John Sayles' murder-mystery explores interpersonal and interracial tensions in Rio County, Texas. Sam Deeds is the local sheriff who is called to investigate a 40-year-old skeleton found in the desert....As Sam delves deeper into the town's dark secrets, he begins to learn more about his father, the legendary former sheriff Buddy Deeds, who replaced the corrupt Charlie Wade. While Sam puzzles out the long-past events surrounding the mystery corpse, he also longs to rekindle a romance with his old high-school flame. Sayles' complex characters are brought together as the tightly woven plot finally draws to its dramatic close.Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Sheriff Charlie Wade is armed with a Colt 'New Frontier' revolver, first introduced in 1961 by Colt as an updated version of the old Colt 'Peacemaker'. The events in the film take place in 1957 and 1958. See more »
[cataloging the flora]
We got cenizo, that's purple sage, agave, nopal... What's that stuff? Yeah that's it, that's whatchamacallit. That's horse crippler.
This place is a gold mine.
See more »
I just bought this movie on DVD and watched it for the first time in a couple of years, and once again it amazed me. While most scripts stumble recklessly from one hackneyed plot device to another, "Lone Star" flows like a steady, winding river, never letting the viewer see too far downstream. The spine of the film is Sherrif Sam Deed's investigation into a thirty-year-old murder, yet this story is quickly absorbed by many finely scripted subplots and an overall theme on the futility of trying to escape history. While most directors can't help but show off when using flashy camera movement and jumps in continuity, Sayles employs such a subtle directing style that his leaps in time and location are seamless. Sayles fleshes out his script with subplots on racism, national pride, censorship, generation gaps, politics, social revisionism, and on and on. Most directors don't tackle this many topics in a career, yet Sayles juggles them all in one film without jamming them down the audiences' throats. If the subplots in Sayles' "City of Hope" were connected like a series of dominos, here they are gently woven together like a colorful, well-worn Southwestern quilt. The love story between Chris Cooper and Elizabeth Pena is both wistful and steamy. The film's social conscience is compelling. The father/son conflict between Otis and Delmore Payne (Ron Canada and Joe Morton) feels totally realistic. The dialoge is concise and insightful. Fate hangs over every character and every moment. Plus "Lone Star" has one of my favorite "final scenes", one that perfectly sums up the ironies of the film. It is simply one of the best movies I have ever seen.
106 of 116 people found this review helpful.
Was this review helpful to you?
| Report this