After a bizarre encounter at a party, a jazz saxophonist is framed for the murder of his wife and sent to prison, where he inexplicably morphs into a young mechanic and begins leading a new life.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
Director:
David Lynch
Stars:
Isabella Rossellini,
Kyle MacLachlan,
Dennis Hopper
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
A young FBI agent disappears while investigating a murder miles from Twin Peaks that may be related to the future murder of Laura Palmer; the last week of the life of Laura Palmer is chronicled.
A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous façade, there is revealed a person of intelligence and sensitivity.
Twin Peaks before Twin Peaks (1990) and at the same time not always and entirely in the same place as Twin Peaks: Fire Walk with Me (1992). A feature film which presents deleted scenes from Twin Peaks: Fire Walk with Me (1992) assembled together for the first time in an untold portion of the story's prequel.
Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent.Written by
<jdean@gslink.net>
The song that plays as Fred/Pete makes love to Renee/Alice is "Song to the Siren" by This Mortal Coil. David Lynch originally wanted to use this song in Blue Velvet (1986), for the scene where Jeffrey and Sandy dance at the party, but at the time, he couldn't get the rights to the song. However, Lynch found the song so haunting, that he thought of it again for this movie. See more »
This Magic Moment
Written by Doc Pomus and Mort Shuman
Courtesy of Unichappell Music, Inc. (BMI)
Performed by Lou Reed
Courtesy of Sire Records by arrangement with Warner Special Products See more »
Buckle your seat belts: this film is quite the ride. As so often with David Lynch's movies, 'Lost Highway' doesn't bother with a traditional narrative and follows its own, dreamlike (or nightmarish) logic. It is a wild, expressionist work of art, and while it starts on a slow, brooding note, the film soon explodes into a crazy, violent trip that hooks you competely and doesn't let up. My advice to people unfamiliar with Lynch's work is this: just enjoy the experience and let yourself be immersed. While it is fun to analyze Lynch's movies, especially his most surreal ones, they're not mysteries that require resolution in order to be enjoyed.
As for the filmmaking itself, the pacing is fantastic throughout, the cinematography outstanding and the cast of character actors like Bill Pullman, Robert Loggia and Patricia Arquette simply a joy to watch (especially Loggia gets to shine in a wonderfully over-the-top part). Another aspect that should not go unmentioned is the music. The orginal score by Angeolo Badalamenti (who is to Lynch what John Williams is to Spielberg) is hauntgingly beautiful, but equally important is the amazing soundtrack - featuring greats like David Bowie, Lou Reed, Rammstein, Marilyn Manson, Trent Reznor and more - which fits and enhances the images on screen perfectly.
As far as I'm concerned, this is Lynch at his best. 'Lost Highway' is a dark, violent, surreal, beautiful, hallucinatory masterpiece: 10 stars out of 10.
Buckle your seat belts: this film is quite the ride. As so often with David Lynch's movies, 'Lost Highway' doesn't bother with a traditional narrative and follows its own, dreamlike (or nightmarish) logic. It is a wild, expressionist work of art, and while it starts on a slow, brooding note, the film soon explodes into a crazy, violent trip that hooks you competely and doesn't let up. My advice to people unfamiliar with Lynch's work is this: just enjoy the experience and let yourself be immersed. While it is fun to analyze Lynch's movies, especially his most surreal ones, they're not mysteries that require resolution in order to be enjoyed.
As for the filmmaking itself, the pacing is fantastic throughout, the cinematography outstanding and the cast of character actors like Bill Pullman, Robert Loggia and Patricia Arquette simply a joy to watch (especially Loggia gets to shine in a wonderfully over-the-top part). Another aspect that should not go unmentioned is the music. The orginal score by Angeolo Badalamenti (who is to Lynch what John Williams is to Spielberg) is hauntgingly beautiful, but equally important is the amazing soundtrack - featuring greats like David Bowie, Lou Reed, Rammstein, Marilyn Manson, Trent Reznor and more - which fits and enhances the images on screen perfectly.
As far as I'm concerned, this is Lynch at his best. 'Lost Highway' is a dark, violent, surreal, beautiful, hallucinatory masterpiece: 10 stars out of 10.
Favorite films: IMDb.com/list/mkjOKvqlSBs/
Favorite TV-Shows reviewed: imdb.com/list/ls075552387/
Lesser-Known Masterpieces: imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/