In 15th-century Paris, Clopin the puppeteer tells the story of Quasimodo, the misshapen but gentle-souled bell ringer of Notre Dame, who was nearly killed as a baby by Claude Frollo, the Minister of Justice. But Frollo was forced by the Archdeacon of Notre Dame to raise Quasimodo as his own. Now a young man, Quasimodo is hidden from the world by Frollo in the belltower of the cathedral. But during the Festival of Fools, Quasimodo, cheered on by his gargoyle friends Victor, Hugo, and Laverne, decides to take part in the festivities, where he meets the lovely gypsy girl Esmeralda and the handsome soldier Phoebus. The three of them find themselves ranged against Frollo's cruelty and his attempts to destroy the home of the gypsies, the Court of Miracles. And Quasimodo must desperately defend both Esmeralda and the very cathedral of Notre Dame.Written by
This is the third Disney film after The Aristocats (1970) and Beauty and the Beast (1991) to take place in France. See more »
When Quasimodo is desperate to hide Phoebus beneath his table he knocks over the small sculpture of Frollo. In the next shot it is Esmeralda's sculpture that has been knocked over. See more »
[Upon realizing that Frollo knows where Esmeralda is hiding and that he will attack, Quasimodo feels as though he should help. Phoebus groans from under the table from which he was hidden from Frollo. Once Frollo leaves, he gets out]
We'll have to find the Court of Miracles before daybreak. If Frollo gets there first...
[Starts walking, but Quasimodo does not follow; he just looks at Phoebus with the saddened realization that Esmeralda loves Phoebus, not him. Phoebus turns to him]
Are you coming ...
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Other than the production logo and the title, there are no opening credits. See more »
On Australia's first home video release, about the entire last third of Hellfire was edited out, ending the scene with the line "I'll find her. I'll find her if I have to burn down all of Paris", and then a fade to black before moving on to the next scene. All the parts that were edited out have since been restored. See more »
Going into the theater to see this movie, my friend and I (who are "cynical" teenage movie critics) honestly expected to be disappointed, especially after the relatively blah Pocahontas. When the movie was over 90 min. later, we both ran frantically to go buy the CD and read the book (which, actually, was rather different than the movie, but hey.).
I am 17 years old; I grew up watching The Little Mermaid and Aladdin. When Disney released this movie, which dealt with extremely heavy subject matter in an extremely tasteful manner, I jumped for joy. During the entire movie, I was amazed and spellbound. The music was also fantastic, by the way, as was the cinematography (although those crowd scenes begin to look really fake after a while). That scene where Quasimodo holds Esmerelda up in front of the rose window and yells, "Sanctuary!" still gives me chills.
This is not a movie for children in any way, shape or form. I think the only problem with Hunchback is the fact that Disney refused to accept that this is a serious, relatively adult motion picture and would not make any animated movie, no matter how serious, without obnoxiously cute little critters (i.e., the gargoyles) bouncing around to entertain the kiddies, or huge marketing campaigns at McDonald's, etc. As some others have written on here, it's pretty obvious this movie isn't for kiddies from its subject matter.
But anyone over 13 who's willing to think as well as be entertained when watching a Disney movie would probably love Hunchback.
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