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David Hyde Pierce,
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A three-paneled look at the worldwide AIDS crisis: in Montreal, a porn actor (Ashmore) schemes to pass his mandatory blood test; a young nun (Sevigny) makes a personal sacrifice for the benefit of a South African village; in rural China, a black market operative (Liu) posing as a goverment-sanctioned blood drawer jeopardizes an entire village's safety.
A young, female filmmaker looks through her camera for an object to film. She wants to film the private live of an ordinary person and starts following Guy. He is very irritated about this girl following him, always looking through her camera, never showing herself. She does not even say her name but follows him even home to his bedroom. He tries to get rid of her but she does not stop. After a while he gets used to the camera and the girl behind it and tries to get involved with her. First she protects herself with her camera but cannot keep the barrier up. When their feelings and Guy's actions become too confusing for them Guy disappears mysteriously. However, he comes back; with a camera.Written by
Gerhard Windecker <email@example.com>
I strongly recomend that you don't even give this movie a chance. Just the camera shots alone are enough to make me sea sick. I think I know where UPN got the idea for "HOME MOVIES" and that is GUY. I think Brandon from "HOME MOVIES" could of done a lot better job than the woman behind the camera.
If you rent the movie fast forward the movie at least an hour's worth and then play. There's at least 3 minutes of interesting film if youre a guy.
2 thumbs down :-((((
3 of 23 people found this review helpful.
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