The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.
As Macbeth rides home from battle three witches stop him. They tell him that he will soon rise in power, first becoming Thane of Cawdor and then King of Scotland. King Duncan has just ... See full summary »
The RSC puts a modern spin on Shakespeare's Hamlet in this filmed-for-television version of their stage production. The Prince of Denmark seeks vengeance after his father is murdered and his mother marries the murderer.
A woman who has lost her memory is taken in by a Los Angeles orphanage, and a private eye is enlisted to track down her identity - but he soon finds that he might have a past life connection to her that endangers their lives.
Hamlet, son of the king of Denmark, is summoned home for his father's funeral and his mother's wedding to his uncle. In a supernatural episode, he discovers that his uncle, whom he hates anyway, murdered his father. In an incredibly convoluted plot--the most complicated and most interesting in all literature--he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the "prime minister," love and then unlove an innocent whom he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on stage, including his own and his mother's.Written by
John Brosseau <email@example.com>
Some pathologists conducted a study determining how long a person lasts before dying after being stabbed directly. A scene from this movie where Hamlet kills Polonius was also viewed as reference to their study. In the end, it was found that a person, after being stabbed directly, can only last long enough to utter four words. This means that Polonius' uttering of the words "O, I am slain" as he dies is medically possible. See more »
Spot of blood on Osric's lip when speaking to Hamlet. See more »
Whose grave is this sir?
[Resumes singing his ditty]
I think it be thine indeed, for thou liest in't.
You lie out on't sir, and therefore it is not yours. For my part I do not lie ins't and yet it is mine.
Thou dost lie in't to be in't, and say 'tis thine. 'Tis for the dead not for the quick, therefore thou liest.
'Tis a quick lie, sir. 'Twill away again from me to you.
See more »
The shorter, 135 minute version omits the appearances of the English Ambassador (Richard Attenborough), Priam (John Gielgud), Hecuba (Judi Dench), and Reynaldo (Gerard Depardieu). See more »
First, what I didn't like. The acting was not really up to the Hamlet standard. Branagh was really over-the-top, doing a lot of yelling mostly. In my opinion, those actors who were not big-name celebrities generally did a better job; though I would except Billy Crystal and Robin Williams. (And Charlton Heston, too, but I wasn't sure if he was playing at being a hack.) A lot of the ambiguities in the play were clearly resolved one way in the flashbacks.
What I think speaks very much in this play's favor is that it is accessible. Shakespeare is hard to understand for the vast majority of people nowadays; many people are not even inclined to try, because of its reputation as Serious Literature and its archaic English. If they see this film they will understand clearly at least one man's interpretation of the play. They will be seeing it more as Shakespeare's audiences saw it: a play with sword fights and battles, and mighty kings and nobles, murder and incest and evil schemes and ghosts--and great art, if one cares to look for it, but in Shakespeare's day most didn't, any more than most people do now. Branagh's overacting, and his forcing of his interpretation of the story on the viewer, may detract from Shakespeare's art somewhat, but it is better that modern audiences get a piece of it, rather than nothing.
I've got to say one more thing though. Some people are complaining that "it's set in the 19th century and that wasn't Shakespeare's time". Well, in Shakespeare's time their costume and scenery was that of their own day for all of their plays. Shakespeare may have SAID it's in the days of ancient Rome or medieval Denmark or whatever, but he didn't dress his characters up like they were, he used the costumes of his own time. For the same reason his plays are full of anachronisms. For example, in King John the English and French have cannons--in Robin Hood's day. In Julius Caesar they talk of chimneys, which wouldn't be invented for another thousand years, and in Henry IV they talk about Machiavelli, who wasn't even born yet then. So I think this objection is silly--you might as well complain that the play isn't in Danish (after all they live in Denmark don't they?).
28 of 46 people found this review helpful.
Was this review helpful to you?
| Report this