Ghosts of Mississippi is a real-life drama covering the final trial of Byron De La Beckwith, the assassin of heroic civil rights leader Medgar Evers. The movie begins with the murder on June 12, 1963 and the events surrounding the two initial trials which both ended in hung juries. The movie then covers district attorney Bobby De Laughter's transformation and alliance with Myrlie Evers, Medgar Evers' widow, as he becomes more involved with bringing Beckwith to trial for the third time 30 years later. Byron De La Beckwith was convicted on February 5, 1994, after having remained a free man for much of the 30 years after the murder, giving justice for Medgar Evers' family.Written by
Joel Schesser <firstname.lastname@example.org>
Sentenced to life imprisonment for the murder of Medgar Evers, Byron de la Beckwith died at the University of Mississippi Medical Center in 2001 in Jackson, Mississippi, having been transported there from Central Mississippi Correctional Center, aged 80. He had suffered from heart disease, high blood pressure and other ailments. See more »
When Bobby's father calls to his grandchildren to come get some of the baby-back ribs he's cooking on the grill, the kids come running off the boat dock. They start running in age order, with the boy in the light orange shirt second. But when the camera changes, the boy in the orange shirt is suddenly first. See more »
I love the land of my birth. I do not mean just America as a country, but Mississippi - the state in which I was born.
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The Ballad of Medgar Evers
Written by Matthew Jones
Performed by The Freedom Singers (as The SNCC Freedom Singers) Led by Matthew Jones
Courtesy of Mercury Records, Inc.
By Arrangement with PolyGram Film & TV Licensing See more »
Glossy but highly effective thriller based on the true story of an attempt to bring a racially motivated killer to trial. The film suffers from a certain liberal obviousness: brave, charming white man (who loves his kids) and dignified black widow fight side by side for justice; but it's always compelling, and pertinent too. No magic, then, but a strong story: one of director Rob Reiner's better efforts.
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