In 15th-century Paris, Clopin the puppeteer tells the story of Quasimodo, the misshapen but gentle-souled bell ringer of Notre Dame, who was nearly killed as a baby by Claude Frollo, the Minister of Justice. But Frollo was forced by the Archdeacon of Notre Dame to raise Quasimodo as his own. Now a young man, Quasimodo is hidden from the world by Frollo in the belltower of the cathedral. But during the Festival of Fools, Quasimodo, cheered on by his gargoyle friends Victor, Hugo, and Laverne, decides to take part in the festivities, where he meets the lovely gypsy girl Esmeralda and the handsome soldier Phoebus. The three of them find themselves ranged against Frollo's cruelty and his attempts to destroy the home of the gypsies, the Court of Miracles. And Quasimodo must desperately defend both Esmeralda and the very cathedral of Notre Dame.Written by
In the scene where Phoebus is arriving in Paris and looking for the Palace of Justice, Achilles sits on one of the soldiers and Phoebus cuts off half of his mustache with his sword. However, in the scene where Quasimodo is being tormented at the festival, the focus goes back to the same soldier. In some scenes he has his entire mustache, in other scenes only half. See more »
Hey-hey! There he is!
[He, Laverne, and Victor rush to cheer and applaud Quasi, who's walking back to the bell tower, glad to be rid of Pheobus]
Gizmo! You ejected that tin-plated baboon with great panache!
The *nerve* of him, snoopin' around here, trying to steal your girl.
Esmeralda. Dark hair, works with a goat. Remember?
Boy, I do! Way to go, lover boy!
"Lover boy"? Oh, no, no, no, no.
Aw, don't be so modest.
Look, I appreciate what you're all trying to do, but let's not fool ...
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Other than the production logo and the title, there are no opening credits. See more »
On the German VHS, the music video for The Kelly Family's "Gott Deine Kinder" was played before Eternal's "Someday" (the latter which is on the credits). See more »
I've just read a comment that this movie has a lot of bad songs. I absolutely disagree - there may be some weak parts of script or so, but music is indeed very, very good. Alan Menken made a masterpiece, as usual! The orchestration, score, everything, not to mention good voices of characters. But it is true that maybe this story isn't exactly meant for children, although Disney tried to make it closer to a child's ear and eye. I also think that the animation was really good - much more expressive than some of newer Disney's movies that were made almost entirely by computers. It's a pity that Hunchback wasn't more successful - it certainly deserved it.
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