After a bizarre encounter at a party with a stranger, a jazz saxophonist is framed for the murder of his wife and sent to prison, where he inexplicably morphs into a young mechanic, gets released, and begins leading a new life.
Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent.Written by
Jeordie White: Known as Twiggy Ramirez, bass player for Marilyn Manson, appears in the pornographic movie with Manson at the end of the film. See more »
When Pete and Alice are having sex in the car, external shots show the car parked alongside a wall in a dark, tree-covered section of street. Yet in interior shots, the wall is many metres away in the far background and is brightly illuminated. See more »
An unconfirmed report has that a Director's Cut of the film exists which has a number of scenes deleted from the original 134 minute print. Some of the missing scenes include:
A breakfast scene with Fred and Renee where Fred asks her where she was when he phoned her from the jazz club the night before, and when she says that she never left the house all evening, his suspicions of her cheating on him intensifies.
Another scene of a third videotape arriving at Fred and Renee's house where they watch it and catch a glimpse of a cold-faced Fred on one frame. They phone the detectives Al and Lou again who pay them another visit.
A scene set in the morgue where the attendant, George, prepares an autopsy on Renee's mutilated body where he is joined by a tuxedo-clad medical examiner and the examiner's girlfriend, Joyce, which is immediately followed by a courtroom scene where Fred literally faints after hearing the jury forewoman read the guilty verdict and the judge's sentence of death, which is only heard in the original version.
A scene in a lingerie shop where two young women, Marian and Raquel, glimpsed only in the porno film at the end, talk about the Renee Madison murder and about the method of execution the state would use when they are interrupted by Andy to jesters for them to hurry up with their selections.
Another scene follows where Andy, Marian and Raquel are involved in a drugged-out threesome orgy at his house.
A prison scene where one inmate is shown being led out of his cell to the gas chamber with other prisoners taunting him and the guards preparing for the execution as if it was a formal gathering, plus another scene of Fred talking to the prison guards in the courtyard the next day.
A full scene of dialogue between the prison warden and Pete Dayton's parents, Candace and Bill, where they are told of their son's whereabouts and his physical condition where he has a hematoma on his forehead and blepharitis, redness around the eyes. Bill and Candace are elusive to the warden's questions about Pete's whereabouts for the last few days. Pete is then brought into the office where he doesn't respond to questions asked, and Bill and Candace are told that they can take him home. After they leave, the warden then makes a statement to reporters outside his office about the disappearance of Fred Madison from the prison.
Extended scenes of dialogue between Pete and his friends Steve V, Teddy, Carl and Lanie on their arrival at his house where Lanie shows them a scar on her abdomen from an operation she just had. Plus more dialogue as the four of them ride in Steve V's car, where they first arrive at a drive-in restaurant called Johnny's where they pick up Sheila and her two girlfriends and then drive to the bowling alley.
An extra scene of Pete riding up Van Nuys Boulevard at night on his motorcycle after Alice had phoned him to cancel their evening get-together. Pete arrives at Johnny's Drive-In where he meets with Steve V, Carl and Sheila where Pete responds awkward towards them as he is having a mysterious headache. Pete then savagely beats up two guys who try to pick up Sheila, much to her shock.
The telephone scene between Pete, Mr. Eddy and the Mystery Man is slightly extended with more dialogue with the Mystery Man telling Pete about him just killing some people and telling him more details about executions in the 'Far East' set to imply China during the Cultural Revolution.
A brief scene of Fred Madison checking into the Lost Highway Motel and walking towards Room 25 which he knows is right next to Room 26 where Renee and Mr. Eddy are.
Written by Craig Wilde
Performed by Richard Butler See more »
It doesn't matter that the pieces fit.
I started this film upon renting it one night at 11:00 PM. I finished at about 1 in the morning. I was so stunned and awestruck that I stayed up until 3 in the morning to watch it again. This is one of the most spell-binding movies I have ever seen. Each time I see it my theory of the plot thickens. What I love about the movie is that it leaves you with the option to fill in the blanks. You will keep asking what happened and why that happened, but that is what makes the movie so awesome. David Lynch's skewed opinion of reality is very inspiring and I feel that my reality has changed ever since I watched it. Having watched it 13 times I can pretty safely say that my theory of the plot is set, but I still love to ponder exactly why.
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