Spike Lee's vibrant semi-autobiographical portrait of a school teacher, her stubborn jazz musician husband and their five kids living in Brooklyn in 1973.
Director:
Spike Lee
Stars:
Alfre Woodard,
Delroy Lindo,
David Patrick Kelly
Spike Lee's take on the "Son of Sam" murders in New York City during the summer of 1977 centering on the residents of an Italian-American Northeast Bronx neighborhood who live in fear and distrust of one another.
A middle-class boy from Atlanta finds his worldview changed as he spends the summer with his deeply religious grandfather in the housing projects of Red Hook, Brooklyn.
Director:
Spike Lee
Stars:
Jules Brown,
Thomas Jefferson Byrd,
Toni Lysaith
Get on the Bus follows several Black men on a cross country bus trip to the Million Man March. On the bus are an eclectic set of characters including a laid off aircraft worker, a former Gang Banger, a Hollywood actor, a cop who is of mixed racial background, and a White bus driver, all make the trek discussing issues surrounding the march, manhood, religion, politics, and race.Written by
Robert Drake <robert.drake@index.com>
On October 16, 1996, the one year anniversary of the Million Man March, Spike Lee invites you to lift your head, raise your voice, and...get on the bus.
In this film, Andre Braugher portrays an actor who is openly homophobic. However, on the television series Brooklyn Nine-Nine, Braugher portrays an openly gay police chief. See more »
Goofs
By evening on the second day of driving, the bus had gone from Los Angeles, CA to Memphis, TN (almost 1,800 miles). Despite driving through the night, by evening on the third day they had only traveled as far as Knoxville, TN (almost 400 miles). See more »
Quotes
Jeremiah:
I think as we prepare to go on this journey; it might be appropriate to have a prayer.
[praying]
Jeremiah:
Dear Lord, we ask you to...
Flip:
[running onto the bus]
Damn, I'm glad ya'll ain't left. I didn't think I was ever goin' to...
George:
[angrily]
Hey; CP Time, we tryin' to have a prayer here!
See more »
Crazy Credits
Recumbent riders: Carol and Ken Lyon, who just happened to ride through the set on their Cross-Country Ramble from Ventura, CA, to Galveston, TX. See more »
Girl You Need A Change Of Mind
Written by Anita Poree and Leonard Caston
Used by Permission of Stone Diamond Music Corporation (BMI)
Administered by Jobete Music Co., Inc.
Produced by James Mtume (as James M'Tume) for Reel 2 Real Music, Inc.
Performed by D'Angelo
D'Angelo Appears Courtesy of EMI Records See more »
This was really one of those films which turned out to be a gem. I didn't care about the fact it was black-funded and had a virtually all black cast. The way I look at it, regardless of the racial signifying, it was a very strong film filled with symbols and depictions of black men that haven't been seen in other films. To me, Spike Lee should focus on the aspects of black life instead of showing the lines that separate.
Instead of making everything about racism, he should focus on the relationships which can exist and develop between people and diversity of the said individuals. The men all had different backgrounds; gay republicans, used car salesman, a UCLA film student, an older gentleman who actually experienced deep racism, an young Islamic man with a past, a father and son in the middle of a personal conflict and even the arrogant actor. Full of great performances, especially Ossie Davis, this film should have been the type of film Spike Lee would strive to make.
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This was really one of those films which turned out to be a gem. I didn't care about the fact it was black-funded and had a virtually all black cast. The way I look at it, regardless of the racial signifying, it was a very strong film filled with symbols and depictions of black men that haven't been seen in other films. To me, Spike Lee should focus on the aspects of black life instead of showing the lines that separate.
Instead of making everything about racism, he should focus on the relationships which can exist and develop between people and diversity of the said individuals. The men all had different backgrounds; gay republicans, used car salesman, a UCLA film student, an older gentleman who actually experienced deep racism, an young Islamic man with a past, a father and son in the middle of a personal conflict and even the arrogant actor. Full of great performances, especially Ossie Davis, this film should have been the type of film Spike Lee would strive to make.