A fascinating, hilarious and insightful little film
Made during the time when Steven Soderbergh was in the process of reinventing himself (see also "Schizopolis," made the same year), this is a wonderfully inventive film with a kinetic visual style to match Spalding Gray's verbal gymnastics. This is the kind of film that stays with you long after you've finished watching it, thanks to Gray's performance -- he is a terrific storyteller -- and Soderbergh's imaginative staging.
Caveat: If you're at all squeamish when it comes to graphic descriptions of eye injuries, this film may not be your cup of tea.
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