7.6/10
115,353
460 user 144 critic

Lost Highway (1997)

After a bizarre encounter at a party, a jazz saxophonist is framed for the murder of his wife and sent to prison, where he inexplicably morphs into a young mechanic and begins leading a new life.

Director:

David Lynch
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1,916 ( 112)

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1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bill Pullman ... Fred Madison
Patricia Arquette ... Renee Madison / Alice Wakefield
John Roselius John Roselius ... Al
Louis Eppolito Louis Eppolito ... Ed (as Lou Eppolito)
Jenna Maetlind Jenna Maetlind ... Party Girl
Michael Massee ... Andy
Robert Blake ... Mystery Man
Henry Rollins ... Guard Henry
Michael Shamus Wiles ... Guard Mike
Mink Stole ... Forewoman (voice)
Leonard Termo ... Judge (voice)
Ivory Ocean Ivory Ocean ... Guard Ivory
Jack Kehler ... Guard Johnny Mack
David Byrd David Byrd ... Doctor Smordin
Gene Ross ... Warden Clements
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Storyline

Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent. Written by <jdean@gslink.net>

Plot Summary | Plot Synopsis

Genres:

Mystery | Thriller

Motion Picture Rating (MPAA)

Rated R for bizarre violent and sexual content, and for strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | USA

Language:

English

Release Date:

15 January 1997 (France) See more »

Also Known As:

Carretera perdida See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$212,710, 23 February 1997, Limited Release

Gross USA:

$3,796,699, 20 April 1997
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Robert Loggia kept forgetting his choreographed moves in his big fight scene with Bill Pullman, with the result that Pullman kept repeatedly, and accidentally, hitting him. See more »

Quotes

Sheila: What do you want?
Pete Dayton: Wanna go for a drive?
Sheila: [coyly] I don't know.
Pete Dayton: Get in, baby.
See more »

Crazy Credits

A Real Trooper-Guadalupe Hurst See more »

Alternate Versions

The "Rammstein" music video shows the scene of Fred being featured on one of the video tapes. See more »

Connections

Featured in Dex and Coman vs. David Lynch (2016) See more »

Soundtracks

Song To The Siren
Written by Larry Beckett and Tim Buckley
Courtesy of Third Story Music Inc. (BMI)
Performed by This Mortal Coil
Courtesy of 4 A.D. by arrangement with Warner Special Products
See more »

Frequently Asked Questions

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User Reviews

Philosophical, allegorical, satirical...but how many really care?
27 October 2002 | by Indy CanuckSee all my reviews

I'm not going into the plotline here because I'm limited to 1000 words. I don't think I can wrap up the plot that space.

I'm a recent inductee into the strange and twisted world of David Lynch. It all started when I caught a rerun of "Twin Peaks" on a low-budget digital satellite channel. Since then I've been hooked, and have had fun with cult films and filmmakers since.

Lost Highway is, as descried by Lynch, a new twist on film-noir. And only Lynch could put a twist like this on a classic genre. People keep wanting to draw comparisons to other films, saying: "Well, it's not Blue Velvet" or "It's not Mulholland Dr,"...they're right. It's Lost Highway, a unique and twisted foray down a dark highway that may or may not be entirely metaphorical...or metaphysical.

One of the things that I've noticed about David Lynch--and what probably inspires much of the hatred non-Lynch fans have towards his work--is that he doesn't explain everything. He lays it out, says "Here's my story. What do YOU make of it?" It's an incredible artistic attitude, much like viewing a Dali painting as opposed to a Da Vinci, and not for everyone's tastes.

Lost Highway is open to many interpretations, as are most of Lynch's works. Are we in our world, and being invaded by some outside force? Are we in a world we don't know we're in? Are we in Hell? What would you do if this happened to you? Maybe we are all someone else, really.

This film is at the same time allegorical, philosophical, incomprehensible, and satirical. It warps understood movie conventions, and is always pulling the unexpected.

All that praise aside, it is NOT the best of Lynch's work. One would have to be a fan to enjoy this, and should establish that fanhood with his better works, like Mulholland Drive, Blue Velvet, or "Twin Peaks."

If one has a set standard of how movies should be, an A-B-C pattern, stay away. But if it's originality, unanswered questions, and a break from standard Hollywood convention, go full ahead.

In my humble opinion, it's better than Wild at Heart and Dune, but not most of Lynch's rest. It is definitely an experience, but not one everybody will enjoy.


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