A Spanish punk rock band named ¨Killer Barbys¨-actual name of the punk rock band- has a car accident while on tour. Excited about their next big gig, instead, The Killer Barbies Spanish punk rock band, have to endure a crucial setback when their rusty old van breaks down in the backwoods. Formed by five young people, two couples, Billy (Billy King) and Sharon (Angie Barea), and Rafa (Carlos Subterfuge) and Flavia (Silvia Superstar), as well as Mario (Charlie S. Chaplin). After a performance, they take a deserted road to the next concert venue, but the car falls into a hole and breaks down. With no way to fix it and lost in the middle of nowhere, they are surprised by a sinister man, the butler Arkan (Aldo Sambrell), who invites the group to spend the night in a nearby castle, owned by the mysterious Countess Von Fledermaus. Forced to spend the night at the eerie castle of Countess Von Fledermaus, the musicians soon realize that the mysterious lady's kindness hides macabre, blood-curdling schemes. As the unsuspecting musicians meander through the gloomy wilderness. Now, a centuries-old secret is about to unfold. Once staying in the old castle and while trying to get used to the gloomy atmosphere of the place, the young people are chased by a crazy killer, Baltasar (Santiago Segura), whose goal is to take the blood of the victims and use it to maintain the beauty and youth of the centenarian Countess. Then the unprotected visitors must survive the hours of darkness and the macabre threats of a mysterious contessa (Mariangela Giordano of The Night of Terror, 1981) and his underlings.
A below average film by prolific Jesús Franco, including chills, nudism, sex scenes and lots of blood and gore. This is another low-budget "exploitation" film by director Jesús Franco, with the same messy characteristics already known from his long filmography, with a script, also of his authorship, superficial and full of holes like a cheese and the same old clichés. The scenes with the band playing are very pathetic, as well as the actions of the brainless young people, who deserve to die painfully. In Killer Barbys Franco uses his artisanal trademarks, such as: zooms, nudity, close-ups on objects, making the film in the 'do it yourself' (DIY) style and managing to work extraordinarily quickly with a very low budget. This is a slightly entertaining European horror movie by packing absurd situations and cheesy frames. It's a 1996 movie, but it looks like the same thing Franco did in the 70s. So, what arouses the interest of lovers of crude horror films are the always welcome elements of gothic atmosphere, with the scary castle shrouded in thick fog, the threatening butler, the chases in a ghostly forest, the bloody deaths with mutilated bodies hanging inverted to bleed like pigs slaughtered in slaughterhouses, and the countess who keeps a diabolical secret about her eternal youth. And it is worth highlighting, among the amusing clums, the scene of death by crushing by a steamroller, produced with practical effects and far from the artificiality of computer graphics. Stars the ferocious Silvia Superstar , leader of the punk rock that had a fleeting and passing success in the nineties . The Spanish band "Killer Barbies" exists in reality and was created by vocalist and guitarist Silvia Superstar and drummer Billy King, being invited to participate in Franco's two films. But, to avoid problems with the rights to the Barbie doll brand, the band had the name slightly changed in the films to "Killer Barbys". And accompanied by two B-stars: Aldo Sambrell and Mariangela Giordano who at her 59 provides some erotic scenes, as well as Franco regulars such as: Charlie S. Chaplin, composer Daniel White and Rosa Maria Almirall or Lina Romay as film editor.
The film feature was poorly directed by prolific Spanish filmmaker Jesús Franco or Jess Frank or Uncle Jess. Jess Franco himself directed another lousy sequel in 2002 called Killer Barbys vs Dracula. This was one of director Jess Franco's final productions shot on film stock before he switched to shooting on video in the late '90s to reduce costs. Most people agreed that some of Frank's work was passable, but most were botched films. Jess was a Stakhanovite and restless writer, producer and director who made more than 200 films. His career spanned more than 50 years with some successes and many failures, making all kinds of genres: thrillers, adventures, action and with a penchant for horror and erotica. Jesús used to sign under a pseudonym, among the aliases he used besides Jess Frank or Franco Manera, were the following: Frank Hollman, David Khune, James P. Johnson, David Though, Clifford Brown, among others. He was a prolific filmmaker, directing many terrible films, as well as frequently releasing several titles at the same time. In his early days he soon applied all his knowledge and experience as an assistant director, musician, editor to his debut as a feature film director: We Are 18 Years Old (1959). His Succubus (1968) was nominated for the Berlin Film Festival, and this event gave him international reputation. His career became increasingly consolidated in the following years, and his inexhaustible creativity allowed him to tackle films of all genres, from B-series horror films to pure hardcore sex. However, he made some passable films, such as: ¨The Terrible Dr. Orloff, The Bloody Judge, Count Dracula, 99 Women, The Blood of Fumanchu, Faceless¨ and a few more. And many of them with very strong cuts and double versions. Rating 3.5/10. Inferior and below average exploitation film. Only for Jess Frank completists.
