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Hamlet (1996)

PG-13 | | Drama | 25 December 1996 (USA)
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Hamlet, Prince of Denmark, returns home to find his father murdered and his mother remarrying the murderer, his uncle. Meanwhile, war is brewing.

Director:

Kenneth Branagh

Writers:

William Shakespeare (play), Kenneth Branagh (screenplay)
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Popularity
3,955 ( 484)
Nominated for 4 Oscars. Another 9 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
Riz Abbasi Riz Abbasi ... Attendant to Claudius
Richard Attenborough ... English Ambassador
David Blair David Blair ... Attendant to Claudius
Brian Blessed ... Ghost of Hamlet's Father
Kenneth Branagh ... Hamlet
Richard Briers ... Polonius
Michael Bryant ... Priest
Peter Bygott Peter Bygott ... Attendant to Claudius
Julie Christie ... Gertrude
Billy Crystal ... First Gravedigger
Charles Daish Charles Daish ... Stage Manager
Judi Dench ... Hecuba
Gérard Depardieu ... Reynaldo
Reece Dinsdale ... Guildenstern
Ken Dodd ... Yorick
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Storyline

Hamlet, son of the king of Denmark, is summoned home for his father's funeral and his mother's wedding to his uncle. In a supernatural episode, he discovers that his uncle, whom he hates anyway, murdered his father. In an incredibly convoluted plot--the most complicated and most interesting in all literature--he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the "prime minister," love and then unlove an innocent whom he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on stage, including his own and his mother's. Written by John Brosseau <brossj5683@aol.com>

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some violent images and sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

25 December 1996 (USA) See more »

Also Known As:

William Shakespeare's Hamlet See more »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$148,321, 29 December 1996, Limited Release

Gross USA:

$4,414,535, 13 April 1997
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Digital (35 mm prints)| SDDS (35 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

Kenneth Branagh first encountered the full length version of the play while performing in the 1992 BBC Radio production of the play with co-stars Derek Jacobi and Richard Briers (who would reprise their roles as Claudius and Polonius respectively in the film). This radio performance anticipated the winter 1992 full text production of Hamlet by the Royal Shakespeare company - the one that would finally crystallize Branagh's interpretation of the character and lead to the film. See more »

Goofs

The number of bones thrown out of the grave by the gravedigger. See more »

Quotes

Hamlet: 'Tis now the very witching time of night, when church yards yawn and hell itself breathes out contagion to this world.
See more »

Connections

Version of TV de Vanguarda: Hamlet (1953) See more »

Soundtracks

In Pace
Performed by Plácido Domingo
Text researched and adapted by Russell Jackson
See more »

Frequently Asked Questions

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User Reviews

Branagh really raised the bar with this version
3 February 2008 | by widescreenguySee all my reviews

seen one you've seen them all, right? wrong! I still like the sombre Olivier version and Gibson did well, but this is in a class of its own.

I finally realized with this expanded production set 200 years closer to the present the full message that Shakespeare cleverly concealed with the more prominent aspect of Hamlet's quandary, and that is he, Hamlet, is driven to distraction by the awareness its the insidiousness of human nature that created the conditions that saw his father murdered.

looking at the play with this insight you can see numerous scenes where this notion is there in the background. and by changing the era, Branagh shows yet again the astonishing applicability of that truth. all you need is to read a newspaper, something 'included' in this production.

thank god for British stage actors raised on Shakespeare.

a very rewarding viewing.


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