Director Al Pacino juxtaposes scenes from Richard III, scenes of rehearsals for Richard III, and sessions where parties involved discuss the play, the times that shaped the play, and the events that happened at the time the play is set. Interviews with mostly British actors are also included, attempting to explain why American actors have more problems performing Shakespearean plays than they do.Written by
Ron Kerrigan <email@example.com>
A lot of the scenes where the actors look frustrated and bewildered were real. Due to the fact that no one knew what kind of direction Pacino was aiming for. See more »
In discussion, Pacino and co. are studying the "*G* of Edward's heirs the murderer shall be," and decide, since it's supposed to refer to Clarence, that they'll change it to "'C" of Edward's heir's." The problem is, since characters in the play are referred to both by their name and by their title, the prophecy very deliberately refers to Richard, Duke of GLOUCESTER and GEORGE, Duke of Clarence. With "G" the prophecy is true. If you change it to "C" the prophecy becomes false, and can no longer refer to two people. See more »
He's Got The Whole World In His Hands
Written by Robert Lindon and William Henry See more »
a fine film that brings Shakespeare a living edge
This film has fascinated me ever since I first happened upon it in the library of Millsaps College in Jackson, Mississippi. By a happy coincidence, I also checked out Ian McKellen's quite excellent "Richard III" on the same day and spent most of the afternoon viewing and comparing the two.
It all works: the performances, the interviews, the clowning around on the set. I thought Spacey was wooden, but Baldwin . . . wow . . . who would have expected such a performance.
Highly recommended for anyone who reads and thinks.
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