Lone Star (1996)

When the skeleton of his murdered predecessor is found, Sheriff Sam Deeds unearths many other long-buried secrets in his Texas border town.

Director:

John Sayles

Writer:

John Sayles

Stars:

Chris Cooper, Elizabeth Peña, Stephen Mendillo

Nominated for 1 Oscar. Another 15 wins & 17 nominations.

Cast

Cast overview, first billed only:
Stephen Mendillo	...	Cliff
Stephen J. Lang	...	Mikey
Chris Cooper	...	Sam
Elizabeth Peña	...	Pilar
Oni Faida Lampley	...	Celie
Eleese Lester	...	Molly
Joe Stevens	...	Deputy Travis
Gonzalo Castillo	...	Amado
Richard Coca	...	Enrique
Clifton James	...	Hollis
Tony Frank	...	Fenton
Miriam Colon	...	Mercedes Cruz
Kris Kristofferson	...	Charlie Wade
Jeff Monahan	...	Young Hollis
Matthew McConaughey	...	Buddy Deeds

Storyline

John Sayles' murder-mystery explores interpersonal and interracial tensions in Rio County, Texas. Sam Deeds is the local sheriff who is called to investigate a 40-year-old skeleton found in the desert....As Sam delves deeper into the town's dark secrets, he begins to learn more about his father, the legendary former sheriff Buddy Deeds, who replaced the corrupt Charlie Wade. While Sam puzzles out the long-past events surrounding the mystery corpse, he also longs to rekindle a romance with his old high-school flame. Sayles' complex characters are brought together as the tightly woven plot finally draws to its dramatic close.

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Plot Keywords:

interracial relationship | father son relationship | interracial romance | neo western | nonlinear timeline | 

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Taglines:

John Sayles invites you to return to the scene of the crime.

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Genres:

Drama | Mystery

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Motion Picture Rating (MPAA)

Rated R for brief language, sex and violence

Details

Country:

USA

Language:

English Spanish

Release Date:

21 June 1996 (USA)

Also Known As:

Estrella solitaria

Filming Locations:

Coupland, Texas, USA

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$3,845,000, 19 July 1996

Gross USA:

$13,269,963, 12 January 1997

Company Credits

Production Co:

Columbia Pictures Corporation,Castle Rock Entertainment,Rio Dulce

Technical Specs

Runtime:

135 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The only non-Best Picture nominee for the year to be nominated for Best Original Screenplay.

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Goofs

Sheriff Charlie Wade is armed with a Colt 'New Frontier' revolver, first introduced in 1961 by Colt as an updated version of the old Colt 'Peacemaker'. The events in the film take place in 1957 and 1958.

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Quotes

[first lines]
Cliff: [cataloging the flora] We got cenizo, that's purple sage, agave, nopal... What's that stuff? Yeah that's it, that's whatchamacallit. That's horse crippler.
Mikey: This place is a gold mine.
Cliff: Lead mine.

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Connections

Featured in At the Movies: Jerry Maguire/Daylight/Everyone Says I Love You (1996)

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Soundtracks

Juana La Cubana
Written by Rodolfo Olivares (as Rudolfo Olivares)
Performed by Fito Olivares Y La Pura Sabrosura

User Reviews

A rich tapestry – 2 hours flew by

The discovery of a skull and a sheriff's badge on a disused military firing range prompts Sheriff Sam Deeds to investigate. Sam has long lived in the shadow of his father Buddy, himself the sheriff at one time. However clues point to the fact that the skull may belong to Charley Wade, the corrupt sheriff who `vanished' to Mexico when Deeds challenged him many years prior. However when Sam begins to ask questions that go deeper than the legends, he finds secrets within the border town that hit very near home.

Having just watched The Hi Lo Country (a modern day western with a sprawling story but focused on one thing), I was put in mind to watch Lone Star again. Lone Star is easily the superior film and is a rich weaving of many characters and stories all around one event. The one event is the uncovering of an old murder (possibly) and this central investigation holds the attention easily. Within this investigation and the lives that Buddy affected we are shown a lot of subplots – some followed through, others just giving us enough background to understand the characters. All of these work very well and as a result you don't feel like the film is wandering when it moves away from the investigation by Sam. The subplots are so well translated that we are given a lot of back story to complex characters in a very short time.

For the script to be able to create so many characters that feel real and that have meaningful things going on is impressive. That it makes them all work is amazing and is due to Sayles both writing and editing. As director he is great as well, avoiding the washed out desert feel many `Mexico related' films have and instead goes for richer colours that reflect the rich mix of communities that are in his story.

The acting is faultless all round. No one actor stands out regardless of screen time simply because no one goes over the top and everyone realises they are playing part of a story – even Cooper (realistically the nearest thing to a lead actor) plays it down rather than taking the film over. Morton is good even if his character is the least connected to the investigation, McConaughey is strong despite being little more than a cameo, likewise with Kristofferson. McDormand has a small role but is very impressive as Deeds' ex-wife. Elizabeth Peña, so often dumped with almost token Espanic roles is given a real good part and works with it well. I could list them all, however if any one person stands out it can only be Sayles himself – he takes all the strands and brings them together. I watched a 90 minutes comedy earlier the same day that had dragged. At 130 minutes this simply flew – it is that engrossing.

Overall some will find it too slow, too character driven, sadly some will just not sit through a good story if that's all there is to it (all!). I think this was reflected in poor box office at the time (comparatively poor anyway). But those who have seen it will generally love it – if only more people would watch it! A final word on the film – the ending is shocking and sensationalist on paper and a lesser man would have made a big deal out of it. Sayles simply ends the film softly and leaves us the audience to take what we will from it. Low key from start to finish – I can't praise it enough.