Last Man Standing (1996)

A drifting gunslinger-for-hire finds himself in the middle of an ongoing war between the Irish and Italian mafia in a Prohibition era ghost town.

Director:

Walter Hill

Writers:

Ryûzô Kikushima (story), Akira Kurosawa (story)

Stars:

Bruce Willis, Bruce Dern, William Sanderson

Cast

Cast overview, first billed only:
Bruce Willis	...	John Smith
Bruce Dern	...	Sheriff Ed Galt
William Sanderson	...	Joe Monday
Christopher Walken	...	Hickey
David Patrick Kelly	...	Doyle
Karina Lombard	...	Felina
Ned Eisenberg	...	Fredo Strozzi
Alexandra Powers	...	Lucy Kolinski
Michael Imperioli	...	Giorgio Carmonte
Ken Jenkins	...	Capt. Tom Pickett
R.D. Call	...	Jack McCool
Ted Markland	...	Deputy Bob
Leslie Mann	...	Wanda
Patrick Kilpatrick	...	Finn
Luis Contreras	...	Comandante Ramirez

Storyline

John Smith is an amoral gunslinger in the days of Prohibition. On the lam from his latest (unspecified) exploits, he happens upon the town of Jericho, Texas. Actually, calling Jericho a town would be too generous--it has become more like a ghost town, since two warring gangs have 'driven off all the decent folk.' Smith sees this as an opportunity to play both sides off against each other, earning himself a nice piece of change as a hired gun. Despite his strictly avowed mercenary intentions, he finds himself risking his life for his, albeit skewed, sense of honor....

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Plot Keywords:

prohibition | mafia | irish | jericho texas | honor | 

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Taglines:

If you lived in this town, you'd be dead by now.

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Genres:

Action | Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for pervasive strong violence and some sexuality

Details

Country:

USA

Language:

English Spanish

Release Date:

20 September 1996 (USA)

Also Known As:

Gundown

Filming Locations:

Cook Ranch, Galisteo, New Mexico, USA

Box Office

Budget:

$67,000,000 (estimated)

Opening Weekend USA:

$7,010,331, 22 September 1996, Wide Release

Gross USA:

$17,600,000

Cumulative Worldwide Gross:

$33,200,000

Company Credits

Production Co:

Lone Wolf,New Line Cinema

Technical Specs

Runtime:

101 min

Sound Mix:

Dolby Digital SDDS

Color:

Color (CFI)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

New Line Cinema wanted to remake Yojimbo (1961) as a sci-fi film in the vein of Mad Max (1979) and Escape from New York (1981), but Walter Hill insisted on setting it in Depression-era Texas, seeing the rustic landscape as more fitting of his experience directing Westerns.

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Goofs

When the .45 automatic pistols were shown, they were the M1911A1 model because they had arched mainspring housings but with double diamond grips. M1911 pistols had flat housings and diamond grips. M1911A1 have flat grips.

The grips and mainspring housing (MSH) are interchangeable parts between 1911 and 1911A1, so an original 1911 can look like a 1911A1 by swapping these parts. Modern 1911 pistols makers don't even distinguish between 1911 and 1911A1 anymore (because they all have the crescent cutout). The only thing the A1 model has that cannot be had on the original 1911, is the half-moon/crescent cutout behind the trigger guard.

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Quotes

[first lines]
John Smith: It's a funny thing. No matter how low you sink there's still a right and wrong. You always end up choosing. You go one way so you can try to live with yourself. You go the other, you'd still be walkin' around, but you're dead and you don't even know it.

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Connections

Remake of Yojimbo (1961)

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Soundtracks

Fiesta Yaqui
Performed by Kashwa-Nacza

User Reviews

Enjoyable if rather dark action movie

This movie serves fine for some action, with excellently dark shoot-outs being shown as John Smith (Bruce Willis), as he has told us at least, wonders into this town and quickly learns to play the two opposing gangs for all they are worth, willing to kill in the process of course, which he does expertly while wielding two colt .45 1911's masterfully. This movie recalls both the westerns of of the sixties, one of which, For a Fistful of Dollars, is another adaptation of this movie's source material, Akira Kurosawa's Yojimbo, as well as the noir movies of the 40's. This may work for some but it does feel rather odd, in both a good and bad way. Bruce Willis, in grim and monotone manner, is perfect for the narration held in between the shoot-outs. This narration, along with the costume's of the characters, fedora's and all, are cheerful reminders of the noir movies of past, to show that perhaps that genre has a little life left within it. The desert setting in which this 1860's style ghost town, in which the two rival gangs square off, both with help from our main character, is located in is the main reminder then of the western part of this movie as well.

The Plot then is basically Bruce Willis's character playing both sides for whatever he can get. He is grimly cool in a certain way. The gangs then are the Irish, led by Doyle, and the Italians, led by Strozzi. These gangs are essentially copies of each other except for their names and accents, and perhaps their faces. The only difference of course being that Doyle has a psychotic second-in-command, or so we are told at the start of the movie. He, as a psychotic, is played by the true mother of all psychotic playing actors.... You guessed it, Christopher Walken, essentially playing Christopher Walken. The only other occupants of the town then are the sheriff, bartender, and undertaker.

In the end this is movie is certainly a dark one, although it is also not particularly serious in terms of realism. The atmosphere is extremely dark and grim as many characters are killed by Willis as well as Walken. It may actually be found depressing later on in the movie. However, contrary to this, the violence is often slightly comical. In one instance as many as forty bullets are needed to take down a character, and in others people, after having been shot by pistols, fly back several yards in the air. Something will certainly work for everyone who sees this movie, however only some will find all of these mixed aspects pleasurable when placed together as they have been here. This movie definitely employs major style, both in its shoot-outs and visual style. In parts of this film, the color has been diluted so much that it appears more or less selectively colored, such as in Sin City but not so much so. This will work for noir fans as well as those who find this bold style innovative and original, but others will find that it contributes more-so merely to the grim nature of this movie. The shoot-outs, undeniably are the best part of this movie and is all you desire is some good action then this movie fills that desire well. While this movie prefers darkness over fun, the stylistic and violent gunfights as well as the dark style will appeal to many, as it has to me. 7/10