If Lucy Fell

I saw this movie in the theater - TWICE - when it first came out. I became smitten with Eric Schaeffer and thought If Lucy Fell was hilarious. Now that I caught it on USA (or TNT, whatever) recently, I'm able to see how flawed this romantic comedy really is and wondering why I was so taken in by it before.

First of all, I found the titular character to be pretty unlikeable. She's quick to point out everyone's shortcomings in a cold, clinical sort of way yet can't even look her father in the face when she talks about things that are important to her. She knocks her roommate for being afraid to talk to Jane when *she can't even talk to her own father*! She carries on this passion-less relationship with Dick, not even thinking that it might hurt him less to just cut it off.

I liked Joe, esp. his diatribes (still love that job in Central Park scene) but he too was hard to relate to. He hasn't had sex in five years because he's obsessed with Jane, the woman next door? OK, so I know this is Hollywood and things are exaggerated for comic effect, but what are we supposed to think of "Bwick?" The guy doesn't speak in complete sentences at first and seems near illiterate (or, I guess he's so enmeshed on the artistic plane that he can't be bothered with the concrete). I could have cried for Ben Stiller when again I saw the scene of him "painting" (i.e. yelling and hurling paint-coated body parts at canvas) - totally ridiculous. I know, that was the point... hook Lucy up with a nutter so that she'll realize what's under her nose.

When I first saw this movie, I think I was 28, and the idea of 30 still loomed ahead. Now, at 33, the idea of two single people taking their lives because they haven't found reasonable relationship material is not only beyond crazy, but it's insulting. (Well geez, maybe these guys would have found love if one hadn't wasted years obsessing over an unattainable woman and the other had extricated herself from a dead-end relationship!) It feeds into this ridiculous notion everyone under 30's got that somehow, single life goes downhill after one hits 30. (I can tell you it only gets better!) Still, "every pot finds its cover," and these two half-wits "find" each other by the end of the movie, so all's well that ends well.

A seemingly dark plot line is suprisingly (and delightfully) light-hearted in the lovely film. Two friends, Joe and Lucy, decide to challenge themselves to keep a promise made in their college years: to kill themselves if they are not both in successful relationships by the time Lucy turns 30. This movie takes a unlikely device and makes it seem poissible and introduces characters who are easy to care about and believe in. This film has a beautiful pop soundtrack by Marry Me Jane, and is handled admirably by Eric Schaeffer's humane hand. This film has great performances, and is a treat for Sarah Jessica Parker fans especially. The theme is a common movie theme of happiness is often right under your nose, but it is handled in a unusual way. All Around this movie is fun

Don't tune into this film if you are looking for the sparkling actress, Sarah Jessica Parker. In this film she is "angst" ridden and her male room mate "Joe" is well a, frustrated (in every since of the word), struggling artist.

They were best college pals and have shared a rather large NYC apartment, until one or both find "the one" for them.

Wish, I could find something positive to say, but it just isn't there. An interesting, if rather trite, premise, completely misses the mark in every area. Are they supposed to be "avant garde?" The "edgy" soundtrack, and weird performance/character "Blick" played by Ben Stiller, tips me off that they were aiming for "hip or black comedy." Elle Macphearson was completely wasted, and half of her screen time, she was wearing some "hunter in the great white north hat." Terrible.

Whatever. None of it works, and parts of the script were so pathetic and embarrassing (i.e. "would you drink my spit?" and the hug test), it seems that someone would have objected.

By the way, who is the actor portraying the faithful room mate, Joe. Hope the casting directors are hanging their heads in shame, along with the wardrobe department, and script writers.

Too much time spent on his pathetic weirdness, would have been better spent fleshing out the relationship between Lucy and her father. Did most of end up on the editing room floor, in favor of more screen time for "Joe?"

All around sad, check out episodes of "Sex and the City," to see what this film was trying to capture, but missed by a mile. What makes it worse, are the few glimpses of "what could have been." This will only make you more disappointed, in the overall film.

I saw this in the movies. I think it was the one and only time in my entire life I've fallen asleep in public. But that might have been my date. Either way, this movie was terrible. Now, I've seen it again. It wasn't just age or what was going on with my life - or who I was with. This is a terrible movie. The two lead characters who are supposed to be best friends are mean to each other and do not communicate clearly. Joe, the lead "male" and writer of the movie, dresses like a girl - complete with headband and dresses and leggings. In fact, he dresses like a little girl in the 1980's. The lead woman, played by SJP, who I can never hate, is just not likable. Nor does she make sense. One second she likes Ben Stiller's pointless character, the next she's rolling her eyes at him like the rest of us. The base story is interesting and one of my favorites, I won't spoil what that is, but suffice it to say there was plenty of potential. This movie doesn't carry it off. The editing is bad - but perhaps that's mostly the fault of a shallow script and unlikeable characters. The actors can't be faulted. They do their best with virtually no material.

...to Eric Schaeffer, but he's not the leading man type. He's a decent actor, writer, and director, but should stick to acting parts that fit his persona. The handsome, desirable leading man is not his strong suit.

Beyond that, the movie is predictable. We knew the ending right from the beginning. It is an inoffensive, puff piece of a movie, easily forgotten once it is over.

The only slightly interesting part is seeing Scarlett Johansson in one of her earliest roles. Beyond that, there's nothing original here.