Gabbeh

Is it racist to insist that this is the most beautiful film I have ever seen? I say racist, because much of what is 'merely' beautiful to me is part of a rich symbolic texture I couldn't always get; concentrating on aesthetics may seem to rob a film of its political force. That it has such force is proven by its being banned in its country of origin - Makhmalbaf's hiding behind allegory cannot disguise his impassioned analysis of poverty, the oppressiveness of tradition or the loneliness of women in a patriarchal society. This is a film full of nature's marvel, yet shows how 'nature' is often used to justify social repression - as the teacher's lesson demonstrates, if the creation of the gabbeh (an ornamental, narrative carpet) is art in nature's image, than nature (and the rules it inspires) is merely a recreation of ours.