A couple checks into a suite in Las Vegas. In flashbacks we see that he's a computer whiz on the verge of becoming a dot.com millionaire, she's a lap dancer at a club. He's depressed, ... See full summary »
A young woman is invited by her girlfriend, who lives in an English country mansion, to stay there with her. The estate, however, isn't quite what it seems--and neither is the friend who issued the invitation.
José Ramón Larraz
Sandra Larson has always been fascinated by the entire sensory experience surrounding death: its touch, smell and look. As a child, she would search out dead animals and perform ritualistic burials. As a young woman, Sandra gets a job at Wallis Funeral Home, first as a general assistant, then progressing to study to become an embalmer. At the funeral home, she begins to take her fascination with death to the next level by becoming a necrophiliac. But she also begins her first ever relationship with Matt, a medical student, with who she is totally open about her necrophilia. He finds this aspect of her compelling. He becomes all consumed with her as she is consumed with dead people. The questions become how far he will take this fascination with her to understand fully what is going through her emotional being, how far she will allow him to go, and how far can her feelings for him extend as a live being.Written by
The song in the final scene and at the beginning of the end credits is "Fumbling Towards Ecstasy" by Sarah McLachlan. See more »
Sandra's hair is longer during the cemetery scene. See more »
When you die, your life... flashes, and you disintegrate, radiating energy. When a thing turns into its opposite, when love becomes hate, there are always sparks. But when life turns into death, it's explosive. There are streaks of light, magical, and electrifying. Everyone senses something, some energy, some spirit, some sort of illumination, But I see it. I've seen bodies shining like stars. Some say there's no soul, no afterlife, that life and death is the straightest line on ...
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The Hong Kong VCD release sometimes found on eBay cuts some scenes down, and blocks out nudity with black boxes. See more »
Powerful, passionate and relevant: exactly what a movie should be
There is no more natural preoccupation than death. Everyone is aware that they are going to die but no one knows precisely what death is. We all come to terms with our mortality in our own way. Most of us try to think about death as little as possible, choosing denial. Some turn to religion for comforting beliefs about death, others embrace a "death culture", as Goths do. A very small number of people embrace death to the extent that cadavers become sexually attractive to them.
Kissed is a beautiful story about a young woman named Sandra who explores death through necrophilia. When Matt, a fellow student she becomes romantically involved with, becomes infatuated with her he desperately tries to understand her and to incorporate himself into her necrophilic lifestyle.
They both, each in their own way, use the powerful nature of love and lust to explore their feelings about death.
The acting is both professional and believable and the audience can relate to the complex characters even though none of us is ever likely to personally experience such a bizarre situation. Even when Matt's need to be loved by Sandra makes him strange and frightening, the story only feels more familiar when we realize how much we have changed ourselves for lovers. Isn't life about finding someone to love before the time is up?
The sex and nudity are artistic, not pornographic. I went away from this movie feeling like I had witnessed something important and special. It may be disturbing at times, but Kissed is never revolting. I would not have believed that a movie about this subject matter could be so beautifully and sensitively made. If you ever find yourself anxious about death or plan to die someday, I highly recommend this passionate exploration of our most primal fear.
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