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6.2/10
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Story of the early life of genius and Nobel Prize-winning physicist Richard Feynman.Story of the early life of genius and Nobel Prize-winning physicist Richard Feynman.Story of the early life of genius and Nobel Prize-winning physicist Richard Feynman.
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- Writers
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Raffi Di Blasio
- Robert
- (as Raffi DiBlasio)
Josh Keaton
- David
- (as Joshua Wiener)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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This was kind of a strange, low-key movie, one that isn't going to get a lot of attention, especially with a younger audience which wants anything but a slow- moving story. But, whatever your age, if you want simply a nice movie, you have one here.
Other reviewers here have gone into the details about the real-life persons this film is based on, so I will just make a few general comments I had while watching this.
First, I enjoyed Matthew Broderick's narration. Broderick usually plays likable roles and is an underrated actor, I think. I've never seen him in a bad performance. Even though this story is an emotional one, I found little emotion in the film but that makes it intriguing in parts.
Sometime past the halfway mark, I asked myself, "What is the point of this story?" There is a point, and there is more than what meets the eye to this. Those who have seen this film know what I mean. I'm making vague statements, but I don't want to give away anything.
I enjoyed the 1940s look to this, appreciated Patricia Arquette's against-type role; appreciated the fact there were no villains in here and the profanity was low. As I said, it's a nice film and touching drama.
Broderick and his mother wrote, produced and directed this film.
Other reviewers here have gone into the details about the real-life persons this film is based on, so I will just make a few general comments I had while watching this.
First, I enjoyed Matthew Broderick's narration. Broderick usually plays likable roles and is an underrated actor, I think. I've never seen him in a bad performance. Even though this story is an emotional one, I found little emotion in the film but that makes it intriguing in parts.
Sometime past the halfway mark, I asked myself, "What is the point of this story?" There is a point, and there is more than what meets the eye to this. Those who have seen this film know what I mean. I'm making vague statements, but I don't want to give away anything.
I enjoyed the 1940s look to this, appreciated Patricia Arquette's against-type role; appreciated the fact there were no villains in here and the profanity was low. As I said, it's a nice film and touching drama.
Broderick and his mother wrote, produced and directed this film.
This was a very worthy project of the Brodericks, mother and son, and one which I would have liked to have tackled myself, having read and greatly enjoyed both "Surely You're Joking, Mr. Feynman!" and "What Do You Care What Other People Think?". To concentrate on the deep love story between Feynman and his first wife Arline, which coincided with his work on the Manhattan Project at Los Alamos, was, I feel, a good filmic move in order to give the story an anchor (not to mention the fact that it truly is one of the most romantic real love stories I've ever heard of). Every movie adaptation has to make sacrifices, and this one obviously had to sacrifice all the other interesting stuff that happened to Feynman in the years after the war. So I don't have a problem with the quality of the script, and they also had a big enough budget to get the period feel.
However, this film falls down in a major way on the characterisation of its lead character. Surprisingly, for Broderick is not a bad actor, he just comes across as being Broderick - a good looking young man who can look lovingly at Patricia Arquette and add a bit of passion to his voice when explaining complicated physics. But we've all seen the real Feynman on television and in film - he was LARGER than life! He was intensely charismatic, a brilliant expositor of scientific ideas and a great teacher.
It seems to me that instead of succumbing to the temptation of directing, that Broderick should really have got someone else direct, so that he could concentrate on really getting inside the head of Feynman and reproducing on screen some of that charisma - something I'm quite sure Broderick is capable of doing.
So ultimately this is a missed opportunity. You learn some of the facts about what happened, but you don't really meet the real Richard P. Feynman.
However, this film falls down in a major way on the characterisation of its lead character. Surprisingly, for Broderick is not a bad actor, he just comes across as being Broderick - a good looking young man who can look lovingly at Patricia Arquette and add a bit of passion to his voice when explaining complicated physics. But we've all seen the real Feynman on television and in film - he was LARGER than life! He was intensely charismatic, a brilliant expositor of scientific ideas and a great teacher.
