Sammy 'The Bull' Gravano was mafiosi. He started out as a soldier, but his talent for murder, including the slayings of his best friends, his wife's brother and his own boss, Paul ... See full summary »
Sprawling Mario Puzo novel about an Italian family of gangsters draws the inevitable comparison to "The Godfather", but does find its own direction. Headed by Don Domenico Clericuzio, the ... See full summary »
John Gotti, the head of a small New York mafia crew breaks a few of the old family rules. He rises to become the head of the Gambino family and the most well-known mafia boss in America. He is known as the Dapper Don for his expensive taste in suits, and the Teflon Don because none of the FBI charges against him will stick. Life is good, but suspicion creeps in, and greed, rule-breaking and his high public profile all threaten to topple him.Written by
Brian Rawnsley <firstname.lastname@example.org>
When Frank DeCicco's car is blown up it is across the street, but it later appears in front of the club. See more »
What is it?
Don Carlo's dead. Heart attack an hour ago.
Let him rest.
He made Big Paul the new boss on his deathbed.
What? No fuckin' way Carlo passed you up. For what? That piece of shit? He don't understand the street. He wants to be some butter-ass businessman. Come on. That's not Cosa Nostra.
Maybe a street guy is not what is needed. Maybe times are changin' John.
Bullshit! Come on! The soldiers don't even want him. Ask anyone here. They starve under the guy. Niel, the fuckin' guy he ...
[...] See more »
Entertaining and informative if you like Crime docu-dramas
GOTTI is a reasonably fast-paced account of John Gotti's rise to power in the Gambino crime family. I have an interest in Mafioso and I recognize the factual basis of some scenes, allowing for dramatic license. From there I'm willing to assume that the entire movie is based on actual events. Armand Assante is convincing in the role of John, and the supporting cast is noteworthy as well. They are probably a bit more genteel than were the actual mobsters, except perhaps when in the public eye.
The movie's rhythm seems to bog down in a couple of places. It detracts from the general tempo--but patience rewards with good action once again. The violence is not overplayed, in fact it is subdued. Anyone who is aware of the history of real Mafia perpetrators, such as Roy DeMeo, can vouch. Is Mafia life idealized here, thus making it attractive? I guess the viewer has to decide. I have watched it at least ten times and my favorite parts are the Intro and the Castellano hit, but there's more to like in between!
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