An Indian family is expelled from Uganda when Idi Amin takes power. They move to Mississippi and time passes. The Indian daughter falls in love with a black man, and the respective families... See full summary »
Various photogenic couples demostrate the different techniques of making love (from Kama Sutra), while a female voice narrates sporadically. The film is divided into chapters, each dealing with a different aspect of sex or foreplay.
The boy Krishna is abandoned by his mother at the Apollo Circus and she tells him that he can only return home when he can afford 500 rupees to pay for the bicycle of his brother that he ... See full summary »
The movie tells the story of the bandit queen Phoolan Devi who was sent to prison in 1983 and got free in 1994. For five years she was prosecuted by the Indian police and turned into a ... See full summary »
Joan Parker, an American scholar of Chinese lore, recently took on a job at a Chinese library. When she stumbles upon a volume of the Kamasutra, her sexual fantasies are unleashed, but she ... See full summary »
Biopic of Sarabjit Singh, a farmer residing at Bhikiwind, Punjab, near the Indo-Pak border, crossed the border after having a couple of drinks. However, he was mistaken to be an Indian spy and was sentenced with capital punishment.
Aishwarya Rai Bachchan,
Tara and Maya are two inseparable friends in India. Their tastes, habits, and hobbies are the same. Years later, the two have matured, but have maintained their friendship. Tara gets married to the local prince, Raj Singh, who soon succeeds the throne as the sole heir. After the marriage, Raj gets bored of Tara and starts seeking another female to satisfy his sexual needs. He notices Maya and is instantly attracted to her. He has her included as one of his courtesans, and is intimate with her. Watch what happens when Tara finds out and the extent she will go to keep her marriage intact.Written by
i admire mira nair's films. she clearly loves India and its culture, a fact evident in all of her films i've had the pleasure of seeing. but her real art is showing her passion through so many prisms. vanity fair showed us India from the British home perspective which we usually see from western directors, while salaam bombay showed us modern urban India at its most destitute and triumphant. monsoon wedding introduces to the rapidly expanding Indian middle class, providing us with a far more intimate appreciation of her subjects than we might get calling for tech support for our computers or trying to understand a credit card bill.
kama sutra shows us India through yet another prism. first a prism of history, which she lushly recreates, and then through a prism of sexuality, which she (rightly) brandishes as legacy of a great and ancient culture. perhaps she suggests that the British morality imposed by the empire attempted, with some success, to obscure a vibrant and enthusiastic sexuality. well, if British sex is anything like British food, and Indian sex is like Indian food, she might have a point. curiously, i've been told that if you want to eat good English food in London, go curry.
i don't think that nair's ultimately interested in instructing us on sexual physics, or in telling us an epic melodrama. but through her four characters, she reveals love and sex as they are manifest continuously through the human story. a king imposes himself on his queen (patriarchy and rape), a king demands his coutesan (adultery and carnality), unrequited love (every character, each with a twist), jealousy, shame, sex as love, sex as passion, sex as brutality, and so on. the shades of sex that she reveals through her characters' relations are familiar, and she artfully sketches the nuances in three dimensions, where you rarely see more than one or two in Hollywood tripe. yet, like a good tikka masala, the chicken is familiar, but the colors and the flavor are distinctly and marvelously Indian.
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