7.6/10
128,602
498 user 163 critic

Lost Highway (1997)

Trailer
1:50 | Trailer
Anonymous videotapes presage a musician's murder conviction; a gangster's girlfriend leads a mechanic astray.

Director:

David Lynch
Reviews
Popularity
1,917 ( 90)
4 wins & 6 nominations. See more awards »

Videos

Photos

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Cast

Cast overview, first billed only:
Bill Pullman ... Fred Madison
Patricia Arquette ... Renee Madison / Alice Wakefield
John Roselius ... Al
Louis Eppolito Louis Eppolito ... Ed (as Lou Eppolito)
Jenna Maetlind Jenna Maetlind ... Party Girl
Michael Massee ... Andy
Robert Blake ... Mystery Man
Henry Rollins ... Guard Henry
Michael Shamus Wiles ... Guard Mike
Mink Stole ... Forewoman (voice)
Leonard Termo ... Judge (voice)
Ivory Ocean ... Guard Ivory
Jack Kehler ... Guard Johnny Mack
David Byrd ... Doctor Smordin
Gene Ross ... Warden Clements
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Storyline

Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent. Written by <jdean@gslink.net>

Plot Summary | Plot Synopsis

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated R for bizarre violent and sexual content, and for strong language | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Fred's (Bill Pullman's) intense dislike of camcorders (and the reasoning) is David Lynch's own personal feelings about them. See more »

Goofs

When Pete and Alice are having sex in the car, external shots show the car parked alongside a wall in a dark, tree-covered section of street. Yet in interior shots, the wall is many metres away in the far background and is brightly illuminated. See more »

Quotes

Fred Madison: Dick Laurent is dead...
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Crazy Credits

A Real Trooper-Guadalupe Hurst See more »

Alternate Versions

The "Rammstein" music video shows the scene of Fred being featured on one of the video tapes. See more »

Connections

Referenced in Reel 2 (2020) See more »

Soundtracks

Something Wicked This Way Comes
Performed by Barry Adamson appearing courtesy of Mute Records Ltd.
by arrangement with Warner Special Products.
Written by Barry Adamson (courtesy of Mute Songs and Windswept Pacific) and contains excerpts from
1) "Spooky"
Written by Harry Middlebrooks (as H. Middlesbrooke), Mike Shapiro (as M. Shapiro),
Buddy Buie (as B. Buie) and James Cobb Jr. (as J.R. Cobb) and published by Lowery Music Co. Inc.
2) "Blues Lines"
Written by Robert Del Naja (as R. Del Naja), Grant Marshall (as G. Marshall),
Andrew Vowles (as A. Vowles) and Tricky (as A. Thaws) and published by Island Music Ltd. and
3) "Le Temps Des Souvenirs"
Written by Jacques Datin, Maurice Vidalin and Charles Blackwell and published by EMI Limited Partnership Ltd.
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User Reviews

Lynch's most bizarre movie to date....[Possible explanation, only for those who have seen the film]
11 November 2002 | by tmensamaster-2See all my reviews

David Lynch is known for his art films; films that defy the rules and rubricks a movie should follow. Of course, Lynch isn't one to follow any kind of Hollywood Rule. His films always have a general sense of the surreal, of emotions only understandable to the characters and actions that defy comprehension. They always have lurid eroticism or at least one character with a sexual perversion. And, for the most part, his films are incomprehensible to a mainstream audience. 'Lost Highway' has just been defined for you, though not explained. Perhaps the film is not meant to be explainable, perhaps it is just an abstract work meant to involve us and toy with our emotions until we forget it right after we leave. But the film is memorable so that cannot be the reason. Maybe Lynch is just working out personal demons and only he is meant to benefit from doing the film. I'll explain what I mean.

'Fred Madison' [Bill Pullman] is a sax player who performs at the local club. He and his wife 'Renee' [Patricia Arquette] live in a funky Lynchian house that seems designed specifically to disturb the audience. Their marriage and sex life is not going well. One day, 'Renee' finds a videotape on the doorstep. When they play it, it is almost like a promotional video for their house, moving down every hallway before entering the bedroom where 'Fred' and 'Renee' are shown sleeping. The tape abruptly shorts out to snow. 'Fred' and 'Renee' are obviously quite bothered by this. They call the police, who don't really impact the situation in any way. Later, at a party, 'Fred' meets an ingratiating pasty-faced man [Robert Blake] at a party who calmly explains ''We've met before, haven't we'' and then goes on to explain they met at 'Fred's house and that the man is ''There right now, phone me''. He does seem to be at both ends of the line. 'Fred' immediately grabs 'Renee and they leave to go home. This leads to one of the most tense and terrifying sequences I have ever viewed on a piece of celluloid since Hitchcock. Since we know Lynch is directing, we know anything could happen......And does.

I have not given away anything. In fact, the events I have described might have never happened. In fact, any event or character that enters the film may or may not have happened. The film exists in it's own queer dimension. Lynch shots the film like a noir, with 'Renee' as the femme fatale. The colors are pitch-dark and lush which helps structure the film into what it is, a psychological nightmare. It manipulates our emotions to a shocking extent and we don't know how Lynch is doing it because nothing in the movie makes sense. Lynch himself uses the phrase 'psychogenic fugue' when describing the movie as he says the hero is 'inventing a fantasy because his real life is so screwed up.' Patricia Arquette is more blatant when describing the film; 'Fred Madison is a f@#$ed up guy who invents a fantasy because his real life is so f%$#ed up. But Fred is so f%$#ed up that his fantasy falls apart...'' Makes sense to me. It would explain the bizarre events and would explain the ending. Fred is so angry and so paranoid that he has a fit in his car, twisting and whipping his head around in circles because his fantasy has gone wrong and collapsed. The film reveals clues that support this explanation. At one point, the pasty-faced man says of Renee ''Her name is Alice, if she told you her name was Renee, she was lying. And you, who the f$#@ ARE YOU!'' This suggests that Renee has used him and that 'Fred' doesn't even know who he is. If you were inventing a fantasy about yourself and you wanted to create a given persona, isn't it possible that you could forget who you were in the first place?

Some people have suggested that the 'Mystery Man' [Robert Blake] is a manifestation of 'Fred's' illness. But then why does it seem that the 'Mystery Man' is trying to help 'Fred'? Perhaps 'Fred' has created the 'Mystery Man' in the hopes that this being will solve the mystery for him, to egg him on until he saves himself. And the mob boss 'Mr Eddy' [Robert Loggia] is the real villain: cold, calculating, abusive and spontaneously violent, just like a virus. And 'Renee/Alice' is just one of the virus' cohorts, reproduced from the DNA of the virus to spread the illness and incapacitate the victim.

Or perhaps the most likely explanation; It is a Lynchian fantasy designed to screw the mainstream audience and entertain open moviegoers.This makes the most sense. People will always want to explain this film, to dig up it's secrets. Maybe the secrets will never be uncovered. Maybe there are no secrets and it is just a Lynch film calculated to please his fans. Any way you see it, it will never be solved. I wish you good luck if you try to solve the film in its entirety,... But you will certainly have fun doing it.


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Frequently Asked Questions

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Details

Official Sites:

Official site

Country:

France | USA

Language:

English

Release Date:

15 January 1997 (France) See more »

Also Known As:

Lost Highway See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$212,710, 23 February 1997

Gross USA:

$3,675,201

Cumulative Worldwide Gross:

$3,703,548
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »

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