It seems to me that instead of succumbing to the temptation of directing, that Broderick should really have got someone else direct, so that he could concentrate on really getting inside the head of Feynman and reproducing on screen some of that charisma - something I'm quite sure Broderick is capable of doing.
So ultimately this is a missed opportunity. You learn some of the facts about what happened, but you don't really meet the real Richard P. Feynman.
Not only is Matthew Broderick one of the most GORGEOUS men on the planet, he delivers a stunning and beautiful performance. One of my favorite lines is "I'm working on a job for the government. I'm getting paid. This way I can take care of her, at last." That line slays me. When she...you know, and he breaks down...well, I just start crying like a baby at that point. Patricia Arquette is always wonderful, of course, and she takes the cake as Arline Greenbaum. The running gag in the joke is when they say, "What do you care what other people think?" to each other. And when she says, "I think I'm a very lucky woman to have Richard Feynman for a friend." And then the look on Richard's face, so full of love for this woman who "knew him by heart". Patricia Arquette's voice when she sings is kinda...eecky, but it has that swinging bluesy quality that was popular when the movie takes place. All in all, Matthew Broderick is HOT and SEE THIS MOVIE. Matty is an INCREDIBLE DIRECTOR!!!!!!!
What a nice movie! If you do not know who Richard Feynman was, then this is a great way to be introduced. He was a brilliant, eccentric, witty scientist who came of age during the 1930s and 1940s. This movie doesn't show his entire life, just the parts that lead up to his involvement with the atomic bomb and the Manhattan Project during WWII. It's based on his books called 'What Do You Care What Other People Think?' and 'Surely You're Joking. Mr. Feynman!' The Movie doesn't deal with his actual scientific work so much as his unconventional approach to it. It also deals with his first marriage to Arline, who was very ill with systemic tuberculosis. The movie takes you from his childhood and university years to his marriage and time at the famous Los Alamos Lab. I think I liked this movie because it doesn't come out and tell you what to think, it just shows snippets of his life and how he overcomes the sad times with humor and grace. I can't say enough about this film. It's that good.
A caution: this review reveals details of the movie.
The movie "Infinity", stars Matthew Broderick who portrays the Nobel-prize-winning physicist Richard Feynman. Broderick also co-produced and directed the movie. Keeping it in the family, the screenplay was written by Matthew's mother, Patricia Broderick. The other major role, that of Feynman's first wife Arline Greenbaum, was played by Patricia Arquette.
Infinity is not a documentary about a phase in the life of Feynman the scientist, my expectation. My first impression as the movie unfolded was disappointment. I have been intrigued by Feynman the physicist and scientist since I purchased his Quantum Mechanics lectures trilogy in 1968. As the movie progressed, I saw that it isn't a movie about science; it is a movie about the heart. The point of this movie is to portray Feynman the person, and his relationship to the love of his life, Arline Greenbaum; in this it succeeds wonderfully.
A few years back, while reading one of Feynman's books, I ran across a passage which made a big impression. Feynman wrote that his children, who were raised in private schools and visited home only during holidays, were known well enough to him that if he were to meet one on the street, he would probably recognize that person as his child. That statement helped convince me to move from academia to the business world, making becoming a better father and husband my top priority. After seeing this movie, I better understand Feynman the person. The tragic loss of his first wife probably produced a life-long desire to hold personal relationships at a distance, and to make research and teaching his top priorities.
Broderick does an impressive job of directing the film. Just one example: at the moment of the death of his wife, my expectation was for there to be intrusive weepy violins. Instead, the moment moved through silence, making a more powerful statement. That scene reminded me of George Burns pulling down his shoe box of old photos from the top shelf of his closet, and looking at them quietly in "Going in Style", a scene which packed an emotional punch without resorting to violins.
