It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
Director Al Pacino juxtaposes scenes from Richard III, scenes of rehearsals for Richard III, and sessions where parties involved discuss the play, the times that shaped the play, and the events that happened at the time the play is set. Interviews with mostly British actors are also included, attempting to explain why American actors have more problems performing Shakespearean plays than they do.Written by
Ron Kerrigan <email@example.com>
The film was shot on both 16 millimeter and Super 16 millimeter film as Al Pacino was experimenting with different looks of the film with Director of Photography Robert Leacock. See more »
In discussion, Pacino and co. are studying the "*G* of Edward's heirs the murderer shall be," and decide, since it's supposed to refer to Clarence, that they'll change it to "'C" of Edward's heir's." The problem is, the prophecy very deliberately refers to Richard, Duke of GLOUCESTER and Clarence, Duke of GEORGE. With "G" the prophecy is true. If you change it to "C" the prophecy becomes false, and can no longer refer to two people. See more »
Al Pacino brings Shakespeare to the common man in this documentary exploring the complexities of Richard III. If you can get past the insinuation that the "every day ordinary man (or woman)" is too slow to understand the intricacies of Shakespeare, you are left with quite an interesting, entertaining film. I have to be honest and say that many people do find Shakespeare a little bewildering, and tackling Richard III, one of his deepest, confusing plays, is no easy task. Therefore, let down your guard, and let the actors and scholars give us their interpretation of this most fascinating play. I found much irony in this simple effort, which made the film all the more enjoyable. In telling us of a story of a man, who wants so badly to become king as to betray all those he knows and loves, we learn the story of a singular, power hungry man, with an urge to rule his people. In his own admission, Pacino himself is on a quest to be the ultimate monarch of his own film, and tell us all, us commoners, the true meaning of this classic work. Whether or not the parallel is intentional, I don't know, but it still makes for interesting story telling. And the ultimate irony of all is that some of the deepest and most intelligent quotes come from interviews with Joe Q. Public; the man on the street.
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