In 15th-century Paris, Clopin the puppeteer tells the story of Quasimodo, the misshapen but gentle-souled bell ringer of Notre Dame, who was nearly killed as a baby by Claude Frollo, the Minister of Justice. But Frollo was forced by the Archdeacon of Notre Dame to raise Quasimodo as his own. Now a young man, Quasimodo is hidden from the world by Frollo in the belltower of the cathedral. But during the Festival of Fools, Quasimodo, cheered on by his gargoyle friends Victor, Hugo, and Laverne, decides to take part in the festivities, where he meets the lovely gypsy girl Esmeralda and the handsome soldier Phoebus. The three of them find themselves ranged against Frollo's cruelty and his attempts to destroy the home of the gypsies, the Court of Miracles. And Quasimodo must desperately defend both Esmeralda and the very cathedral of Notre Dame.Written by
During "Hellfire", The priests are singing the beginning of the Confiteor (in Latin), a portion of the Penitential Rite of the Catholic Mass where the people confess their sins and ask for forgiveness. See more »
At the time of the movie, the use of digital technology to create large crowds of people was fairly new. Thus in many places if you watch the crowds instead of the main characters, you can clearly see how the crowd members all have simple, almost undefined faces and move in very computerized ways. This is especially easy to see at the end of the movie when the little girl pulls Quasimodo into the crowd - watch the crowd that parts for them. Other good examples are just after that when the crowd carries Quasimodo across the square (watch individual crowd members), at the Festival of Fools, and in the shot during the final battle where the gypsies and villagers, moving en masse towards the cathedral, are seen from above. See more »
Ah, duty calls. Have you ever attended a peasant festival, captain?
Not recently, sir.
Then this should be quite an education for you. Come along.
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At the end of the closing credits, the gargoyle Hugo says, "Good night, everybody!" See more »
On the 2013 Blu-ray release, the end credits have been modified, especially altering the Walt Disney Records print logo and changing "Distributed by Buena Vista Pictures Distribution" to "Distributed by Walt Disney Studios Motion Pictures". See more »
Well... No. Not quite. It's not the 'conventional classic' that everyone loves and adores (see: Aladdin, The Lion King) and will show their children and their children's children. But that's just it. How anybody can deny that this is a fantastic film is beyond me.
Okay, it's in no way true to the story. But who cares? This is a Disney FILM. It's hardly setting out to be a serious piece of literature-to-film.
It's just... breathtaking. Not just the animation (which is some of the most accomplished from Disney to date, whilst we're on the subject), but the characterisation and pace of story. Frollo is, arguably, the most evil Disney villain ever committed to celluloid. Here, Disney touches on dark themes never before explored in their animated feature lengths; the main one being lust. The scene with 'Hellfire' is truly chilling.
Quasimodo is a brilliant Disney hero. His alienation is easy to relate to, and yet he's still alien enough for one to feel so sorry for him. He's just so tragic. His unrequited love for Esmerelda as she runs off with someone cooler and better looking is something we can all relate to. I quite like how the ending is part conventional for Disney and part not. Yes, the pretty heroine gets the knight in shining armour, but at the same time the real leading man doesn't have to be paired off with a beautiful leading girl in order to end up happy.
The voices are really talented- the notable standout for me being Kevin Kleine as Phebus, and Esmerelda is arguably one of the best things Demi Moore has ever done. I also adore, against most people's opinions, the gargoyles. Yes, they're a bit OTT, but that's what Disney sidekicks are all about, and they provide essential comedy balance for the darkness of the film.
The Hunchback Of The Notre Dame may not be the most authentic film storyline-wise, but it is dark, touching, scary, poignant, funny, chilling, moving (it never fails to leave me in floods of tears) and is one of the few Disney films that can stand alone from Disney as a wonderful piece of cinematography in it's own right.
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