There is another dimension to the two Brodericks' intelligence which surprised me: they did not botch the physics, what little there was. Nearly every Hollywood movie which has an opportunity to do so, gets the science wrong... having space ships produce impressive sounds as they move through the vacuum of space, for example. Matthew Braderick as Feynman explains beta decay to his wife using olives from his lunch in an approach worthy of the real Feynman. Also, Feyman's father explanation of inertia, in which he differentiated between being able to name it and describe it, which he could do, and understanding the "why" of it, which no one could do, was a "deep" understanding of science which Broderick portrayed with sympathy and understanding. By staying away from complex mathematics and the physics that could have been incorporated into this story, to the delight of the geeks of the world, Broderick created a movie that is accessible to all.
"Infinity" is a gem of a small movie, a love story, a true story, told with gentleness and feeling; a movie which does not overreach itself. I strongly recommend it.
The movie "Infinity", stars Matthew Broderick who portrays the Nobel-prize-winning physicist Richard Feynman. Broderick also co-produced and directed the movie. Keeping it in the family, the screenplay was written by Matthew's mother, Patricia Broderick. The other major role, that of Feynman's first wife Arline Greenbaum, was played by Patricia Arquette.
Infinity is not a documentary about a phase in the life of Feynman the scientist, my expectation. My first impression as the movie unfolded was disappointment. I have been intrigued by Feynman the physicist and scientist since I purchased his Quantum Mechanics lectures trilogy in 1968. As the movie progressed, I saw that it isn't a movie about science; it is a movie about the heart. The point of this movie is to portray Feynman the person, and his relationship to the love of his life, Arline Greenbaum; in this it succeeds wonderfully.
A few years back, while reading one of Feynman's books, I ran across a passage which made a big impression. Feynman wrote that his children, who were raised in private schools and visited home only during holidays, were known well enough to him that if he were to meet one on the street, he would probably recognize that person as his child. That statement helped convince me to move from academia to the business world, making becoming a better father and husband my top priority. After seeing this movie, I better understand Feynman the person. The tragic loss of his first wife probably produced a life-long desire to hold personal relationships at a distance, and to make research and teaching his top priorities.
Broderick does an impressive job of directing the film. Just one example: at the moment of the death of his wife, my expectation was for there to be intrusive weepy violins. Instead, the moment moved through silence, making a more powerful statement. That scene reminded me of George Burns pulling down his shoe box of old photos from the top shelf of his closet, and looking at them quietly in "Going in Style", a scene which packed an emotional punch without resorting to violins.
There is another dimension to the two Brodericks' intelligence which surprised me: they did not botch the physics, what little there was. Nearly every Hollywood movie which has an opportunity to do so, gets the science wrong... having space ships produce impressive sounds as they move through the vacuum of space, for example. Matthew Braderick as Feynman explains beta decay to his wife using olives from his lunch in an approach worthy of the real Feynman. Also, Feyman's father explanation of inertia, in which he differentiated between being able to name it and describe it, which he could do, and understanding the "why" of it, which no one could do, was a "deep" understanding of science which Broderick portrayed with sympathy and understanding. By staying away from complex mathematics and the physics that could have been incorporated into this story, to the delight of the geeks of the world, Broderick created a movie that is accessible to all.
"Infinity" is a gem of a small movie, a love story, a true story, told with gentleness and feeling; a movie which does not overreach itself. I strongly recommend it.
Did you know
- TriviaThe gate scene at Los Alamos is accurate and Richard had many more pranks that he pulled while working there. Most notably he picked locks. The one unique combination of locks was a series of file cabinets in a mathematicians office where the combinations began with the first few digits of the natural logarithm of e.
- Crazy creditsThe film has a 1997 copyright date in the credits, despite being released in 1996.
- SoundtracksUgly Chile (You're Some Pretty Doll)
Written by Clarence Williams
Published by Shapiro, Bernstein & Co., Inc. (ASCAP)
Copyright renewed
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Oändlig kärlek
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $195,170
- Opening weekend US & Canada
- $78,976
- Oct 6, 1996
- Gross worldwide
- $195,170
- Runtime1 hour 59 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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