A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
A timid and mute seamstress goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York City after dark and randomly shoots men with a .45 caliber pistol.
Mr. Devereaux is a powerful man. A man who handles billions of dollars every day. A man who controls the economic fate of nations. A man driven by a frenzied and unbridled sexual hunger. A ... See full summary »
In the 30's, in New York, the coffin of the leftist gangster Johnny Tempio is brought to the house of his older brother Ray for the wake of family and friends. Ray is a cold gangster that likes to read and is married to Jean. His brother Chez is a hot head that runs a bar and is married to Clara . Ray decides to revenge the murder of his younger brother and believes the gangster Gaspare is the one who killed Johnny. Meanwhile Chez has a breakdown with tragic consequences for the Tempio brothers.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The Funeral is a dark and gritty story that plumbs the characters in a New York band of criminal brothers. It doesn't have the romantic sweep of a Godfather movie, nor the rawness of Scarface. But it does have great acting: the cold, sinister aloofness of the leader-brother(Christopher Walken); the raging insanity of the bartender-brother(Chris Penn); and, the cockiness of the younger communist-influenced brother. Annabella Scioria as the wife with a tortured psyche who "had two years of college", and Bennissio del Toro, as the suave and slick rival mobster round out the terrific cast.
But the movie does have some problems. The abrupt, "surprise" ending is consistent with the arcs in the movie, and is supported by trends in the characters' developments, but seems unsatisfying. Also, long philosophical conversations between killer and victims seems unrealistic. While these conversations(and flashback sequences) give insight into characters, it just doesn't seem likely.
Watch this movie if you are a fan of crime/Mafia films, and you can enjoy a thoughtful introspection of characters and relationships between characters. Don't watch it if you want to see a "thrill-a-minute", or explosions every other scene.
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