Hamlet (1996)

Hamlet, Prince of Denmark, returns home to find his father murdered and his mother remarrying the murderer, his uncle. Meanwhile, war is brewing.

Director:

Kenneth Branagh

Writers:

William Shakespeare (play), Kenneth Branagh (screenplay)

Stars:

Kenneth Branagh, Julie Christie, Derek Jacobi

Nominated for 4 Oscars. Another 9 wins & 20 nominations.

Cast

Cast overview, first billed only:
Riz Abbasi	...	Attendant to Claudius
Richard Attenborough	...	English Ambassador
David Blair	...	Attendant to Claudius
Brian Blessed	...	Ghost of Hamlet's Father
Kenneth Branagh	...	Hamlet
Richard Briers	...	Polonius
Michael Bryant	...	Priest
Peter Bygott	...	Attendant to Claudius
Julie Christie	...	Gertrude
Billy Crystal	...	First Gravedigger
Charles Daish	...	Stage Manager
Judi Dench	...	Hecuba
Gérard Depardieu	...	Reynaldo
Reece Dinsdale	...	Guildenstern
Ken Dodd	...	Yorick

Storyline

Hamlet, son of the king of Denmark, is summoned home for his father's funeral and his mother's wedding to his uncle. In a supernatural episode, he discovers that his uncle, whom he hates anyway, murdered his father. In an incredibly convoluted plot, the most complicated and most interesting in all literature, he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the "prime minister", love and then unlove an innocent whom he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on-stage, including his own and his mother's.

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Plot Keywords:

shakespeare play | ghost | gertrude character | ophelia character | horatio character | 

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated PG-13 for some violent images and sexuality

Details

Country:

UK USA

Language:

English

Release Date:

25 December 1996 (USA)

Also Known As:

William Shakespeare's Hamlet

Filming Locations:

Blenheim Palace, Woodstock, Oxfordshire, England, UK

Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$148,321, 29 December 1996, Limited Release

Gross USA:

$4,414,535, 13 April 1997

Company Credits

Production Co:

Castle Rock Entertainment,Turner Pictures (I),Fishmonger Films

Technical Specs

Runtime:

242 min 150 min (cut)

Sound Mix:

70 mm 6-Track (70 mm prints) Dolby Digital (35 mm prints) SDDS (35 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Did You Know?

Trivia

For sixteen years, it was the last studio movie to be shot in the 65/70mm process until the release of Paul Thomas Anderson's The Master (2012).

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Goofs

Light stand visible in the mirror just before and during a soliloquy.

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Quotes

Claudius: When sorrows come, they come not single spies but in battalions.

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Alternate Versions

Two versions should have been theatrically released at the same time: a complete 242-minutes director's cut shown only in selected venues (large key cities) and a shorter, wide-release version that ran about two-and-a-half hours. After some critical backlash, Castle Rock decided to release the complete 4 hours everywhere in the US and use the shorter version for some overseas territories.

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Connections

Referenced in Bill Shakespeare in Hollywood (2011)

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Soundtracks

In Pace
Performed by Plácido Domingo
Text researched and adapted by Russell Jackson

User Reviews

Branagh really raised the bar with this version

seen one you've seen them all, right? wrong! I still like the sombre Olivier version and Gibson did well, but this is in a class of its own.

I finally realized with this expanded production set 200 years closer to the present the full message that Shakespeare cleverly concealed with the more prominent aspect of Hamlet's quandary, and that is he, Hamlet, is driven to distraction by the awareness its the insidiousness of human nature that created the conditions that saw his father murdered.

looking at the play with this insight you can see numerous scenes where this notion is there in the background. and by changing the era, Branagh shows yet again the astonishing applicability of that truth. all you need is to read a newspaper, something 'included' in this production.

thank god for British stage actors raised on Shakespeare.

a very rewarding viewing.