point. Just go for the ride and enjoy the cleverness of the little funnies along the way. There is nothing to dislike about this movie, unless one is searching for something profound. I wish there were more movies like this. We need a break from deep or awesome or grisly or complex or hysterical.