High-schooler Grover Beindorf and his younger sister Stacy decide that their parents, Janet and Ned, are acting childishly when they decide to divorce after 18 years of marriage, so they lock them up in the basement until they'll sort out their problems. Their schoolfriends also decide to do the same with their parents to solve their respective problems.Written by
Ray Walston & Wallace Shawn collaborated later on in My Favorite Martian (1999). See more »
When Mr. Krupp gets through the concrete, the appearance is given that he'd been digging straight through, however when Mr. Finley goes through and gets stuck in the concrete, he's coming up through a hole made in the concrete lain ground level, rather than perpendicular to the ground. In addition to it being a factual goof, given the previous scene, it would also be physically impossible for him to climb through, seeing as his back would have to be bent at a 90 degree angle at one point in order to accomplish this feat. See more »
As the closing credits roll, we are shown the various family members in Hawaii hula-dancing, often in native garb or something close to it, singly and in various combinations. The footage ends with Chief Rocco (Ray Walston) stumbling out of some bushes with a set of night-vision goggles with which he tries to observe the rest of the cast (in full daylight). See more »
Too Good to Wake From
Written and Produced by Richard Rudolph and Michael Sembello
Published by Dolph Songs, Al Dente Music/BMG Music Publishing/Rysher Music, Inc./Rysher Songs, Inc.
Performed by Zendetta See more »
Funny with a useful lesson
This comedy, about a teenager and his younger sister who lock their parents in the basement until they work out their marital problems, is not as bad as it sounds. We wind up with a bunch of kids upstairs who know how to relate to one another but gradually have to work out how to keep practical things running, and a bunch of adults downstairs who are just the opposite. In truth, neither side does very well, but at least this is not the tired condescension of the kids screwing up and needing to be rescued by the adults: both groups are portrayed with a mix of severity and sympathy. Throw in a meddling retired chief of police across the street, and make him Ray Walston whom I think everybody loved most in "Picket Fences," and you have a film that is very entertaining, and also carries across some deeper meaning about what contributions young people and older ones can make to each other's ongoing development. Kyle Howard was 18 trying to play 14, which took a good deal of suspension of disbelief, but that miscasting seems to be an obsession Hollywood just can't seem to grow out of.
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