Hamlet (Sir Kenneth Branagh), son of the King of Denmark (Brian Blessed), is summoned home for his father's funeral and his mother Gertrude's (Julie Christie's) wedding to his uncle Claudius (Sir Derek Jacobi). In a supernatural episode, he discovers that his uncle, who he hates anyway, murdered his father. In an incredibly convoluted plot, the most complicated and most interesting in all literature, he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the "Prime Minister", love and then unlove an innocent who he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on-stage, including his own and his mother's.Written by
John Brosseau <email@example.com>
The wintry exterior scenes were achieved with a combination of real snow and artificial snow made from a detergent solution. There was much debate between production designer Tim Harvey and the groundskeeper of Blenheim Palace as to whether the artificial snow would harm the hedges and other greenery on the palace grounds. Fortunately when the production was finished, the hedges were unharmed. See more »
When Laertes is shouting at Claudius on his return it is shot from two angles. From Claudius' view Laertes' sword is pressing against his neck and he pushes on it as he speaks, but from Laertes' view his sword is not touching and he waves it slightly as he speaks. See more »
'Tis now the very witching time of night, when church yards yawn and hell itself breathes out contagion to this world.
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The DVD & Blu-ray versions (released by Warner Bros.) do not have the Columbia torch lady logo featured at the beginning on the theatrical release and the version shown on cable TV as well as the ones released on VHS and LaserDisc. The film simply begins with the lighthouse Castle Rock logo. See more »
I must say that, looking at Hamlet from the perspective of a student, Brannagh's version of Hamlet is by far the best. His dedication to stay true to the original text should be applauded. It helps the play come to life on screen, and makes it easier for people holding the text while watching, as we did while studying it, to follow and analyze the text.
One of the things I have heard criticized many times is the casting of major Hollywood names in the play. I find that this helps viewers recognize the characters easier, as opposed to having actors that all look and sound the same that aid in the confusion normally associated with Shakespeare.
Also, his flashbacks help to clear up many ambiguities in the text. Such as how far the relationship between Hamlet and Ophelia really went and why Fortinbras just happened to be at the castle at the end. All in all, not only does this version contain some brilliant performances by actors both familiar and not familiar with Shakespeare. It is presented in a way that one does not have to be an English Literature Ph.D to understand and enjoy it.
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